A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
With the help of a mysterious pill that enables the user to access one hundred percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
In the year 2092, one hundred eighteen year old Nemo is recounting his life story to a reporter. He is less than clear, often times thinking that he is only thirty-four years of age. But his story becomes more confusing after he does focus on the fact of his current real age. He tells of his life at three primary points in his life: at age nine (when his parents divorced), age sixteen and age thirty-four. The confusing aspect of the story is that he tells of alternate life paths, often changing course with the flick of a decision at each of those ages. One life path has him ultimately married to Elise, a depressed woman who never got over the unrequited love she had for a guy named Stefano when she was a teenager and who asked Nemo to swear that when she died he would sprinkle her ashes on Mars. A second life path has him married to Jean. Their life is one of luxury but one also of utter boredom. And a third life path has him in a torrid romance with his step-sister Anna, the two who,... Written by
While on a break from filming the Neanderthal scenes, Sarah Polley received a call from a friend, who informed her that a Toronto Star reporter had discovered that her biological father was not Michael Polley, but Montreal film producer Harry Gulkin, whom her mother had an affair with in 1978 while performing in a play at the Centaur Theater in Montreal. Sarah, who had already discovered the truth herself, contacted the reporter and ran outside to a park bench in full make up and began crying as she convinced the reporter to sit on the story as she had not yet told Michael and wasn't sure that she wanted to. The reporter agreed and afterwards, Sarah decided to create a documentary film about her mother and the events that led to her conception and her family learning the truth - Stories We Tell (2012). See more »
At 01:34:37, when Nemo and Anna approach each other at the station, his jacket is half striped on his right shoulder. However, at one moment after the cut, his jacket is suddenly back on his shoulder. See more »
Nemo Nobody adult:
Like most living creatures, the pigeon quickly associates the pressing of the level with the reward. But when a timer releases a seed automatically every 20 seconds, the pigeon wonders, what did I do to deserve this? If it was flapping its wings at the time, it will continue to flap, convinced that its actions have the decisive influence on what happens. We call this "pigeon superstition".
Nemo Nobody adult:
[cut to Nemo on a gurney]
What did I do to deserve this?
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There's one thing about this film that makes me overlook the flaws:it's like nothing I've ever seen before. Some people walked out 20 minutes before the movie ended. I can't really explain to myself why ANYONE would do that (it was really tempting to ask but I literally couldn't take my eyes off the screen). It's really pointless to describe the plot because this movie is so much more then any summary could say. This film has so many stylistic, tonal and narrative changes that it seems absolutely mad for the first half hour. It's easily the most unique and worthy cinema experience in the last year, its feels very current. I could go on and on about the things I loved about this film but there's nothing right now that I would recommend seeing more to a person of any age, sex or taste in cinema. It's everything I could ask for in a film:funny, touching, thrilling, surreal, beautiful...
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