| Photos (see all 10 | slideshow) | Videos (see all 8) |
Directed by | |||
| Daniel Waters | |||
Writing credits(WGA) | ||
| Daniel Waters | (written by) | |
Produced by | |||
| Cary Brokaw | .... | producer | |
| Lizzie Friedman | .... | producer (as Elizabeth Zox Friedman) | |
| Aaron Geller | .... | executive producer (as Aaron Craig Geller) | |
| Jerry P. Jacobs | .... | co-producer | |
| Greg Little | .... | producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Daryn Okada | (director of photography) | ||
Film Editing by | |||
| Trudy Ship | |||
Casting by | |||
| Andrea Stone-Brokaw | (as Andrea Stone) | ||
Production Design by | |||
| John Larena | |||
Art Direction by | |||
| Helen Harwell | |||
Set Decoration by | |||
| Peggy Paola | |||
Costume Design by | |||
| Julia Caston | |||
Makeup Department | |||
| Merc Arceneaux | .... | makeup artist | |
| Diana Brown | .... | makeup artist | |
| Suzanne Diaz | .... | makeup artist (as Suzy Diaz-Westmore) | |
| Deborah K. Larsen | .... | makeup department head | |
| Lisa Meyers | .... | hair stylist (as Lisa J. Meyers) | |
| K.G. Ramsey | .... | hair department head | |
Production Management | |||
| Jerry P. Jacobs | .... | unit production manager | |
| Jeffrey M. Rose | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Leah King | .... | second second assistant director | |
| Eric A. Pot | .... | first assistant director | |
| Robert 'Skid' Skidmore | .... | second assistant director | |
Art Department | |||
| Sarah Geller | .... | on-set dresser | |
| Andrew Guinn | .... | set dresser | |
| Dallas Richard Hallam | .... | assistant property master | |
| Jason E. Hatfield | .... | set dresser | |
| Tony Howell | .... | set dresser | |
| Tom Humphrey | .... | on-set dresser (as Tom Humphrey) | |
| Ben Lewis | .... | property master | |
| David Lloyd | .... | lead man | |
| Matt Pennington | .... | construction coordinator | |
| Anthony Price | .... | on-set dresser | |
| Brook Shafer | .... | on-set dresser | |
| Jeffrey K. Shu | .... | carpenter | |
| Jeffrey K. Shu | .... | propmaker | |
| Daniel Trainer | .... | set dresser | |
Sound Department | |||
| Gary Coppola | .... | sound re-recording mixer | |
| Gary Coppola | .... | supervising sound editor | |
| Frederick Howard | .... | sound effects editor | |
| Yagmur Kaplan | .... | adr mixer | |
| Maciek Malish | .... | dialogue editor | |
| Coleman Metts | .... | production sound mixer | |
| Jordan Pontell | .... | dialogue assembly | |
| Edward M. Steidele | .... | foley artist | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
| David Warburton | .... | post facility coordinator | |
| Ace Williams | .... | boom operator | |
| Mandell Winter | .... | sound effects editor | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Michael Mintz | .... | digital film colorist | |
Casting Department | |||
| Chris Bustard | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jamie Bresnan | .... | wardrobe assistant | |
| Rani Cunningham | .... | costumer (as Rani Self) | |
| Pamela Havens | .... | costume supervisor | |
| Jeannie H. Kelly | .... | wardrobe supervisor | |
| Laura E. Little | .... | costumer (as Laura Liz Little) | |
| Michelle Margolis | .... | on-set costumer | |
| Christina Mongini | .... | costume assistant | |
Editorial Department | |||
| Nicholas 'Nikko' Tsiotsias | .... | first assistant editor | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Stephen Coleman | .... | music programmer | |
| Trevor Gilchrist | .... | music programmer: score | |
| James Sall | .... | music supervisor | |
| Ralph Sall | .... | executive music producer | |
| Dan Savant | .... | music contractor | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
Transportation Department | |||
| Ed Adams | .... | driver | |
| Rafael Baires | .... | driver | |
| Brian Eastveld | .... | driver | |
| Robert Fulps | .... | driver | |
| Dan Gearhart | .... | driver: honeywagon | |
| Frankie Gearhart | .... | driver | |
| Kelly Harkess | .... | driver | |
| Philip Henderson | .... | driver | |
| Curt Larson | .... | driver | |
| Calvin McDowell | .... | driver | |
