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Jorge Guerricaechevarría (writer)
Álex de la Iglesia (screenplay)
(more)
18 January 2008 (Spain) more
At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols. | add synopsis
5 wins & 5 nominations more
Exorcismus gets rolling in Spain
(From Fangoria. 20 October 2009, 12:49 PM, PDT)
Wrong Turn 3: Left For Dead DVD Features Announced!
(From Icons of Fright. 30 August 2009, 3:58 PM, PDT)
A rather pretentious but not bad movie more (53 total)
| Elijah Wood | ... | Martin | |
| John Hurt | ... | Arthur Seldom | |
| Leonor Watling | ... | Lorna | |
| Julie Cox | ... | Beth | |
| Burn Gorman | ... | Podorov | |
| Anna Massey | ... | Mrs. Eagleton | |
| Jim Carter | ... | Inspector Petersen | |
| Alan David | ... | Mr. Higgins | |
| Dominique Pinon | ... | Frank | |
| Tim Wallers | ... | Defence Lawyer | |
| James Weber-Brown | ... | Doctor | |
| Ian East | ... | Howard Green | |
| Charlotte Asprey | ... | Mrs. Howard Green | |
| Alex Cox | ... | Kalman | |
| Tom Frederic | ... | Ludwig Wittgenstein | |
| Michael Mears | ... | Mathematician 2 | |
| James Howard | ... | Newscaster | |
| Danny Sapani | ... | Scott | |
| Doug Kirby | ... | Security Guard | |
| Sarah Crowden | ... | Rude Shop Assistant | |
| Bruce Jamieson | ... | Soldier 1 | |
| Naomi Westerman | ... | Argumentative student | |
| rest of cast listed alphabetically: | |||
| Roque Baños | ... | Conductor | |
| Martin Nigel Davey | ... | Professor Wilkes | |
| James Fiddy | ... | Inspector | |
| Duane Henry | ... | PC Spencer | |
| Thomas Snowdon | ... | Soldier 2 | |
| John Wark | ... | Policeman 2 | |
| Glyn Angell | ... | Student (uncredited) | |
| Shane Nolan | ... | Police Officer (uncredited) | |
| John Snowden | ... | Professor in Lecture (uncredited) | |
Directed by | |||
| Álex de la Iglesia | |||
Writing credits(in alphabetical order) | ||
| Jorge Guerricaechevarría | writer | |
| Álex de la Iglesia | screenplay | |
| Guillermo Martinez | novel | |
Produced by | |||
| Álvaro Augustín | .... | producer | |
| Priscilla Bertin | .... | supervising producer: France | |
| Mariela Besuievski | .... | producer | |
| Vérane Frédiani | .... | co-producer | |
| Gerardo Herrero | .... | producer | |
| Álex de la Iglesia | .... | producer | |
| Kevin Loader | .... | co-producer | |
| Elena Manrique | .... | producer | |
| Franck Ribière | .... | co-producer | |
| Rosa Romero | .... | line producer | |
Original Music by | |||
| Roque Baños | |||
Cinematography by | |||
| Kiko de la Rica | (director of photography) | ||
Film Editing by | |||
| Alejandro Lázaro | |||
Casting by | |||
| Camilla-Valentine Isola | |||
| Gaby Kester | |||
Production Design by | |||
| Cristina Casali | |||
Art Direction by | |||
| Maria Chryssikos | |||
Set Decoration by | |||
| Marshall Aver | |||
Costume Design by | |||
| Paco Delgado | |||
Makeup Department | |||
| Neill Gorton | .... | prosthetic effects designer | |
| Carmel Jackson | .... | hair stylist | |
| Carmel Jackson | .... | makeup artist | |
| Jan Sewell | .... | hair stylist | |
| Jan Sewell | .... | makeup designer | |
Production Management | |||
| Kevin Jenkins | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jonny Benson | .... | second assistant director | |
| Dan Channing-Williams | .... | third assistant director | |
| Chris Croucher | .... | additional third assistant director | |
| Barrie McCulloch | .... | first assistant director | |
| Kenneth Thompson Marchesi | .... | first assistant director: additional photography | |
Art Department | |||
| Caroline Barclay | .... | stand-by art director | |
| Pete Britten | .... | art department (as Pete Brittan) | |
| Rebecca Chidgey | .... | art department assistant (as Rebecca Thompson) | |
| Craig Falco | .... | art department assistant | |
| Kate Halsall | .... | art department assistant | |
| Shane Harford | .... | stand-by props | |
| Richard Hart | .... | painter | |
| Ray McNeill | .... | property master | |
