West (2007)

Director:

Daniel Krige

Writer:

Daniel Krige (written by)

Release Date:

5 July 2007 (Australia)

Genre:

Drama

Tagline:

Some places can break your heart.

Plot:

Pete & Jerry are cousins living in Sydney's Western Suburbs, where life consists of drinking, getting stoned, getting in fights and hanging out. But things change forever when Pete and Jerry both fall in love with the same girl. |

Plot Keywords:

Drinking | Bare Breasts | Train | Bar | Robbery

Cast

Khan Chittenden	...	Pete
Nathan Phillips	...	Jerry
Gillian Alexy	...	Cheryl
Michael Dorman	...	Mick
rest of cast listed alphabetically:
Blazey Best	...	Bunny
David Field	...	Doug
Robin Goldsworthy	...	Guy buying drugs
Barry Harrison	...	Kenwood's Mullet Mate
Anthony Hayes	...	Kenwood
Emma Jackson	...	Nurse
Adrian Jarrett	...	Angelo
Brendan Krige	...	Kenwood's Nuggety Mate
Daniel Krige	...	Todd
Cameron Lansdowne	...	Kenwood's Tattooed Mate
Tim McCunn	...	Steve
Felicity Price	...	Elizabeth
Matt Reeder	...	Chicken Shop Manager
Felicity Soper	...	Jean
Yael Stone	...	Stacey

Directed by
Daniel Krige

Writing credits (in alphabetical order)
Daniel Krige		written by

Produced by
Robert Connolly	....	consulting producer
Andrew Mason	....	executive producer
Matt Reeder	....	producer
Anne Robinson	....	producer

Original Music by
Andrew Lancaster
David McCormack
Johnette Napolitano

Cinematography by
Damian Wyvill

Film Editing by
Roland Gallois

Casting by
Kirsty McGregor

Production Design by
Marc Barold

Art Direction by
Alex Holmes

Costume Design by
Justine Seymour

Makeup Department
Briony Denver	....	makeup attachment
Sabrina Domenis	....	assistant makeup artist
Lara Jade	....	makeup department head
Sylvia Rose	....	makeup attachment

Production Management
Sandy Stevens	....	production manager

Second Unit Director or Assistant Director
Danielle Blake	....	third assistant director
Andrew Pante	....	second assistant director
Gordon Westman	....	first assistant director

Art Department
Greg Refeld	....	stand-by propsman

Sound Department
Rainier Davenport	....	sound recordist
Glenn Finnan	....	boom operator
Damon Mouris	....	sound effects editor
Andy Wright	....	dialogue editor
Andy Wright	....	sound re-recording mixer

Stunts
Damian Bradford	....	stunt driver
Mick Corrigan	....	stunt double
Mark Glindeman	....	stunt double: Nathan Phillips
Greg Robinson	....	stunt driver
Leon Stripp	....	stunt assistant
John Walton	....	stunt coordinator

Camera and Electrical Department
Simon Ansell	....	grip
Yiannis Aspradakis	....	still photographer
Colin Chase	....	best boy electric
Matt Coulam	....	grip
Mark Glindeman	....	gaffer
Daniel Guerra	....	still photographer
Paul Hamlyn	....	grip
Gabe Hammond	....	clapper loader
Shaun Hartas	....	grip
Jason Klaffer	....	best boy grip
Tonsil McFarland	....	camera operator
Jeremy Peek	....	grip
Michael Rich	....	key grip
Lisa Tomasetti	....	still photographer
Jay Torta	....	assistant camera
Andrew Ward	....	additional electrician
Damian Wyvill	....	camera operator: a camera

Casting Department
Sueanne Flyght	....	extras casting
Mollie Hancock	....	casting assistant
Emily Tilelli	....	casting assistant

Costume and Wardrobe Department
Barry Harrison	....	costume attachment
Lisa Harrison	....	costume supervisor

Editorial Department
Trish Cahill	....	digital intermediate colorist
Heather Galvin	....	on-line editor
Geoffrey Stott	....	digital intermediate support
Justin Ngy Tran	....	assistant on-line editor

Other crew
Amy Barclay	....	script supervisor
Linda Davies	....	unit nurse
Vanessa Edwards	....	production accountant
Tobin Hughes	....	location manager
Fiona Hutchison	....	production coordinator
Craig Lane	....	assistant: Mr. Hayes
Sue Smith	....	script editor
Edweana Wenkart	....	unit publicist

Thanks
John Lee	....	special thanks
Jackie McKimmie	....	special thanks
Geoffrey Rush	....	special thanks
Carole Sklan	....	special thanks
Quentin Tarantino	....	special thanks (as Quentin Tarrantino)

Production Companies

• West Films

Distributors

• Dendy Films (2007) (Australia) (theatrical)
• Lightning Entertainment (2007) (worldwide) (except Australia and New Zealand) (all media)
• Palace (2007) (Australia) (all media)

Runtime:

Australia:90 min

Country:

Australia

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Certification:

Australia:MA

Filming Locations:

Marrickville, Sydney, New South Wales, Australia

Company:

West Films

Sydney Morning Herald Review. June 30th 2007

WEST Lives unravel in this potent tale of suburban boredom and violence.

