| Radha Mitchell | ... | Kate Ryan | |
| Michael Vartan | ... | Pete McKell | |
| Sam Worthington | ... | Neil Kelly | |
| Caroline Brazier | ... | Mary Ellen | |
| Stephen Curry | ... | Simon | |
| Celia Ireland | ... | Gwen | |
| John Jarratt | ... | Russell | |
| Heather Mitchell | ... | Elizabeth | |
| Geoff Morrell | ... | Allen | |
| Damien Richardson | ... | Collin | |
| Robert Taylor | ... | Everett | |
| Mia Wasikowska | ... | Sherry | |
| Barry Otto | ... | Merv | |
| Shaun Longham | ... | Barfly |
Directed by | |||
| Greg Mclean | |||
Writing credits | ||
| Greg Mclean | (written by) | |
Produced by | |||
| Matt Hearn | .... | producer | |
| David Lightfoot | .... | producer | |
| Greg Mclean | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Frank Tetaz | (as François Tataz) | ||
Cinematography by | |||
| Will Gibson | |||
Film Editing by | |||
| Jason Ballantine | |||
Casting by | |||
| Angela Heesom | |||
| Venus Kanani | |||
| Mary Vernieu | |||
Production Design by | |||
| Robert Webb | |||
Art Direction by | |||
| Lucinda Thomson | |||
Set Decoration by | |||
| Lisa Thompson | |||
Costume Design by | |||
| Nicola Dunn | |||
Makeup Department | |||
| Mark Cleary | .... | creature effects | |
| Charmaine Connelly | .... | special makeup effects artist | |
| Rick Connelly | .... | special makeup effects artist | |
| Tina Gordon | .... | makeup artist | |
| Jennifer Lamphee | .... | hair stylist | |
| Jennifer Lamphee | .... | makeup artist | |
Production Management | |||
| Ayisha Davies | .... | production manager: second unit | |
| Mark 'Sharky' Johnson | .... | unit manager | |
| Sue Wild | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Renata Blaich | .... | third assistant director | |
| Marshall Crosby | .... | first assistant director | |
| Todd Embling | .... | second assistant director | |
Art Department | |||
| Ben Barber | .... | props buyer | |
| Ben Barber | .... | set dresser | |
| Steven Carroll | .... | prop sculptor | |
| Ben Corless | .... | construction manager | |
| Rohan Dawson | .... | paint foreman | |
| Justin Dix | .... | head sculptor | |
| Jennifer Donaldson | .... | set designer | |
| Gary Grimes | .... | scenic foreman | |
| Nick Hepburn | .... | art-department runner | |
| Alar Hordern | .... | greens foreman | |
| Peter Hordern | .... | head greensman | |
| Les Landon | .... | stand-by greensman | |
| Andy Robinson | .... | scenic artist | |
| Tuesday Stone | .... | art department assistant | |
| Scott Young | .... | assistant sculptor | |
Sound Department | |||
| Craig Carter | .... | sound designer | |
| Craig Carter | .... | sound editor | |
| Alan Freedman | .... | adr mixer: Los Angeles | |
| Chris Goodes | .... | adr mixer | |
| Jason Hancock | .... | foley recordist | |
| James Harvey | .... | adr editor | |
| Tom Heuzenroeder | .... | sound editor | |
| Des Keneally | .... | sound recordist | |
| Liam Price | .... | foley recordist | |
| John Simpson | .... | foley artist | |
| John Simpson | .... | foley supervisor | |
| Luke Smiles | .... | sound editor | |
| Peter D. Smith | .... | dialogue editor (as Peter Smith) | |
| Peter D. Smith | .... | sound re-recording mixer (as Peter Smith) | |
Special Effects by | |||
| Julie Anderson | .... | project coordinator: John Cox's Creature Workshop | |
| Peter Armstrong | .... | senior special effects technician | |
| Jason Baird | .... | sculptor: John Cox's Creature Workshop | |
| Toby Barron | .... | sculptor: John Cox's Creature Workshop | |
| Brett Beacham | .... | moldmaker: John Cox's Creature Workshop | |
| Janine Bray | .... | fabricator: John Cox's Creature Workshop | |
| Don Brooker | .... | sculptor: John Cox's Creature Workshop | |
| Mark Cleary | .... | moldmaker: John Cox's Creature Workshop | |
| Brian Cox | .... | senior special effects technician | |
| John Cox | .... | animatronics supervisor: John Cox's creature Workshop | |
| Dean Franklin | .... | animatronics: John Cox's Creature Workshop | |
| Michael Grose | .... | workshop assistant: John Cox's Creature Workshop | |
| Liam Hardy | .... | sculptor: John Cox's Creature Workshop | |