| Richard North | .... | art department assistant | |
| Camise Oldfield | .... | art department assistant | |
| Hugo Slight | .... | construction manager | |
| Jo Sweeney | .... | graphic designer | |
| Louis Turner | .... | dressing props: dailies | |
| Alex Walklate | .... | art department assistant | |
| Steven Burkett | .... | painter (uncredited) | |
Sound Department | |||
| Jorge Adrados | .... | assistant sound | |
| Nicolas de Poulpiquet | .... | sound re-recording mixer | |
| Diego Garrido | .... | sound re-recording mixer assistant | |
| Danny Hambrook | .... | sound recordist | |
| Adam Laschinger | .... | sound maintenance | |
| Carlos Schmukler | .... | sound editor | |
Special Effects by | |||
| Neal Champion | .... | special effects supervisor | |
| Peter Hawkins | .... | prosthetic effects | |
| Jon Moore | .... | prosthetics technician | |
| Bernard Newton | .... | special effects technician | |
| Anthony Parker | .... | prosthetic effects | |
| Scott Peters | .... | special effects technician | |
| Nick P. Phillips | .... | special effects technician | |
| Joe White | .... | special effects assistant | |
Visual Effects by | |||
| Félix Bergés | .... | visual effects supervisor | |
| Aníbal del Busto | .... | digital compositor | |
| Pablo Hernández-Meléndez | .... | senior cgi artist | |
| Inma Nadela | .... | digital compositor | |
| Guillermo Orbe | .... | digital compositor | |
| Ramón Ramos | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rafa Solorzano | .... | visual effects supervisor | |
| Carlos Trijueque | .... | digital compositor | |
| Daniel Trujillo | .... | digital compositor | |
Stunts | |||
| George Cottle | .... | stunt performer | |
| Steve Griffin | .... | stunts | |
| Lee Sheward | .... | stunt coordinator | |
| Andy Wareham | .... | stunt double: Podorov | |
| Andy Wareham | .... | stunts | |
Camera and Electrical Department | |||
| Nick Allsop | .... | clapper loader: "b" camera | |
| Ariana Bonavia | .... | clapper loader: "a" camera | |
| Jeremy Braben | .... | aerial director of photography | |
| Daniel-Konrad Cooper | .... | video assist operator | |
| Nicola Dove | .... | still photographer | |
| Ian Evans | .... | pilot: camera helicopter | |
| Darren Flindall | .... | rigger | |
| Eugene Grobler | .... | balloon light operator | |
| Yosu Inchaustegui | .... | camera operator | |
| Raúl Morales | .... | focus puller: "a" camera | |
| David Penfold | .... | focus puller: "b" camera | |
| Tom Scott | .... | rigger | |
| Paul Sharp | .... | rigging gaffer | |
| David Wall | .... | electrician | |
| Oliver Ward | .... | camera technician: Wescam camera | |
| Harry Wiggins | .... | lighting gaffer | |
Costume and Wardrobe Department | |||
| David Otzen | .... | costume assistant | |
Editorial Department | |||
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
| Cristina Pastor | .... | assistant editor | |
| Javier Ugarte | .... | post-production coordinator | |
Music Department | |||
| Roque Baños | .... | conductor | |
| Roque Baños | .... | orchestrator | |
| Peter Cobbin | .... | music mixer | |
| Peter Cobbin | .... | music engineer (uncredited) | |
Other crew | |||
| Paul M. Brennan | .... | floor runner (as Paul Brennan) | |
| David Campbell-Bell | .... | assistant location manager | |
| Daniel Castella | .... | assistant to director | |
| Daniel-Konrad Cooper | .... | production assistant | |
| Elton Farla | .... | medical support | |
| Emily Gardner | .... | production runner | |
| Sue Hills | .... | script supervisor | |
| Carlton Jarvis | .... | medical advisor | |
| Claudia Kalindjian | .... | unit publicist | |
| Stewart Kojima | .... | floor runner | |
| Gabby Le Rasle | .... | production coordinator | |
| Jaime Ortiz de Artiñano | .... | business affairs | |
| Lewis Partovi | .... | assistant production coordinator | |
| Sarah Teboul | .... | production accountant | |
| Karen Vicary | .... | assistant accountant | |
| Oliver Wiseman | .... | floor runner | |
Crimes à Oxford (France)
