| Kelly Hu | ... | Caitlin | |
| Devon Sawa | ... | Quinn | |
| Ken Foree | ... | Leonard | |
| Steven Schub | ... | Nick | |
| Karen Maxwell | ... | Candy | |
| Dawn Olivieri | ... | Jezebel | |
| Ken Ohara | ... | Zatoichi | |
| rest of cast listed alphabetically: | |||
| Melissa Barker | ... | Ghoul | |
| Jacki R. Chan | ... | Dancer / Ghoul | |
| Kelly Guerrero | ... | Pixie Ghoul | |
| Robbyn Leigh | ... | Private dancer | |
| Eva-Maria Leonardou | ... | Ghoul / Dancer | |
| Sarah Long | ... | Dancer / Ghoul | |
| Robbin Ryan | ... | Private Dancer #1 | |
Directed by | |||
| Jeff Burr | |||
Writing credits(in alphabetical order) | ||
| Mitch Gould | writer | |
Produced by | |||
| Morris Berger | .... | executive producer | |
| Stephen R. Brown | .... | executive producer | |
| John Duffy | .... | producer | |
| Mitch Gould | .... | producer | |
| John W. Hyde | .... | executive producer | |
| Danny Wayne | .... | co-producer | |
Original Music by | |||
| Jon Lee | |||
Cinematography by | |||
| Viorel Sergovici | |||
Film Editing by | |||
| Louis F. Cioffi | |||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Paul Luther Jackson | |||
| Paul Jackson | |||
Art Direction by | |||
| Chet Maxwell | |||
| Dante Thomas | |||
Set Decoration by | |||
| Kristie Thompson | |||
Costume Design by | |||
| Jayme Bohn | |||
Makeup Department | |||
| Monica Araya | .... | assistant hair stylist | |
| Jason Barnett | .... | special makeup effects artist | |
| Kymber Blake | .... | hair stylist | |
| J.D. Bowers | .... | special makeup effects artist | |
| Tom Devlin | .... | special makeup effects artist | |
| Marti Fox | .... | assistant makeup artist | |
| Ken Niederbaumer | .... | special makeup effects artist | |
| Kelly O'Leary | .... | key makeup artist | |
| Richard Redlefsen | .... | special makeup effects artist | |
| Michael Ross | .... | special makeup effects artist | |
| Mark Viniello | .... | makeup supervisor | |
Production Management | |||
| Judith Black | .... | post-production supervisor | |
| Lawreen E. Kayl | .... | unit production manager | |
| Stacey Lock | .... | production supervisor | |
Art Department | |||
| Roxanne Brooks | .... | on-set dresser | |
| Dick Fritz | .... | leadman | |
| Haley M. Goosey | .... | set dresser | |
| Josh Hagen | .... | storyboard artist | |
| Eric Hull | .... | property master | |
| Xylon Jones | .... | set dresser | |
| Doug Schellhase | .... | set dresser | |
| Jed Voltz | .... | on-set dresser | |
| Christina Wagner | .... | art department coordinator | |
Visual Effects by | |||
| Peter Gend | .... | visual effects artist | |
| Carol VanHook | .... | visual effects | |
Stunts | |||
| Vai Au-Harehoe | .... | stunts (as Vaitiare Au-Harehoe) | |
| Melissa Barker | .... | stunts | |
| Zoe Bell | .... | stunt double | |
| Mitch Gould | .... | stunt coordinator | |
| Li Jing | .... | stunt double: Caitlin | |
| Reuben Langdon | .... | co-stunt coordinator | |
| H. Charles Parrish | .... | stunts | |
| Jade Quon | .... | stunts | |
| Bridgett Riley | .... | stunts (as Bridgette Riley) | |
| Mike Wilson | .... | stunts | |
Camera and Electrical Department | |||
| Zack Beseda | .... | grip | |
| Adam Castro | .... | second assistant camera | |
| Steve Dietl | .... | still photographer | |
| Marco Fargnoli | .... | director of photography: second unit | |
| Owen Foye | .... | gaffer | |
| Erik Gonzales | .... | assistant chief lighting technician | |
| Dean Gunderson | .... | first assistant camera: second unit | |
| Ty Jones | .... | grip | |
| Seth Kotok | .... | additional first assistant camera: second unit | |
| Beau Lambert | .... | electrician | |
| Chris Limpus | .... | electrician | |
| Grg Magidow | .... | first assistant camera | |
| Sam E. May | .... | grip | |
| Doug Oh | .... | additional first assistant camera: second unit | |
| J.C. Spike Osorio | .... | electrician | |
| Ryan Polack | .... | second assistant camera: second unit | |
| Robert Ruiz | .... | first assistant camera | |
| Kelly Uchimura | .... | additional first assistant camera: second unit | |
| Jon Witmer | .... | camera loader | |
Casting Department | |||
| Jennifer Lurey | .... | casting assistant | |
Editorial Department | |||
| Don Adams | .... | additional editor | |
| Alan R. Baxter | .... | assistant editor | |
| Harry James Picardi | .... | additional editor | |
Music Department | |||
| Michael Lloyd | .... | music supervisor | |
Transportation Department | |||
| Matthew Ballard | .... | transportation coordinator | |
| Shay Morgan Brook | .... | transportation captain | |
| Jared Robbins | .... | driver | |
Other crew | |||
| Fahed Alhabib | .... | office production assistant | |
| Christina Gordon | .... | script supervisor | |
| Sarah Long | .... | additional choreographer | |
| Sarah Long | .... | assistant to director | |
| Sarah Long | .... | special choreography | |
| John Mcgrath | .... | production assistant | |
| H. Charles Parrish | .... | weapons expert | |
| Haely White | .... | key production assistant | |
Thanks | |||
| Dan Walton | .... | special thanks | |
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| Ghost Rider | Silent Hill | Bill & Ted's Bogus Journey | Trick or Treat | Lost in Translation |
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If you're a fan of classic horror comedies, and you're a fan of classic Samurai movies, then this is the movie for you. It was for me. This film is entertaining, from the opening scene with Quinn and his buddy, to the end credit roll (good stuff to watch there too). It never stops, it never even really slows down since even the moments without a lot of action are pretty funny, and most importantly - my number one rule for any film- it never gets boring.
I read a couple of things comparing this movie to Dusk to Dawn. If you go looking for that, you might be disappointed. The production value is too different. This was maybe one tenth the budget, if that. But in my opinion, the story was better. And the action was better. If you disagree with me, go watch back and watch Sex Machine in Dusk to Dawn doing a slow back flip off the pool table and tell me that it was really good action. Not to mention, this movie has Samurai swords, and people who really know how to use them. And plenty of blood and jokes to go with them. Its worth watching. You won't be disappointed.