| Samir Guesmi | ... | Yacine | |
| Delphine Zingg | ... | Elle | |
| Djolof Mbengue | ... | Djibril | |
| Bass Dhem | ... | Moussa | |
| Axel Bogousslavsky | ... | Vincent | |
| Marc Martínez | ... | Filipo | |
| Xavier Serrat | ... | JB | |
| Irene Montalà | ... | Dounia | |
| Jany Gastaldi | ... | Jany | |
| Ali Mokrani | ... | Le père | |
| Sarah Marshall | ... | Le Mannequin | |
| Adel Bencherif | ... | Farid | |
| Abdelhafid Metalsi | ... | Amar | |
| Salima Boutebal | ... | Salima | |
| Marc Planceon | ... | Homme Scooter | |
| Jamal Djabou | ... | Jeune Pickpocket | |
| Jean-Charles Dumay | ... | Homme Pardon | |
| rest of cast listed alphabetically: | |||
| Sébastien Autret | ... | L'électro | |
| Delphine Daull | ... | L'assistante réalisateur | |
| Daniel Delfosse | |||
| Karine Dogliani | |||
| Jérémie Steib | ... | L'assistant réalisateur | |
Directed by | |||
| Alain Gomis | |||
Writing credits | ||
| Alain Gomis | ||
| Marc Wels | (contributing writer) | |
Produced by | |||
| Anne-Cécile Berthomeau | .... | producer | |
| Farès Ladjimi | .... | executive producer | |
| Edouard Mauriat | .... | producer | |
Original Music by | |||
| Xavier Capellas | |||
| Patrice Gomis | |||
Cinematography by | |||
| Benoît Chamaillard | |||
Film Editing by | |||
| Fabrice Rouaud | |||
Production Design by | |||
| Alexandre De Dardel | |||
Set Decoration by | |||
| Véronique Grosperrin | |||
Costume Design by | |||
| Virginie Montel | |||
Makeup Department | |||
| Luisa Ladjal | .... | makeup artist | |
Production Management | |||
| Sébastien Autret | .... | unit manager | |
| Elisabeth Guthmann | .... | assistant unit manager | |
| Alexa Rivero | .... | additional post-production supervisor | |
| Eduard Vallés | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jorge Calatayud Blasco | .... | second assistant director: Spain (as Jorge Calatayud) | |
| Delphine Daull | .... | first assistant director | |
| Mabeye Deme | .... | trainee assistant director | |
| Jérémie Steib | .... | second assistant director | |
Sound Department | |||
| Laure-Anne Darras | .... | foley recordist | |
| Séverin Favriau | .... | dialogue editor | |
| Daniel Gries | .... | foley artist | |
| Vincent Guillon | .... | sound editor | |
| Guillaume Le Bras | .... | sound (as Guillaume Lebraz) | |
| Vincent Lefebvre | .... | boom operator | |
| Jose A. Manovel | .... | sound mixer | |
| Jorge Marín | .... | sound editor | |
Casting Department | |||
| Geli Albaladejo | .... | casting: Spain | |
Editorial Department | |||
| Jérome Pey | .... | assistant editor | |
| Benjamin Weill | .... | additional editor | |
Other crew | |||
| Roselyne Bellec | .... | script supervisor | |
| Hong Seng | .... | trainee assistant producer | |
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| L'afrance | L'oiseau | Aujourd'hui | Petite lumière | Ahmed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I saw an advance screening of this film and I was literally bored to tears. I haven't seen Alain Gomis' previous works, but that one is a real mess.
This is the story of Yacine, a young social worker trying to leave his past, his low-life friends and his family behind him. He finds a job at a soup kitchen and soon the audience is drifting in his stream of consciousness from a one-night-stand to another, his obsession with a female model, his quest for his roots and odd encounters with homeless folks.
Except for the use of the music, a decent cinematography and a few refreshing funny parts, this film totally misses the mark by awkwardly blending *every single cliché* you could expect from a French independent movie (not only French, as the director quotes - or knocks off - Spike Lee's signature "floating shot"). Between "social realism" and fantasizing, professional actors and "real people" (the latter acting far better than the former - go figure) the movie reeks as much of amateurism and demagogy as it lacks authenticity and heart.
For instance: just as you were thinking the director spared us the sexual identity crisis (the most outrageously unoriginal and overblown cliché of the genre) the main character kisses a guy for no apparent reason. But that's after he tried to beat him up. And lectured him about his origins, his job, his looks...
Of course, the unsympathetic nature of about every character doesn't help. If handled correctly it could be a breeze of fresh air and a clever change from the always nice characters we're accustomed to. But in the end it's not the case. Speaking of which, the ending is so silly it makes Hollywood endings look bold in comparison.
You may give it a try, but at your own risks.