| Photos (see all 4 | slideshow) |
Directed by | |||
| Peter Markle | |||
Writing credits(WGA) | ||
| Nevin Schreiner | (written by) | |
Produced by | |||
| David Craig | .... | supervising producer | |
| Delia Fine | .... | executive producer | |
| Clara George | .... | producer | |
| David Gerber | .... | executive producer | |
Original Music by | |||
| Velton Ray Bunch | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Scott Boyd | |||
Casting by | |||
| Michelle Allen | |||
| Mary Jo Slater | |||
Production Design by | |||
| Eric Fraser | |||
Art Direction by | |||
| Kendelle Elliott | |||
Costume Design by | |||
| Lorraine Carson | |||
Makeup Department | |||
| Rebeccah Delchambre | .... | makeup artist | |
| Connie Parker | .... | key makeup artist | |
Production Management | |||
| Billy Crawford | .... | post-production supervisor | |
| Wes Irwin | .... | post-production manager | |
| Julia Neville | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Larissa Ballstadt | .... | trainee assistant director | |
| Mindy Heslin | .... | second assistant director | |
| Elizabeth Scherberger | .... | first assistant director | |
Art Department | |||
| Leah Hong | .... | screen graphics designer | |
| Rohan Lyal | .... | head greensman (uncredited) | |
Sound Department | |||
| Rob Hutchins | .... | assistant dialogue editor | |
| Chris Julian Irwin | .... | foley artist | |
| Chris Julian Irwin | .... | foley mixer | |
| Chris Julian | .... | sound post-production | |
| Jim Lacamel | .... | boom operator | |
| Mark Linden | .... | sound re-recording mixer | |
| Mark Linden | .... | supervising sound editor | |
| Liam Lockhart | .... | sound re-recording mixer | |
| Tara Paul | .... | sound re-recording mixer | |
| Geoff Raffan | .... | dialogue editor | |
| Carlos Ramirez | .... | adr editor | |
| Carlos Ramirez | .... | dialog editor | |
| Joan Rowe | .... | foley artist | |
| David Scharf | .... | dialogue editor (as David A. Scharf) | |
| Adam Sharpe | .... | adr mixer | |
| Harry E. Snodgrass | .... | sound re-recording mixer | |
| Harry E. Snodgrass | .... | supervising sound editor | |
Special Effects by | |||
| Fred Apolito | .... | special effects technician | |
| Steve Tressel | .... | special effects technician | |
Visual Effects by | |||
| Roland Friedrich | .... | Flame artist | |
| Miro Gal | .... | Inferno artist | |
| Gary Gutierrez | .... | visual effects supervisor | |
| Lukas Herrmann | .... | digital matte paint artist | |
| Vít Komrzy | .... | visual effects producer | |
| Jirí Linhart | .... | digital effects artist | |
| Peter Nemec | .... | Inferno artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| David Vána | .... | visual effects coordinator | |
Stunts | |||
| John Stoneham Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dan Bennett | .... | key grip | |
| Simon Hall | .... | playback operator | |
| Tenzin Lhalungpa | .... | Steadicam operator | |
| Chooch Paglaro | .... | video playback supervisor | |
| Corey Robson | .... | digital imaging technician | |
| Steve Sherlock | .... | best boy grip | |
Casting Department | |||
| Manny Fernandez | .... | casting assistant | |
| Vince Rimoldi | .... | casting assistant | |
Editorial Department | |||
| Yoram Tal | .... | on-line editor | |
Music Department | |||
| David James Nielsen | .... | orchestrator | |
Transportation Department | |||
| Donald Chase | .... | driver: director | |
| Bob Dennett | .... | transportation coordinator | |
Other crew | |||
| Ed Baran | .... | publicist | |
| Bruce L. Brownstein | .... | location manager: Canada (as Bruce Brownstein) | |
| Danielle de Smit | .... | script supervisor | |
| Sandra Gould | .... | production accountant | |
| Danny Ho | .... | playback graphics producer | |
| Colin Jenken | .... | video/cgi playback | |
| Randy Kennedy | .... | location scout | |
| Christiaan Laan | .... | production assistant | |
| Marcie Larson | .... | assistant to director | |
| Flemming Lund | .... | assistant location manager | |
| Peter Madamba | .... | script researcher | |
| Jill McQueen | .... | second assistant production coordinator | |
| Elizabeth Mueller | .... | first assistant accountant | |
| David James Nielsen | .... | synthesizer programmer | |
| Karen Obertowich | .... | locations department | |
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| United 93 | Flightplan | The Time Shifters | Airport 1975 | The Hamburg Cell |
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I believe this film accomplished what it set out to do. No big stars, no big special effects, it focused just on the ordinary people that got caught up in this event. The film "United 93" is quite good but that is told in close to real time and includes several air traffic controllers where as this movie mainly comes from the communications the people on board had with people on the ground.
I have read some reviews that were based on the politics of the situation, I won't comment on those. If you read the reviews that talk to the actual movie I think you will get a better idea of the actual merits of the film itself.
The no name cast did quite well. As I said the focus is on the communications between people on the ground and those in the air who could see they were going to die. I think it's a movie that will be rated higher as we move away from the actual events. As far as the reviews go that say it's not realistic because everyone involved has blonde hair and or has a baby is on par with the reviewers who knocked the Lord of the Rings because so many of the main characters had blue eyes.