A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
A 14th century Crusader returns to a homeland devastated by the Black Plague. A beleaguered church, deeming sorcery the culprit of the plague, commands the two knights to transport an accused witch to a remote abbey, where monks will perform a ritual in hopes of ending the pestilence. A priest, a grieving knight, a disgraced itinerant and a headstrong youth who can only dream of becoming a knight join a mission troubled by mythically hostile wilderness and fierce contention over the fate of the girl. When the embattled party arrives at the abbey, a horrific discovery jeopardises the knight's pledge to ensure the girl fair treatment, and pits them against an inexplicably powerful and destructive force. Written by
Originally development in 2000 when the spec script by screenwriter Bragi F. Schut and was purchased by MGM. The project moved from MGM to Columbia Pictures to Relativity Media, where the film was finally produced by Charles Roven and Alex Gartner. See more »
The caption reads "The Coast of Styria". Modern Styria - now a province in landlocked Austria - has no coastline at all. Neither did the Medieval Duchy of Steiermark (Styria in English), which did include the northeastern part of the modern state of Slovenia but nonetheless had no connection to the Adriatic Sea during the era depicted in the film. See more »
No sir, did not like it, the film felt slapped together from too many clichés. It felt like the production company didn't know if they wanted to make a camp horror or a historical thriller and decided to go halfway in the middle. which did not work.
The opening scene where the heroes are shown is just the same low budget battle shown in different lighting, with different city names but the same bad guys, and with snow thrown in once.
The special effects were comparable to the "legend of the seeker" series. Good for TV, bad for the big screen.
The actors where OK, nothing really to blame on them.
The dialogue wasn't horrible but the fact that it jumped from "well site and drink at the table of my for-bearers" to "let's kill this (female dog)" just didn't work! Please pick a linguistic style and stick to it. Ron Perlman was speaking like hamlet one minute and Hellboy the next.
The photography was well... bad. as in dark, grainy, who fogged the movie screen bad.
The ending is fairly predictable and the only reason I saw the end is because my wife said she was liking it when I asked here about 20 minutes in. If not I would have left and asked for my money back.
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