| Photos (See all 55 | slideshow) | Videos (see all 7) |
| Tommy Lee Jones | ... | Ed Tom Bell | |
| Javier Bardem | ... | Anton Chigurh | |
| Josh Brolin | ... | Llewelyn Moss | |
| Woody Harrelson | ... | Carson Wells | |
| Kelly Macdonald | ... | Carla Jean Moss | |
| Garret Dillahunt | ... | Wendell | |
| Tess Harper | ... | Loretta Bell | |
| Barry Corbin | ... | Ellis | |
| Stephen Root | ... | Man who hires Wells | |
| Rodger Boyce | ... | El Paso Sheriff | |
| Beth Grant | ... | Carla Jean's Mother | |
| Ana Reeder | ... | Poolside Woman | |
| Kit Gwin | ... | Sheriff Bell's Secretary | |
| Zach Hopkins | ... | Strangled Deputy | |
| Chip Love | ... | Man in Ford | |
| Eduardo Antonio Garcia | ... | 'Agua' Man | |
| Gene Jones | ... | Gas Station Proprietor | |
| Myk Watford | ... | 'Managerial' Victim | |
| Boots Southerland | ... | 'Managerial' Victim | |
| Kathy Lamkin | ... | Desert Aire Manager | |
| Johnnie Hector | ... | Cabbie at Bus Station | |
| Margaret Bowman | ... | Del Rio Motel Clerk | |
| Thomas Kopache | ... | Boot Salesman | |
| Jason Douglas | ... | Cabbie at Motel | |
| Doris Hargrave | ... | Waitress | |
| Rutherford Cravens | ... | Gun Store Clerk | |
| Matthew Posey | ... | Sporting Goods Clerk | |
| George Adelo | ... | Mexican in Bathtub | |
| Mathew Greer | ... | Hitchhiking Driver | |
| Trent Moore | ... | Nervous Accountant | |
| Marc Miles | ... | Hotel Eagle Clerk | |
| Luce Rains | ... | Pickup Driver | |
| Philip Bentham | ... | Border Bridge Youth | |
| Eric Reeves | ... | Border Bridge Youth | |
| Josh Meyer | ... | Border Bridge Youth | |
| Chris Warner | ... | Flatbed Driver | |
| Brandon Smith | ... | INS Official | |
| Roland Uribe | ... | Well Dressed Mexican (as H. Roland Uribe) | |
| Richard Jackson | ... | Chicken Farmer | |
| Josh Blaylock | ... | Boy on Bike | |
| Caleb Landry Jones | ... | Boy on Bike (as Caleb Jones) | |
| Dorsey Ray | ... | Odessa Cabbie | |
| Angel H. Alvarado Jr. | ... | Norteño Band | |
| David A. Gomez | ... | Norteño Band | |
| Milton Hernandez | ... | Norteño Band | |
| John Mancha | ... | Norteño Band | |
| rest of cast listed alphabetically: | |||
| Scott Flick | ... | Cab Driver (uncredited) | |
| Angelo Martinez | ... | Bus Passenger (uncredited) | |
| Elizabeth Slagsvol | ... | Nurse (uncredited) | |
Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (screenplay) & | |
| Ethan Coen | (screenplay) | |
| Cormac McCarthy | (novel) | |
Produced by | |||
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Robert Graf | .... | executive producer | |
| Mark Roybal | .... | executive producer | |
| Scott Rudin | .... | producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Roger Deakins | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| John P. Goldsmith | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup department head (as Jean A. Black) | |
| Debra Clair | .... | additional hair stylist (as Debra R. Clair) | |
| Brian Hillard | .... | mold technician | |
| Paul LeBlanc | .... | hair department head | |
| Geordie Sheffer | .... | assistant hair stylist | |
| Dave Snyder | .... | makeup applicator/sculptor | |
| Sarah Spier | .... | makeup assistant | |
| Christien Tinsley | .... | special makeup effects artist | |
| Teresa Valenzuela | .... | wig maker | |
| Corey Welk | .... | additional makeup artist | |
Production Management | |||
| Karen Ruth Getchell | .... | production supervisor | |
| Robert Graf | .... | unit production manager | |
| Omar Veytia | .... | production manager: Mexico | |
Art Department | |||
| Chris Alvarez | .... | welding lead foreperson (as Chris M. Alvarez) | |
| J. Todd Anderson | .... | visual consultant | |
| Ulrike Auer-Erdoes | .... | paint foreperson (as Ulli Auer-Erdoes) | |
| Pedro Barquin | .... | on-set greensperson | |
| James Barth | .... | construction lead foreperson (as Jim Barth) | |
| Joe Barton | .... | greens foreperson | |
| Thomas J. Barton | .... | key greensperson | |
| Robin Blagg | .... | propmaker lead foreperson | |
| Meg Blissell | .... | signwriter | |
| Marcia Calosio | .... | assistant set decorator | |
