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31 August 2006 (Thailand) more
A Global Warning more
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide. full summary | add synopsis
Won 2 Oscars. Another 21 wins & 5 nominations more
Gore Urged To Go Veggie For 30 Days
(From WENN. 11 November 2009, 5:41 PM, PST)
'9/11' Tops 'Telegraph' Movies of the Decade List
(From Get The Big Picture. 7 November 2009, 1:11 AM, PST)
"You owe it to yourself to see this film ... more (481 total)
| Al Gore | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Billy West | ... | (voice) | |
| George Bush | ... | Himself (archive footage) (uncredited) | |
| George W. Bush | ... | Himself (archive footage) (uncredited) | |
| Ronald Reagan | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Davis Guggenheim | |||
Produced by | |||
| Lawrence Bender | .... | producer | |
| Scott Z. Burns | .... | producer | |
| Lesley Chilcott | .... | co-producer | |
| Lesley Chilcott | .... | line producer | |
| Davis Guggenheim | .... | executive producer | |
| Jeffrey D. Ivers | .... | executive producer (as Jeff Ivers) | |
| Laurie Lennard | .... | producer (as Laurie David) | |
| Jeff Skoll | .... | executive producer | |
| Ricky Strauss | .... | executive producer | |
| Diane Weyermann | .... | executive producer | |
Original Music by | |||
| Michael Brook | |||
Cinematography by | |||
| Davis Guggenheim | |||
| Bob Richman | |||
Film Editing by | |||
| Jay Cassidy | |||
| Dan Swietlik | |||
Second Unit Director or Assistant Director | |||
| John Stewart | .... | second assistant director | |
| Jonathan X | .... | first assistant director (as JJ Jonathan Jackson) | |
Sound Department | |||
| Tom Bergin | .... | additional sound: New York | |
| George Berndt | .... | adr editor | |
| George Berndt | .... | dialogue editor | |
| Lesley Chilcott | .... | additional sound: Beijing | |
| Joel Dougherty | .... | sound effects editor | |
| Alan Freedman | .... | adr mixer | |
| Dan Gleich | .... | additional sound: San Francisco | |
| Terry Hillman | .... | additional sound: Nashville | |
| P.K. Hooker | .... | sound effects editor | |
| Daniel Kent | .... | additional sound: Los Angeles | |
| Steve LeSieur | .... | assistant sound editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Daniel S. McCoy | .... | sound | |
| Eddie O'Connor | .... | additional sound: New York | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Jan Schulte | .... | additional sound: Los Angeles | |
| Paul Trautman | .... | sound | |
| Paul Wittman | .... | p.a. mixer | |
| Lu Xuelei | .... | additional sound: Beijing | |
Visual Effects by | |||
| Brian Fisher | .... | sea-level effects | |
| Brian George | .... | digital film colorist | |
| Brian George | .... | digital intermediate colorist | |
| Kevin Prendiville | .... | Flame artist | |
Camera and Electrical Department | |||
| Joaquín Baca-Asay | .... | additional cinematographer | |
| Ulli Bonnekamp | .... | additional cinematographer | |
| Curtis Clark | .... | additional cinematographer | |
| Jiebin Fan | .... | additional cinematographer (as Jae Fan) | |
| Davis Guggenheim | .... | camera operator | |
| D.J. Harder | .... | first assistant camera | |
| Darren Langer | .... | gaffer | |
| Eric Lee | .... | still photographer | |
| Dave Pritchett | .... | camera operator | |
| Carrie Richard | .... | camera operator | |
| Bob Richman | .... | camera operator | |
| Michael J. Schwartz | .... | camera operator | |
| John Snedden | .... | camera operator | |
| Chuck Weiss | .... | tape operator: HDTV studio segments | |
Animation Department | |||
| Brent Chambers | .... | animator: Hornet | |
Editorial Department | |||
| Javier Alvarez | .... | additional editor | |
| Kenny Becker | .... | color timer | |
| Owen Edinger | .... | assistant editor | |
| Larry Ferguson Jr. | .... | post-production consultant | |
| Bob Fernley | .... | digital intermediate producer | |
| Asim Matin | .... | first assistant editor | |
| Thomas Han Ul Park | .... | assistant editor | |
| Troy Rackley | .... | assistant editor | |
| Rebecca Weigold | .... | first assistant editor | |
Music Department | |||
| Sharon Smith | .... | music editor | |
Thanks | |||
| Tal Fiala | .... | special thanks | |
| Robert Messinger | .... | special thanks | |
