Jamie Tennyson is an overly talkative member of a private men's club. He is challenged by fellow member Col. Archie Taylor to keep his mouth shut for one year. Should he do so, he would win $500,000. Taylor dislikes Tennyson and if nothing else, finds this a way to get a bit of peace and quiet at the club. Tennyson will live in a room in the club, under observation and will communicate in writing only. As the months go by, Taylor begins to worry that Tennyson may just succeed. He can't believe Tennyson's will but neither party proves to be completely honorable. Written by
The plot of a man accepting a bet that he could remain isolated (being unable to speak rather than having no direct human contact) for a year and the desperation of the one waiting for the bet to finish, was inspired by Anton Chekhov's short story "The Bet". See more »
Rod Serling - Narrator:
The aftermath from a year-long war of nerves which just ended with two losers. In one corner, Colonel Archie Taylor, who wanted nothing more nor less than peace and quiet at his club. This he wanted in the worst way. This he *got* in the worst way. This is now all he has left. In the other corner, Mr. Jamie Tennyson, who discovered belatedly - and quite the hard way - that gambling can be a most unproductive pursuit... even with loaded dice, marked cards, or - as in his case ...
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Inferior TZ. Really plays more like an ironical Hitchcock episode than a TZ with its usual focus on the supernatural. Also reminds me of something de Maupassant the 19th century French ironist with his eye for the pretensions of the upper-crust would have composed. No need to repeat the plot here except to point out that it involves a highly unusual wager between two ostensible gentlemen at an exclusive gentlemen's club.
Perhaps the most interesting feature lies in how Franchot Tone is photographed. Notice how artificially he's sometimes posed presenting only a right profile of his face. Mark Zicree in his helpful TZ companion guide points out that midway through filming , Tone suffered an injury to the left side of his face-- apparently one that could not be touched up. Hence, the artificial poses; and since screenplays are seldom filmed in chronological order, these odd profiles can turn up at any time. Anyway, I wish there were more to recommend in this static drawing-room drama with its rather tame outcome, but there really isn't.
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