| Fejria Deliba | ... | Malika | |
| Charles Berling | ... | Jean | |
| Sofia Boutella | ... | Lila | |
| Farida Rahouadj | ... | Djamila | |
| Souad Amidou | ... | Sama | |
| Djida Belhaddad | ... | Houria | |
| Benhaïssa Ahouari | ... | Mohammed | |
| Tahidir Ouazine | ... | Aïcha (as Taïdir Ouazine) | |
| Farida Ouchani | ... | Nora | |
| Meryem Serbah | ... | Fatima | |
| Karim Saleh | ... | Hocine (as Karime Saleh) | |
| Abdelkrim Bahloul | ... | M. Ben Ammar | |
| Tassadit Mandi | ... | Mme Ben Ammar | |
| Claudine Baschet | ... | Le marabout | |
| Pascal Perriz | ... | Le moniteur de judo | |
| David Bruniaz | ... | Adrien |
Directed by | |||
| Rachida Krim | |||
Produced by | |||
| Denis Carot | .... | producer | |
| Marie Masmonteil | .... | producer | |
Original Music by | |||
| Safy Boutella | |||
Cinematography by | |||
| Chicca Ungaro | (director of photography) | ||
Film Editing by | |||
| Dominique Marcombe | |||
Casting by | |||
| Nathaniele Esther | (as Nathanièle Esther) | ||
Production Design by | |||
| Sylvie Deldon | |||
Costume Design by | |||
| Malika Khelfa | |||
Makeup Department | |||
| Valerie Arditty | .... | assistant makeup artist | |
| Frédérique Arguello | .... | key makeup artist | |
| Charlotte Arguillère | .... | assistant makeup artist | |
| Mathieu Gueracague | .... | hair stylist | |
Production Management | |||
| Olivier Bechat | .... | post-production supervisor | |
| Delphine Brochard | .... | post-production supervisor | |
| Sibylle Giard | .... | assistant unit manager | |
| Frédéric Lary | .... | production manager | |
| Eric Moreau | .... | unit manager | |
| Emmanuel Sajot | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Estelle Barris | .... | assistant director | |
| Rabia El Bouhati | .... | second assistant director | |
| Marion Lallier | .... | first assistant director | |
Art Department | |||
| Christophe Abelly | .... | assistant decorator | |
| Arthur Deleu | .... | property master | |
| Marie-Noëlle Lacassin | .... | assistant decorator | |
| Julien Philopemon | .... | construction manager | |
| Patrice Velut | .... | property master | |
Sound Department | |||
| Michel Casang | .... | sound | |
| Nicolas Fioraso | .... | assistant foley artist | |
| Grégory Lacroix | .... | boom operator | |
| Ulrike Laub | .... | sound editor | |
| Marie Massiani | .... | sound mixer | |
| Fred Mays | .... | post-synchronization | |
| Gadou Naudin | .... | foley artist | |
Stunts | |||
| Rémi Canaple | .... | stunts | |
Camera and Electrical Department | |||
| Slimane Berhoun | .... | best boy | |
| Thierry Debove | .... | gaffer | |
| Jean Marc Degardin | .... | second assistant camera (as Jean-Marc Degardin) | |
| Pascal Doyen | .... | electrician | |
| Olivier Goelen | .... | key grip | |
| François Perrault-Alix | .... | additional grip | |
| Xavier Servais | .... | grip | |
| Elisabetta Zampa | .... | first assistant camera | |
Casting Department | |||
| Youna De Peretti | .... | extras casting | |
Costume and Wardrobe Department | |||
| Christine Civrac | .... | additional costumer | |
| Chloé Degorce Dumas | .... | additional costumer | |
| Julie Sudre | .... | costumer | |
Editorial Department | |||
| Clotilde Aksin | .... | additional editor | |
Other crew | |||
| Nadège Cruvellier | .... | administrator | |
| Perrine Fontaine | .... | fiction director: FR2 | |
| Véronique Hallu | .... | press attache | |
| Marie-Hélène Losada | .... | fiction director: FR2 (as Marie-Hélène Humbert-Losada) | |
| Roger Ruiz | .... | group man | |
| Isabelle Thévenet | .... | script supervisor (as Isabelle Perrin-Thévenet) | |
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| Ricky | La petite Jérusalem | Indigènes | The Quiet American | Angel-A |
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| Full cast and crew | Company credits | IMDb France section |
I can't believe Charles Berling acted in this film. He's a good actor, like Comment j'ai tué mon père, Les Âmes fortes, and the superb Ridicule!
The daughter doesn't know how to act. She barely spatters her lines, moves like a robot, and her character development is 0 (she changes positions -from devoted daughter to loathsome defender of family values- only according to plot needs, alternating haphazardly). Basically the plot is so predictable, it's impossible to make a good film out of it. Corny at times, it's a pity because the sociological impressions here and there are indeed interesting. How the social influences the individuals, to the point of making individuals look like puppets in an age-old story, all this in the XXth century, is useful to be reminded of (even if not entirely enjoyable to watch). There are funny moments, like when "everybody" knows about her affair in the neighbourhood, and how that affects basically everything, even her daughter's marriage. The "neighbourhood friends" are interesting in their deviousness and "presence at all times". I liked a lot when the mum, who's not a weak character at all, tells them to "go home, for it's late" when she's got to scold the daughter. I suppose she meant: "It's a family affair".
The ending is particularly stupid.
All it all, it's a good film to understand a bit the weight of tradition on subjectivity. And working class life in France, for those of us who still idealize "Europe". But all this is hindered by, among many other things, obnoxious music, present at all times, pretending to give unity while only highlighting the "emotive moments".
A TV film to consume only in that medium.
PS: Fejria Deliba is nice as Malika.