As I settled in to watch West, the story of two young under-educated slackers getting into trouble in Sydney's western suburbs, I experienced a hedonistic urge for a geographical alternative. Why, for once, couldn't it be East, the story of the West boys' privileged counterparts - rich kids in sharp suits exchanging sharp talk while getting into trouble in sleek, expensive Sydney? But that hasn't been the Australian way. We rarely see the city's moneyed class taken apart on screen. Our writers and directors prefer to look for their stories elsewhere and it has to be said that West's writer-director, Daniel Krige, is one of the most persuasive. The film's opening has Pete (Khan Chittenden) and his cousin, Jerry (Nathan Phillips), drinking beer and smoking dope in their favourite haunt - under a bridge over a stormwater canal. It's not exactly a scene rich in dramatic promise, yet when it comes to disarming your prejudices, Krige proves an expert. West's settings are where he grew up. It's his turf. Clearly, it fascinates and exasperates him. He also knows how to hold its extremes in delicate balance, giving us a place where boredom and violence come together repeatedly in the unholiest of alliances.

In their bunker-like retreat, Pete and Jerry are getting in the mood for a night of partying. They're also engaged in an unusually reflective conversation. Jerry, strangely enough, wants to talk about the future. He says he still doesn't know what he's going to do with the year ahead - a remark that mystifies Pete. He says that they'll do what they did last year. They'll see what happens. He doesn't believe in making plans. "They don't happen. You get depressed." In these few words the film lays out its theme. For Jerry does make plans and they mark the beginning of his life's unravelling.

At the party, we follow a bleary-eyed Pete, who is lusting after Cheryl (Gillian Alexy), a girl whose good looks and sexual swagger magnetise every male she meets. Predictably, he has no luck; she bypasses him in favour of Jerry, possibly because he's not as stoned and can still string a few sentences together. It's not Pete's night. Pursuing his part-time job as a drug dealer, he offends Kenwood (Anthony Hayes), the most loathsome member of a gang of thugs, and is beaten up and robbed.

These are the basic outlines of the cousins' circumscribed world. At night, it takes on a spurious poetry born of noise and bustle and the shimmer of neon on slick, wet pavements. But in the flat glare of daytime, all the promise and colour are leached out of it. Jerry desperately wants to escape and he takes what he hopes will be his first step by getting a regular job behind the counter of the local fast food outlet. The extent of his good intentions can be seen by his willingness to wear a cap decorated with chicken wings while making clucking jokes at his own expense.

Unimpressed, Pete just carries on as usual, lounging round with his drug-dealing boss, who leads an amiably addled half-life in front of his flat-screen television set. And when this routine wears thin, Pete goes to the bunker by the canal and sits smoking and drinking with Mick (Michael Dorman), another equally aimless twentysomething. Mick is afflicted with a stammer and an abiding pessimism. He also displays an unnerving preoccupation with moral hypotheses. "Would you wear a condom if you raped a girl?" he asks Pete, who's so shocked by the question that he can't stop thinking about it, or its sub-text: that the vacuum created by frustration and hopelessness could conceivably become toxic and cause him to do something he'd forever regret.

When the inevitable tragedy happens, they're all caught up in it. Saddest of all is the good-natured Jerry, who falls in love with Cheryl and makes the mistake of telling her so. It's a poignant performance by Phillips, whose Jerry is a compact, energetic figure, brimming over with a new and touching faith in the power of his own will. Chittenden's Pete is just as convincing. Lanky and soulful, he moves to a slower tempo than his cousin but his seeming passivity is deceptive. Behind it lies a deep reservoir of anger.

Krige's grasp of the narrative slips occasionally to make you wince with an inconsistency or a lapse in logic but his talent for the elliptical saves him at every turn. He has a flair for the kind of moment that can sum up a lifetime. He doesn't have to use words to spell out the contradictions in the bond between the cousins, for instance. He catches it in a single shot of them as they lie around smoking and talking in the bedroom they share in Jerry's mother's house. It's in the way the light falls across their bodies, forming sharply edged shadows that both link and separate them.

West is life in the bell jar. You may not want to be there but you can't deny the potency of the experience. Even so, I'm still hankering after East. For the right filmmaker, it could turn up narrative gold.

- Sandra Hall, Reviewer