| John C. Cameron | .... | assistant property master | |
| Thomas Chapman | .... | propmaker foreperson | |
| Victor Chavez | .... | propmaker foreperson (as Victor A. Chavez) | |
| Dennis Collins | .... | on-set painter | |
| Sage Emmett Connell | .... | set dresser (as Sage Connell) | |
| Chadney Everett | .... | set decoration foreperson | |
| Bobbi Jo Gonzales | .... | property assistant | |
| Paul Haag | .... | set dresser | |
| Paul Harman | .... | signwriter | |
| Gregory Hill | .... | graphic designer (as Gregory L. Hill) | |
| Deborah Jensen | .... | assistant art director (as Deborah L. Jensen) | |
| Arlen Johnson | .... | general lead foreperson (as Arlen J. Johnson) | |
| Caylen Johnson | .... | welding foreperson (as Caylen F. Johnson) | |
| Jason Mack | .... | set dresser | |
| Roberta Marquez Seret | .... | art department coordinator (as Roberta Marquez) | |
| Pat Martine | .... | paint lead foreperson: Marfa, Texas | |
| Jerry Martinez | .... | labor lead foreperson | |
| Quentin Matthys | .... | set dresser | |
| Cee Moravec | .... | on-set dresser | |
| Vance O'Loughlin | .... | propmaker foreperson (as John Vance O'Loughlin) | |
| Jesus Ornelas | .... | plaster foreperson | |
| David Phillips | .... | propmaker lead foreperson | |
| Zacheriah T. Rheam | .... | toolperson (as Zach Rheam) | |
| Ernest Romine | .... | paint foreperson (as Ernie Romine) | |
| Debbie Seif | .... | construction accountant | |
| Jaime Souza | .... | paint foreperson | |
| Bryan Stinson | .... | propmaker foreperson (as Brian Stinson) | |
| Scott Troha | .... | leadperson | |
| Benjamin M. Walsh | .... | set dresser | |
| Keith Walters | .... | property master | |
| Christopher Windisch | .... | construction coordinator | |
| Jeri Woodward | .... | paint lead foreperson | |
| Randal Woodward | .... | charge scenic | |
| James Fowler | .... | set dresser (uncredited) | |
| Tony Perez | .... | set dresser (uncredited) | |
| Chris Windish | .... | laborer/greensman (uncredited) | |
Sound Department | |||
| Craig Berkey | .... | re-recording mixer | |
| Craig Berkey | .... | sound designer | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Joel Dougherty | .... | assistant sound editor | |
| Cole Gittinger | .... | cable person | |
| Catherine Harper | .... | foley artist | |
| Kenton Jakub | .... | adr editor | |
| Randall L. Johnson | .... | boom operator (as Randy Johnson) | |
| Peter F. Kurland | .... | sound mixer (as Peter Kurland) | |
| Skip Lievsay | .... | re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Darrin Mann | .... | foley mixer | |
| Christopher Moriana | .... | foley artist (as Chris Moriana) | |
| Greg Orloff | .... | sound re-recording mixer | |
| Derek Vanderhorst | .... | foley editor (as Derek Vander Horst) | |
| Byron Wilson | .... | dialogue editor | |
| Eric Harwood | .... | sound recordist (uncredited) | |
| Jeff Knudsen | .... | sound mixer: second unit (uncredited) | |
| Roy Machado | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Peter Chesney Jr. | .... | special effects foreperson (as Pete Chesney) | |
| Peter Chesney | .... | special effects coordinator | |
| Tom Chesney | .... | special effects technician | |
| Helen Cohen | .... | special effects makeup business manager | |
| Paul Deely | .... | special effects technician | |
| Jason Hamer | .... | makeup effects coordinator | |
| Scott E. Hussion | .... | special effects production assistant | |
| Emmet Kane | .... | special effects technician | |
| Sandra Stewart | .... | special effects technician (as Sandy Stewart) | |
| Erin Sullivan | .... | sculptor/fabricator | |
| Russell Tamillo | .... | special effects production assistant | |
| Diane Woodhouse | .... | special effects makeup production coordinator | |
| Mark Ballou | .... | fabricator: Tinsley Transfers Inc. (uncredited) | |
| Megan Flagg | .... | special makeup effects artist: Tinsley Transfers (uncredited) | |
Visual Effects by | |||
| Robert Adams | .... | digital artist: Luma Pictures | |
| Chris Bradley | .... | digital artist: Luma Pictures | |
| Alexandre Cancado | .... | digital artist: Luma Pictures | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures | |
| Chad Dombrova | .... | lead technical director: Luma Pictures | |
| David V. Fedele | .... | digital artist: Luma Pictures (as David Fedele) | |
| H Haden Hammond | .... | sequence supervisor: Luma Pictures (as H. Haden Hammond) | |
| John R. Hazzard | .... | digital artist: Luma Pictures (as John Hazzard) | |
| Justin Johnson | .... | digital effects supervisor: Luma Pictures | |
| Wendy Klein | .... | digital artist: Luma Pictures | |
| Jason Locke | .... | digital artist: Luma Pictures | |
| Valy Lungoccia | .... | digital artist: Luma Pictures | |
| Glenn Morris | .... | visual effects producer: Luma Pictures | |
| Ashok Nayar | .... | visual effects coordinator: Luma Pictures | |
| Pavel Pranevsky | .... | cg supervisor: Luma Pictures | |
| Pimentel A. Raphael | .... | digital artist: Luma Pictures (as Raphael Pimentel) | |
| Peter Shipkov | .... | digital artist: Luma Pictures (as Petar Shipkov) | |
| Payam Shohadai | .... | senior visual effects supervisor: Luma Pictures | |
| Joey Sila | .... | digital artist: Luma Pictures | |
| Jared Simeth | .... | digital artist: Luma Pictures | |
| Thanapoom Siripopungul | .... | digital artist: Luma Pictures | |
| Steven Swanson | .... | visual effects supervising producer: Luma Pictures | |
| Jason Yanofsky | .... | digital artist: Luma Pictures | |
| Heather Holty | .... | digital laboratory project manager (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Gabe Shedd | .... | visual effects staff (uncredited) | |
Stunts | |||
| Bill Anagnos | .... | stunts | |
| Christopher Lee Bailey | .... | stunts | |
| Ben Bray | .... | stunts | |
| Tim Buchanan | .... | stunts | |
| Laurence Chavez | .... | stunts | |
| Eddie J. Fernandez | .... | stunts (as Eddie Fernandez) | |
| Lakshman Nathaniel Garin | .... | stunts (as Lakshman Garin) | |
| Jim Henry | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Toby Holguin | .... | stunts | |
| Brett A. Myrick | .... | stunts (as Brett Myrick) | |
| Mark Norby | .... | stunt double: Mr. Brolin | |
| Steve Rizzo | .... | stunts | |
| Tom Roach | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Tommy Rosales) | |
| Ramsey Scott | .... | stunts | |
| Jose L. Vasquez | .... | stunts (as Jose Vasquez) | |
| Laurence Vasquez | .... | stunts | |
| Jim Henry | .... | stunt double: Chip Love (uncredited) | |
| Steve Rizzo | .... | stunt double: Zach Hopkins (uncredited) | |
Casting Department | |||
| Jo Edna Boldin | .... | location casting | |
| Elizabeth Gabel | .... | background casting | |
| Barbara Harris | .... | voice casting | |
| Katy Houska | .... | background casting assistant | |
| Tracy Kilpatrick | .... | additional casting | |
| Marie A. Kohl | .... | casting assistant: New Mexico | |
| Amelia Rasche McCarthy | .... | casting associate: New York (as Amelia Rasche) | |
| Kathryn Schuetze | .... | casting assistant: New Mexico (as Kathryn 'Kit' Schuetze) | |
| Rachel Tenner | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Aleah Ames | .... | key costumer | |
| Debra Chapman | .... | seamstress | |
| Lori DeLapp | .... | costume supervisor | |
| Jenny Eagan | .... | assistant costume designer | |
| Emily Egge | .... | on-set costumer | |
| Delia Hauser | .... | costumer | |
| Nikki Kelly | .... | wardrobe production assistant | |
| Claire Sandrin | .... | on-set costumer | |
| Lisanne Scafine | .... | set costumer: second unit | |
| Stephani Lewis | .... | seamstress (uncredited) | |
| Mary Beth Sterling | .... | costume staff assistant: Los Angeles (uncredited) | |
Editorial Department | |||
| Buster Jacob Coen | .... | post-production assistant | |
| Catherine Farrell | .... | post-production coordinator | |
| Bruce Goodman | .... | colorist | |
| Michael Hatzer | .... | digital color timer: Efilm (as Mike Hatzer) | |
| Michael Kennedy | .... | digital intermediate producer: Efilm (as Mike Kennedy) | |
| Catie Laffoon | .... | post-production assistant | |
| Katie Mcquerrey | .... | assistant editor (as Katherine McQuerrey) | |
| Neil A. Stelzner | .... | associate film editor | |
| Tom Reiser | .... | colorist assist: Efilm (uncredited) | |