| Josh Head | .... | moldmaker: John Cox's Creature Workshop | |
| Josh Head | .... | special effects technician | |
| Bill Hunt | .... | sculptor: John Cox's Creature Workshop | |
| Tobias Jahke | .... | ceature effects crew | |
| Tobias Jahke | .... | moldmaker: John Cox's Creature Workshop | |
| Shane Lewis-Millar | .... | moldmaker: John Cox's Creature Workshop | |
| Richard Mueck | .... | sculptor: John Cox's Creature Workshop | |
| Lee O'Shaughnessy | .... | stunt team | |
| Steven Parker | .... | painter: John Cox's Creature Workshop | |
| James Paul | .... | animatronics: John Cox's Creature Workshop | |
| Ali Pearce | .... | special effects technician | |
| Brian Pearce | .... | special effects supervisor | |
| Cassie Pearce | .... | special effects technician (as Cassandra Pearce) | |
| Michael Plummer | .... | special effects coordinator (as Mick Plummer) | |
| Michael Plummer | .... | special effects technician (as Mick Plummer) | |
| David Renn | .... | sculptor: John Cox's Creature Workshop | |
| Steven Renn | .... | animatronics: John Cox's Creature Workshop | |
| John Searle | .... | sculptor: John Cox's Creature Workshop | |
| Mark Sloane | .... | animatronics: John Cox's Creature Workshop | |
| Michael van den Broeck | .... | special effects technician | |
Visual Effects by | |||
| Tate Arbon | .... | compositor: Fuel International | |
| Dan Ashton | .... | film recording technician: Weta Digital | |
| Jason Bath | .... | visual effects executive producer | |
| Jason Billington | .... | compositor: Fuel International | |
| Marten Blumen | .... | lead digital compositor | |
| Nick Booth | .... | film recording supervisor: Weta Digital | |
| Kent Boswell | .... | visual effects producer: Fuel | |
| Chris Bradley | .... | lead CG character animator: Fuel International | |
| Romain Buignet | .... | additional CG water artist: Fuel International | |
| Judd Christie | .... | compositor: Resin | |
| Richard Coburn | .... | compositor: Oasis | |
| Luke Cole | .... | systems administrator: FUEL International | |
| Sam Cole | .... | senior compositor: FUEL | |
| Nicholas Cross | .... | CG environments | |
| Dexter Davey | .... | digital compositor | |
| Chris Davies | .... | lead digital compositor | |
| Rahul Deshprabhu | .... | CG water artist: Fuel International | |
| Rahul Deshprabhu | .... | effects & lighting technical director | |
| Mark Dickson | .... | wire rig removal: Oasis | |
| Stéphanie Dubé | .... | creature texture painter | |
| Stéphanie Dubé | .... | shader artist: Fuel International | |
| Mick Eatson | .... | lead CG character animator: Fuel International | |
| Kane Elferink | .... | CG environments | |
| Lianne Forbes | .... | camera tracking supervisor | |
| Amelia Ford | .... | visual effects editor | |
| Agnes Gould | .... | rotoscope artist: Oasis | |
| Matt Greig | .... | lead digital compositor | |
| Belinda Griffiths | .... | 3D surface artist | |
| Belinda Griffiths | .... | matte painter | |
| Belinda Griffiths | .... | shader artist: Fuel International | |
| Kate Hagar | .... | on-set visual effects coordinator | |
| David Hampton | .... | film recording technician: Weta Digital | |
| Andrew Hellen | .... | visual effects supervisor | |
| Matthew Hermans | .... | technical director: Fuel International | |
| David Kenton | .... | compositor: Oasis | |
| Paul Lada | .... | lead CG character animator: Fuel International | |
| Christian Liliedahl | .... | lead CG character animator: Fuel International | |
| Grant Lovering | .... | digital compositor | |
| Olivia Lyne | .... | CG production coordinator: Fuel International | |
| Roy Malhi | .... | CG water artist: Fuel International | |
| James McCallum | .... | additional camera tracker: Fuel International | |
| Orlando Meunier | .... | CG muscle system: Fuel International | |
| Dave Morley | .... | visual effects supervisor | |
| An Nguyen | .... | system administrator/pipeline engineer: FUEL International | |
| Rachel O'Connell | .... | compositor: Oasis | |
| Pawel Olas | .... | lead CG lighting artist: Fuel International | |
