The Twilight Zone (1959–1964)
15 user 2 critic

One More Pallbearer 

Wealthy Paul Radin tries to get three people from his past to apologize to him by offering them shelter from a staged and phony nuclear war scenario.



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Episode complete credited cast:
Katherine Squire ...


Successful businessman Paul Radin invites three people from his past to join him in the underground bunker he's built under his commercial office building. All three have had major influence on him though not the kind that made him what he is today. His former military commander had him court-martialed; his former teacher ridiculed and humiliated him in class after she caught him cheating; and his church Minister who ruined his reputation after he drove a girl to suicide. All he wants from them is one thing: a brief apology. The impact of what they've done is far greater than it appears. Written by garykmcd

Plot Summary | Plot Synopsis






Release Date:

12 January 1962 (USA)  »

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Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.33 : 1
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Narrator: [closing narration] Mr. Paul Radin, a dealer in fantasy, who sits in the rubble of his own making and imagines that he's the last man on Earth, doomed to a perdition of unutterable loneliness because a practical joke has turned into a nightmare. Mr. Paul Radin, pallbearer at a funeral that he manufactured himself in the Twilight Zone.
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User Reviews

A Dissenting Opinion
28 October 2015 | by See all my reviews

"One More Pallbearer" is strong in concept but weak in execution. The tale of a petty, childish man who tries to extract revenge on different people from his past in a sort of grotesque version of "This is Your Life" is compelling. So is the final twist, which illustrates the tragedy of long-held grudges and isolation from one's fellow man. The story even has the ambiguity and complexity which make the best Zones great: is Paul Radin really a villain for desiring a simple apology? Are his three guests self-righteous and unfeeling for not giving it?

The problem is the writing. Serling was at his best when he was simple and whimsical, at his worst when he aspired to be a junior Arthur Miller and write High Theater. The script for "Pallbearer" is talky, long-winded and pretentious. Characters don't converse, they speechify. Trite metaphors are trotted out. On the positive side, the visual production has the Cold War, early Sixties TZ look we all know and love, with steel, concrete, elevators, and TV monitors. The actors are appropriately cast, even though it's difficult to evaluate their performances given the labored artificiality of the script.

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