| Jay Norof | .... | transportation captain | |
| Hugo Ocana | .... | driver | |
| Tony Ruiz | .... | transportation coordinator | |
| Don Williams | .... | driver: water truck | |
| Ali Yegahne | .... | driver | |
Other crew | |||
| Ed Adams | .... | fueler | |
| Emma Baksi | .... | assistant: Winona Ryder | |
| Brian Beard | .... | digital optical conformist | |
| Kristin Brokaw | .... | directorial assistant | |
| Yvonne Caycedo | .... | assistant to producers | |
| Lily Garcia | .... | set production assistant | |
| Andrew R. Gardiner | .... | key assistant location manager | |
| Judy Geletko | .... | post-production accountant | |
| Russell Gremillot | .... | location manager | |
| Ali Jazayeri | .... | production financing | |
| Lisa McNeil | .... | additional script supervisor | |
| Lindsey Mesa | .... | assistant: Ms. Friedman | |
| Bryan Meyers | .... | first assistant accountant | |
| Tracy L. Moody | .... | script supervisor | |
| Julie Morgan | .... | production coordinator | |
| Patrick Priest | .... | production assistant | |
| Shari Sontag | .... | key production accountant | |
| Ryan Tighe | .... | production assistant | |
| Alex L. Worman | .... | unit publicist | |
| Francie Brown | .... | dialect coach (uncredited) | |
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| Broken Flowers | La hija del caníbal | Eyes Wide Shut | Choses secrètes | Art School Confidential |
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In a world where good ol' fantasy movie making has just three letters attached to it (you guessed it: "SFX" - a la everything from majestic Lord of the Rings to cheesy Godzilla - jeez, even the romantic ventures like City of Angels couldn't do away with the bag of tricks), comes a different kind of fantasy-based movie. It's different - I'll tell ya that.
So what does this movie bring to us? The (blatantly visible) low budget. A cast almost riddled with relatively unknown (but promising) actors. A suite of devilishly hot women in stand-in (well, mostly "lie-down") roles. And, needless to say, a premise that is the part of every hot blooded human male's wet dreams. Are you with me yet? I promise, I'm not talking about the the 70s campy soft porn movie that you saw recently.
What would happen if a strapping young man (Simon Baker) got a magical e-mail one fine day listing all the women he had slept with and was going to ever sleep with in future? And, what if that lucky SOB actually had 101 names listed on that list? "Sex & Death 101" tries to answer. And, for most part, gets it right.
Someone once said: "Control your fate or somebody else will". And so goes the story of the young man who allows the piece of printed email to take control over his actions - which in this case means... well, he notches another one over his already very full belt. Somewhere between the disbelief over the email (despite the reassurances of the geek squad who manage the wondrous machine that sent out the hoopla causing email) and disbelief over his good fortune, our hero undergoes those human emotions that we all know very well: Guilt, Angst, Desperation. The intermix of his friends' advice and bickering adds an element of realism even in an escapist fantasy like this.
Winona Ryder plays the "death knell" sounding temptress who has been seducing perverted men to coma ridden sleep to, you know, get back at the evil men who have inflicted untold suffering on women. And you just know that Poison Ivy's parallel track story has to intersect with the story of our list-holding loverboy at some point. And it does. Therein is that taste of "stretching at the thread" that the viewer is left with. The setup seems a little bit forced. But hey, it's supposed to be escapist dark funny romcom - so what the hell, right?
The movie's premise ain't real, but the events and reactions are. Which is that unique mix of traits that makes this movie a little more than the regular spiel that Hollywood throws at us. It's definitely a good watch. And not to miss the allegoric play on the number in the title. It takes 101 women to teach the protagonist the basic meaning of sex - and death. Clever, no?