| Photos (see all 3 | slideshow) |
Directed by | |||
| Peter Markle | |||
Writing credits(WGA) | ||
| Nevin Schreiner | (written by) | |
Produced by | |||
| David Craig | .... | supervising producer | |
| Delia Fine | .... | executive producer | |
| Clara George | .... | producer | |
| David Gerber | .... | executive producer | |
Original Music by | |||
| Velton Ray Bunch | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Scott Boyd | |||
Casting by | |||
| Michelle Allen | |||
| Mary Jo Slater | |||
Production Design by | |||
| Eric Fraser | |||
Art Direction by | |||
| Kendelle Elliott | |||
Costume Design by | |||
| Lorraine Carson | |||
Makeup Department | |||
| Rebeccah Delchambre | .... | makeup artist | |
| Connie Parker | .... | key makeup artist | |
Production Management | |||
| Billy Crawford | .... | post-production supervisor | |
| Wes Irwin | .... | post-production manager | |
| Julia Neville | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Larissa Ballstadt | .... | trainee assistant director | |
| Mindy Heslin | .... | second assistant director | |
| Elizabeth Scherberger | .... | first assistant director | |
Art Department | |||
| Leah Hong | .... | screen graphics designer | |
| Rohan Lyal | .... | head greensman (uncredited) | |
Sound Department | |||
| Rob Hutchins | .... | assistant dialogue editor | |
| Chris Julian Irwin | .... | foley artist | |
| Chris Julian Irwin | .... | foley mixer | |
| Chris Julian | .... | sound post-production | |
| Jim Lacamel | .... | boom operator | |
| Mark Linden | .... | sound re-recording mixer | |
| Mark Linden | .... | supervising sound editor | |
| Liam Lockhart | .... | sound re-recording mixer | |
| Tara Paul | .... | sound re-recording mixer | |
| Geoff Raffan | .... | dialogue editor | |
| Carlos Ramirez | .... | adr editor | |
| Carlos Ramirez | .... | dialog editor | |
| Joan Rowe | .... | foley artist | |
| David Scharf | .... | dialogue editor (as David A. Scharf) | |
| Adam Sharpe | .... | adr mixer | |
| Harry E. Snodgrass | .... | sound re-recording mixer | |
| Harry E. Snodgrass | .... | supervising sound editor | |
Special Effects by | |||
| Fred Apolito | .... | special effects technician | |
| Steve Tressel | .... | special effects technician | |
Visual Effects by | |||
| Roland Friedrich | .... | Flame artist | |
| Miro Gal | .... | Inferno artist | |
| Gary Gutierrez | .... | visual effects supervisor | |
| Lukas Herrmann | .... | digital matte paint artist | |
| Vít Komrzy | .... | visual effects producer | |
| Jirí Linhart | .... | digital effects artist | |
| Peter Nemec | .... | Inferno artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| David Vána | .... | visual effects coordinator | |
Stunts | |||
| John Stoneham Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dan Bennett | .... | key grip | |
| Simon Hall | .... | playback operator | |
| Tenzin Lhalungpa | .... | Steadicam operator | |
| Chooch Paglaro | .... | video playback supervisor | |
| Corey Robson | .... | digital imaging technician | |
| Steve Sherlock | .... | best boy grip | |
Casting Department | |||
| Manny Fernandez | .... | casting assistant | |
| Vince Rimoldi | .... | casting assistant | |
Editorial Department | |||
| Yoram Tal | .... | on-line editor | |
Music Department | |||
| David James Nielsen | .... | orchestrator | |
Transportation Department | |||
| Donald Chase | .... | driver: director | |
| Bob Dennett | .... | transportation coordinator | |
Other crew | |||
| Ed Baran | .... | publicist | |
| Bruce L. Brownstein | .... | location manager: Canada (as Bruce Brownstein) | |
| Danielle de Smit | .... | script supervisor | |
| Sandra Gould | .... | production accountant | |
| Danny Ho | .... | playback graphics producer | |
| Colin Jenken | .... | video/cgi playback | |
| Randy Kennedy | .... | location scout | |
| Christiaan Laan | .... | production assistant | |
| Marcie Larson | .... | assistant to director | |
| Flemming Lund | .... | assistant location manager | |
| Peter Madamba | .... | script researcher | |
| Jill McQueen | .... | second assistant production coordinator | |
| Elizabeth Mueller | .... | first assistant accountant | |
| David James Nielsen | .... | synthesizer programmer | |
| Karen Obertowich | .... | locations department | |
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| United 93 | A Mighty Heart | Sorry, Haters | Flightplan | The Time Shifters |
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Saw it on A&E last night and the only thing that drew me in was the curiosity of how much worse it might get. All the shots of innocent children playing were gratuitous and emotionally manipulative. The opening scenes of the baggage inspectors being so thorough was a bit contrived (apparently they were doing a better job back then than they do now). I got the sense that one of the goals of this film was to exculpate the federal government for its complacency, which after all is almost as much to blame for 9/11 as the hijackers. The hijackers were one-dimensional characters, almost like video game characters. There is no effort to show what their motives might have been, or to show that actual people did these things. I might be accused of sympathizing with the terrorists, but the fact is that they had a rationale (twisted as it was) for doing what they did, and if we are to end terrorism, we need to know and understand why it happens. I also couldn't identify with any of the passengers. Perhaps if the film makers spent less effort portraying the idyllic lives they lost (beautiful homes, beautiful children--did they really all live in tree-lined mansions in the countryside with angelic children) and spent more time on character development, it would have brought the pathos home. The Lord's Prayer sequence was particularly crass. If this wasn't based on a real event, it would simply have been an utterly forgettable B disaster movie not worth commenting on. As it is, this movie is a poor tribute to those who died that day, and a ghoulish attempt to satisfy our curiosity for what it might have been like to be on the plane that day rather than help us understand what happened and why.