In the Philippines in 1945, army Lt. Fitzgerald has developed the disturbing ability to look into his men's faces and know who will be killed in the next battle. He says it's like a light is shined on their face. His superior, Capt. Phil Riker, consults the medical officer but he finds nothing conclusive. Fitzgerald passes out when visiting one of his wounded men in the hospital after he sees the light on his face. When he sees the light on Riker's face, he begs him not to go out. After they return from the operation, he sees that there will be one other casualty that day. Written by
The title is taken from "Richard II", Act III, Scene III: "He is come to open the purple testament of bleeding war." However, Rod Serling incorrectly claims in his narration that the line comes from "Richard III". See more »
Captain Riker and Lieutenant Fitzgerald are wearing their insignia. Officers serving on the Pacific Front made a point not to wear this because it identified them as high priority targets for Japanese snipers. See more »
Rod Serling - Narrator:
Infantry platoon, U.S. Army, Phillipine Islands, 1945. These are the faces of the young men who fight, as if some omniscient painter had mixed a tube of oils that were at one time earth brown, dust gray, blood red, beard black, and fear - yellow white, and these men were the models. For this is the province of combat, and these are the faces of war.
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(aka Going Home) (uncredited)
from Symphony No. 9 in E Minor 'From the New World', Op. 95
Music by Antonín Dvorák
Arranged by Lucien Moraweck
Played by the 'Harmonica Man' when Captain Riker puts some photos and his wedding ring on the table,
and again at the end See more »
Lt. Fitzgerald (William Reynolds), stationed in the Philippines during World War II, develops the ability to identify the men in his company who will be next to die, an eerie supernatural glow lighting up the faces of imminent goners.
The best Twilight Zone episodes are the ones that are either so clever that the twist is impossible to guess, or so engrossing that already knowing or accurately predicting the ending doesn't spoil matters. To be honest, The Purple Testament is neither of theseI figured out what the twist was well before it arrived, and the plot wasn't gripping enough to prevent this detracting from my overall enjoyment. That said, this episode is far from the worst the show has to offer, benefiting from strong performances, a palpable atmosphere of dread (no doubt helped by Serling's own experiences during the war), and a suitably sober ending, Lt. Fitzgerald realising that there is nothing he can do but accept his fate.
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