Los crímenes de Oxford (Spain: Castilian title)
Oxford Crimes (Spain) (working title)
Akolouthia fonon stin Oxfordi (Greece) (DVD title) [el]
I akolouthia tis Oxfordis (Greece) [el]
Los crímenes de Oxford (Argentina) [es]
Oxford Murders (Germany) (DVD title) [de]
Oxford cinayetleri (Turkey: Turkish title) [tr]
Oxfordin murhat (Finland) (DVD title) [fi]
more
108 min
2.35 : 1 more
Spain:13 | Italy:T | Argentina:16 | Singapore:M18 | Germany:16 | Finland:K-13 | Netherlands:12
The "Bormat's Last Theorem" that is solved in the movie is clearly a reference to Fermat's Last Theorem. Like Bormat's theorem in the movie, Fermat's theorem was widely considered to be (one of) the most difficult problems of the last 300 years. It was solved fairly recently (in 1995 by Andrew Wiles). It was solved using elliptic curves, and the proof was first demonstrated at Cambridge. Like the proof of Bormat's theorem in the movie, the proving of Fermat's was a very big deal in the world of number theory. more
Continuity: During the camera panning at >20min. when Wood is riding his bike and parks it by the fence and passes the tree, the camera cues anew. Wood's arm nearest the camera after he exits the tree does not match the way it was positioned when he entered behind the tree. more
The King of Denmark's Galiard more
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Since previous reviews are visible it is impossible to write one as if casting a virgin glance to the movie reviewed. It is obvious that the majority of the reviews was negative although the overall ratings were not that bad.I have to say that the movie was tolerable and and even enjoyable and I think that negative criticism stemmed from the fact that the cast and the locale as well as the intellectual pretensions of the movie raised expectations that could not be met. It is very common from my experience that when films deal with weighty matters such as mathematics, philosophy or religion they do so in a schematic and simplified manner and that applies also to movies that were successes such as The Name of the Rose or The Da Vinci Code. I can not find a way that such matters could be worked out and presented in a movie that has to last for about two hours approximately in any other manner that would appear anything but schematic and frivolous to someone who has personal experience or knowledge of such matters-movies are entertainment an not mathematical treatises or religious tracts and therefore simplification is a structural deficiency of this artistic medium cosubstancial with it and impossible to overcome. Therefore do not blame someone for something he can not deliver because of his nature.
Criticisms have been leveled against the characters and actors. Some people found that Wood was not attractive enough to find a sexual partner-as he did in the movie. Who is to judge that. By that logic beautiful people-whatever that means- should mate only with their kind-something that everyday experience denies. The inspector appeared as silly to some- well after all as in the book he did not find the real solution! The Russian student appeared as a caricature but after all that was the choice made by the movie-maker. As for the professor, well what can I say he was professorial and coming from a more traditional country in my experience professors are expected to act in a rather uppish manner.
The central riddle of the movie became crystal clear to me when I read the book because truly filmic time is to fast for me in order to be able to comprehend mysteries and their solutions and that is a general experience I have with films probably due to my lack of visual intelligence and comprehension.
I liked the sexy appearance of Lorna and I think it added to the movie as a diversion from the platitudinous philosophizing of some of the central characters.I think the movie had some sex, a little mathematics, some academia, a bit of mystery, the allure of a historic university town and a final twist of the plot-not that bad after all.