| Michael Orbing | .... | lead CG modeler | |
| Nicole Papax | .... | matte painter | |
| Dylan Penhale | .... | systems administrator | |
| Marty Pepper | .... | colourist | |
| Marty Pepper | .... | visual effects compositor | |
| Richard Pritchard | .... | digital matte painter | |
| Richard Pritchard | .... | surfacing artist | |
| Craig Rowe | .... | digital compositor | |
| Murray Smallwood | .... | lead digital compositor | |
| David J. Smith | .... | lead CG character animator: Fuel International (as David Smith) | |
| Tim Sotiri | .... | CG lighter: Fuel International | |
| Francois Sugny | .... | lead CG water artist: Fuel International | |
| Francois Sugny | .... | senior 3D programmer | |
| Gary Sullivan | .... | CG character technical director: Fuel International | |
| Damien Thaller | .... | matte painter | |
| Anders Thonell | .... | supervising technical director: Fuel International | |
| Ray Van Steenwyk | .... | lead animator | |
| Grant Warwick | .... | additional CG modeler | |
| Pete Williams | .... | film recording manager: Weta Digital | |
| Matthew Wynne | .... | digital compositor | |
| Koji Yamaguchi | .... | compositor | |
Stunts | |||
| Lance Anderson | .... | assistant stunt coordinator | |
| Christian Chalmers | .... | stunt assistant | |
| Christian Chalmers | .... | stunt rigger | |
| Jarrah Cocks | .... | key stunt rigger | |
| Jarrah Cocks | .... | stunt assistant | |
| Jarrah Cocks | .... | stunt double | |
| Nash Edgerton | .... | stunt double: Michael Vartan | |
| Zev Eleftheriou | .... | stunt coordinator | |
| Amanda Graver | .... | stunts | |
| Beau Hurren | .... | stunt rigger | |
| Graham Jahne | .... | assistant stunt coordinator | |
| Jon Kralt | .... | stunt rider | |
| Siros Niaros | .... | stunt rigger | |
| George Saliba | .... | stunt assistant | |
| George Saliba | .... | stunt rigger | |
| Michael Saliba | .... | head stunt rigger | |
| Michael Saliba | .... | stunt assistant | |
Camera and Electrical Department | |||
| Craig Dusting | .... | key grip | |
| Karl Engeler | .... | gaffer | |
| Warwick Field | .... | director of photography: second unit | |
| Anthony Gerrish | .... | second grip | |
| Adrian Goodwin | .... | fourth grip | |
| Daniel Guerra | .... | still photographer | |
| Rob Hunter | .... | underwater director of photography | |
| Mark Lamble | .... | cinematographer: wildlife | |
| John Le Roy | .... | key rigging grip: reshoot | |
| Henare Mato | .... | rigging gaffer | |
| Darren McAngus | .... | additional grip | |
| Jody Muston | .... | first assistant camera | |
| Jacko Panagiotou | .... | third grip | |
| Ruru Reedy | .... | electrician | |
| Justin Rodski | .... | video split operator | |
| Kent Smith | .... | additional photographer | |
| Natalie van den Dungen | .... | second assistant camera | |
| Anthony Veith | .... | best boy | |
| Mark Kupenga | .... | additional rigging electric (uncredited) | |
Animation Department | |||
| Andy Cadzow | .... | previs artist | |
| Gary Hebert | .... | title animator | |
| Joseph Kim | .... | animator: fuel | |
| Paul Lada | .... | animator | |
Casting Department | |||
| Julie Lewington | .... | casting | |
Costume and Wardrobe Department | |||
| Laurel Morgan | .... | costumer | |
| Polly Smyth | .... | costume stand-by | |
Editorial Department | |||
| Amelia Ford | .... | first assistant editor | |
| Marty Pepper | .... | colorist | |
Music Department | |||
| Jim Atkins | .... | score engineer | |
| Lachlan Carrick | .... | music editor | |
| Lachlan Carrick | .... | score engineer | |
| Lachlan Carrick | .... | score mixer | |
| Brett Dean | .... | conductor | |
| Bethany Jones | .... | music clearances | |
| Kate Neal | .... | orchestrator | |
| Kate Neal | .... | strings textures | |
| Ben Northy | .... | additional conductor | |
| Jimi Richardson | .... | score recording intern | |
| Patrick Ryan | .... | score recording intern | |
| Frank Tetaz | .... | score mixer (as Francois Tetaz) | |
| Frank Tetaz | .... | score producer (as François Tétaz) | |
| Russell Thompson | .... | assistant engineer | |