Music Department | |||
| Linda Cohen | .... | music executive | |
| Michael Farrow | .... | music mixer | |
| Michael Farrow | .... | music recordist | |
| Todd Kasow | .... | music editor | |
| Sandra Park | .... | orchestra contractor (as Sandy Park) | |
| Chris Robertson | .... | music clearance | |
Transportation Department | |||
| Edward Lassak | .... | transportation captain (as Edward A. Lassak) | |
| William F. Luehm | .... | picture vehicle coordinator (as William Luehm) | |
| Paul Ripple | .... | transportation dispatcher | |
| Timothy P. Ryan | .... | transportation coordinator (as Timothy Ryan) | |
| Lucas Pierce | .... | driver (uncredited) | |
Other crew | |||
| Douglas N. Acton | .... | medic (as Douglas Acton) | |
| Janine L. Aines | .... | animal trainer | |
| Sage Asteak | .... | set production assistant | |
| Mark Brooks | .... | wrangler | |
| Val Callaway | .... | production assistant | |
| Chris Carroll | .... | intern | |
| Craig Carter | .... | head wrangler: Marfa, Texas unit | |
| Elizabeth Cash | .... | production assistant | |
| Michael Chochol | .... | production assistant | |
| Stephen Clarke | .... | set production assistant | |
| Andrea Coles | .... | assistant: Mr. Rudin | |
| Rob Corlew | .... | assistant production coordinator | |
| Michael Dellheim | .... | location manager | |
| Melinda Eichberg | .... | animal trainer | |
| Fernando Estrada | .... | location manager: Mexico unit | |
| Marcy Etheridge | .... | wrangler: Marfa, Texas unit | |
| John Claude Fedrick | .... | office production assistant: Marfa, Texas unit | |
| Carrie Fleming | .... | assistant: Mr. Bardem | |
| Robbie Friedmann | .... | location manager: Marfa, Texas unit | |
| Rachael Lin Gallaghan | .... | production coordinator | |
| Raul Chico Goler | .... | office production assistant | |
| Peter Grendle | .... | production assistant | |
| Drew P. Houpt | .... | the one right tool (as Drew Houpt) | |
| Thomas Johnston | .... | script supervisor | |
| Nathan Kelly | .... | assistant: Mr. Rudin | |
| Ernie Klein | .... | assistant: Mr. Rudin | |
| Cheryl Kurk | .... | production accountant | |
| Lisa Kurk-Dmytryk | .... | additional accountant (as Lisa Kurk) | |
| Joe Lane | .... | assistant location manager | |
| Louis A. Lanni | .... | set production assistant | |
| Khary Lee | .... | animal trainer | |
| Yolanda Lopez | .... | customs broker: Mexico unit | |
| Jennifer Mancuso | .... | production secretary | |
| Ryon Marshall | .... | wrangler: Marfa, Texas unit | |
| Carmen Matthews | .... | craft service | |
| Carol Maxwell | .... | accounting clerk | |
| Mimi N. McGreal | .... | travel coordinator | |
| Mamie Mitchell | .... | script supervisor: second unit | |
| Patricia Mary Murphy | .... | serious matters (as Patricia Mary Murphy Esq.) | |
| Dale O'Malley | .... | medic | |
| Wesley Oliver | .... | assistant: Mr. Jones (as Wes Oliver) | |
| Jason Owen | .... | wrangler foreperson: Marfa, Texas unit (as Jason M. Owen) | |
| Dean Parker | .... | assistant: Mr. Burwell | |
| Gabriel Pérez | .... | production coordinator: Mexico unit | |
| Kristen Rakes | .... | assistant: Mr. Brolin | |
| Jeremy Reisig | .... | set production assistant (as Jeremy W. Reisig) | |
| Larry Rice | .... | weather guru | |
| Tom Roach | .... | animal trainer | |
| Mark Rothman | .... | assistant: Mr. Rudin | |
| Howard Samuelsohn | .... | dialect coach: Mr. Bardem | |
| Philip Seeger | .... | set production assistant (as Philip L. Seeger) | |
| Cheryl Shawver | .... | animal trainer | |
| Sue Smith | .... | assistant production coordinator: Marfa, Texas unit | |
| Todd Spears | .... | payroll accountant (as Todd C. Spears) | |
| Louise Spencer | .... | unit publicist (as Louise A. Spencer) | |
| Rebecca Puck Stair | .... | location assistant (as Rebecca 'Puck' Stair) | |
| Caroline Starkman | .... | caterer: For Stars Catering | |
| Peter M. Starkman | .... | caterer: For Stars Catering | |
| Holly L. Tadych | .... | craft service assistant (as Holly Tadych) | |
| Brett Tyne | .... | dialect coach: Ms. Macdonald | |
| Caesar Ursic | .... | medical consultant (as Dr. Caesar Ursic) | |