| Robert Redford | .... | special thanks | |
| Carl Sagan | .... | special thanks | |
| Tim Sassoon | .... | special thanks | |
| Ada Shen | .... | thanks | |
| John Williams | .... | thanks | |
| David Zucker | .... | thanks | |
Eine unbequeme Wahrheit (Austria) (Germany) [de]
En obekväm sanning (Finland: Swedish title) (Sweden) [sv]
Une vérité qui dérange (Canada: French title) (France) [fr]
An Inconvenient Truth (Greece) (DVD title) [el]
En ubekvem sandhed (Denmark) [da]
Epämiellyttävä totuus (Finland) [fi]
La verdad incómoda (Colombia) [es]
La verdad incómoda - Una advertencia global (Argentina) [es]
Mia avoli alitheia (Greece) (TV title) [el]
Mia enohlitiki alitheia (Greece) [el]
Neprijatna istina (Serbia) [sr]
Uma Verdade Inconveniente (Brazil) (festival title) [pt]
Una scomoda verità (Italy) [it]
Una verdad incómoda (Spain) [es]
Uygunsuz gerçek (Turkey: Turkish title) [tr]
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Rated PG for mild thematic elements.
100 min
1.85 : 1 more
Canada:G | UK:U | Ireland:G | Singapore:PG | Finland:K-3 | Netherlands:MG6 | Norway:A | Hong Kong:I | Australia:PG | Portugal:M/6 | Sweden:Btl | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | USA:PG (certificate #42438) | Iceland:L | South Korea:All | France:U | Germany:o.Al. | Malaysia:U | Brazil:Livre
The DVD case, in which the film is packaged, is made from 100% recycled cardboard. more
Factual errors: When Gore shows the slide of the ice core graph at the beginning of the movie (about 20 minutes in), the numbers on the y-axis are wrong - the average is at 0.5, and the negative numbers are flipped. This graph is correct in the book; the slide is wrong and therefore misleading. more
[first lines]
Al Gore:
You look at that river gently flowing by. You notice the leaves rustling with the wind. You hear the birds; you hear the tree frogs. In the distance you hear a cow. You feel the grass. The mud gives a little bit on the river bank. It's quiet; it's peaceful. And all of a sudden, it's a gear shift inside you. And it's like taking a deep breath and going, "Oh yeah, I forgot about this."
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Referenced in "Getaway: (#16.37)" (2007) more
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| Alaska: The Tracy Arm Experience | Ice Bears of the Beaufort | The Day After Tomorrow | Canadian Mounties vs. Atomic Invaders | Jesus Camp |
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| News articles | IMDb Documentary section | IMDb USA section |
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... If you do not, and you have grandchildren, you should explain to them why you decided not to." - Roger Ebert
After the closing credits to An Inconvenient Truth rolled, I walked out to my car in the theater's parking lot. LA's infamous haze hung low, crimson in the twilight. In the foreground a solitary grasshopper pump drew up oil that had laid dormant for hundreds of millions of years. If Supersize Me made the prospect of a Big Mac and fries a little less appealing, imagine the feeling of slipping into a six cylinder car for a three mile trip home.
Just the same, An Inconvenient Truth is not about blame. It's also not only about the problems that global warming poses. Instead, it sets aside the matter of "who's fault is it" and leaves the viewer with the desire to ask and answer the question of "what can I do?" The film (and companion website) does not fail to deliver: both offer practicable steps to take regarding the literal sea change facing the planet.
The movie presents evidence that, to me, was quite compelling. Is it incontrovertible? Not being an environmental scientist, I couldn't say. But it's telling that out of almost 1000 peer reviewed scientific journals the film examines on the topic of global warming, the matter was not questioned by one (though doubted in more than half of the popular literature written during the same time). It's also worth mentioning that while Al Gore hosts the film, this movie is not about him. And while he may have showed up for some six years ago as stiff and stodgy, in this context he is masterful in blending the informative with the entertaining.
Go see the film for yourself. Bring a friend. Trust me, you'll be glad to have carpooled.