| Jennifer Tutty | .... | music clearances | |
| David Vodicka | .... | music clearances (as David Vodika) | |
| James Wilkinson | .... | assistant engineer | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Steve Bonham | .... | marine coordinator: Katherine | |
| Manuel Caracciolo | .... | production assistant | |
| Kent Clifton-Bligh | .... | marine coordinator | |
| Mason Curtis | .... | location manager | |
| Michele Davis-Gray | .... | script editor (as Michele Davis) | |
| Jane Forbes | .... | script supervisor | |
| Alex Franklin | .... | development executive | |
| Serena Gattuso | .... | production coordinator | |
| Robyn Good | .... | island construction supplier | |
| Tiny Good | .... | diver | |
| Tiny Good | .... | head scaffolder | |
| Tiny Good | .... | island construction supplier | |
| Leeza Hura | .... | animal trainer | |
| Luke Hura | .... | animal trainer | |
| Michael Ienna | .... | stand-in | |
| Nick Jeffrey | .... | assistant accountant | |
| Nate Jones | .... | assistant: Ms. Mitchell | |
| Rosemary Lara | .... | manager of production: Lions Gate Film | |
| Julie Lewington | .... | production coordinator | |
| Andrew Lindley | .... | payroll accountant | |
| Robert M. Melnik | .... | executive vice president of business affairs | |
| Joe Pampanella | .... | safety supervisor | |
| James Paul | .... | puppet animatronic technician | |
| Christine Robson | .... | location accountant | |
| Laura Sevier | .... | rights and clearances | |
| Amanda Shamis | .... | business affairs coordinator | |
| Robbie Simons | .... | production assistant | |
| Monika Stankowski | .... | assistant accountant | |
| Matthew Stein | .... | studio executive | |
| Aaron Sterns | .... | script editor | |
| Jeffrey Swan | .... | water safety supervisor | |
| Trudy Talbot | .... | financial controller | |
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| Piranha | Resident Evil: Afterlife | Black Water | Poseidon | Dèmoni |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
Granted, it's not perfect, and the idea is not 100% original (from a cinematic point of view) but one thing I love about Greg McLean's films is that he takes what are essentially Australian icons and flips them totally askew. For instance in Wolf Creek the films brutal killer - Mick Taylor is basically Mick Dundee turned psycho. And in Rogue, he yet again takes a well known Australian reptile and sets it loose on some unsuspecting tourists.
There's no denying McLean can shoot a beautiful movie, and some of the wonderful scenes of the Australian top-end are simply stunning. The characters all portray strong performances, especially when the pressure sets in and they begin to crack. McLean also does a good job at drip feeding the dread and teasing the audience with nothing but growls, grunts and slippery tails. It's an age old formula where directors don't show the full extent of the threat till the end - well, thankfully we don't have to wait that long, as when the croc does reveal itself - we see that it is frickin'MASSIVE! And what's even more scary is that these thing's actually exist up there.
The croc itself is naturally CGI with some animatronics, and it's a relief to see that it looks "real". The movement and animation is authentic and the sound design is also effective in giving the audience that jolted feeling a 3 tonne croc would give.
It's a tense, taught and well directed film, and the only gripe I have about it is that it seems a little short - maybe that was put down the fact that I was so immersed into the film? But it did feel a little short. It also lacked the brutal punch Wolf Creek gave us back in 2005, but never the less, it's a cute little Aussie horror thriller where McLean pays sound homage to classics like Jaws and Aliens. And it's also good to see more "genre" films like this coming out of Australia, and it's also good to know people like the Weinsteins and Warner Brothers are backing horror films from Australia for international releases and distribution.
For anyone into their Reptillian chills and thrills - I highly recommend ROGUE.