| Victoria Vopni | .... | animal trainer (as Victoria M. Vopni) | |
| Steve White | .... | assistant location manager: Marfa, Texas unit | |
| Jeff J. Williams | .... | security: Mr. Jones (as Jeff 'Big Daddy' Williams) | |
| Melissa Wiseman | .... | second assistant accountant | |
| Angelo Womack | .... | office production assistant | |
| Karen Yokomizo | .... | first assistant accountant | |
| Jeanie Zakowski | .... | craft service (as Jeane Zekowski) | |
| Joe Freeman | .... | gunsmith (uncredited) | |
| Matthew Honovic | .... | assistant: Mr. Rudin (uncredited) | |
| Carlos A. Montoya | .... | stand-in (uncredited) | |
| Noel Davis Poyner | .... | publicity intern (uncredited) | |
| John H. Price | .... | on-set interviews (uncredited) | |
| Rodney Smith | .... | stand-in: Agua Man (uncredited) | |
Thanks | |||
| Jason Willaford | .... | the producers wish to thank | |
| Ree Willaford | .... | the producers wish to thank | |
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I saw this film at a private preview screening in Pittsburg on 5/16/07. I went with five other friends. The entire group was male, 20 yrs old, and mostly college athletes. I explain the demographic of myself and my companions to reason why I was the only one that came away from the film completely satisfied. The story was fresh and different and I don't think my friends had the capacity to fully enjoy what was going on on-screen. I did. And I am still trying to fully understand what an accomplishment it is. Let me try to explain.
The Coens begin the movie with a voice-over against a barren Texas landscape, much the way Blood Simple began. In fact, there are several similarities between the two films, like the auspicious lack of music. A reviewer whose name escapes me once said that all Coen Bro. films look great and sound better. I'll get to sound later but to talk about the look... Other than some CGI animals, which really shocked me in such an otherwise perfect film, each frame is filled with such interesting material that the tone is set perfectly so that as you view a scene, you know whether to wait on a laugh or brace for...
A large part of what fills those frames is great performances. Perfectly cast is Tommy Lee Jones. He nails it, the crowd goes wild etc... That's expected though. Josh Brolin, on a very recent hot streak, has given us two tremendous performances this year and both would have been a Cannes if the superbly talented Tarantino was loyal to his material and friend and kept the masterpiece that was Grindhouse untouched. Brolin's performance in that film was spot on with the perfect amount of ham and cheese to set the tone for the whole movie. In this one, he shows he can do just as well playing strait and absorbing into character as he does at crowd-pleasing cheesballing it. Kelly Macdonald will have to do something else to prove to me she really isn't the Clara Jean character she portrayed even though I know she is a Scot. Woody Harrelson, who I think gets too much praise sometimes, is at his best here and actually manages not to get blown off the screen (well sorta) by Javier Bordem. Mr. Bordem's performance is a force, much like the character he portrays. His Chigurh is a representation of the lunacy of violence that exists in society. There is no negotiations with it, it has always been here and it will always be here. It/he leaves us in shock and terror and all we can do is... ??? The first thing that needs to be said about the sound is that if another film wins an award all year for sound or sound editing, investigations should be held and the judges' bank accounts monitored. The sound in this movie is so shockingly good. There is no music (save some comically placed source music)and the movie is all the better for it. People talk about the way the music in Jaws enhanced the tension of what was happening on screen. People should, from here on say that the lack of music and the placement of source sound in No Country for Old Men thrilled more.
I am certainly rooting for No Country for Old Men to come away with the hardware from Cannes.