| Photos (see all 6 | slideshow) |
| David Duchovny | ... | Fox Mulder | |
| Gillian Anderson | ... | Dana Scully | |
| Chad Donella | ... | Robert 'Rob' Roberts (as Chad E. Donella) | |
| Mark Pellegrino | ... | Derwood Spinks | |
| Judith Hoag | ... | Dr. Mindy Rinehart | |
| Lois Foraker | ... | Sylvia Jassy | |
| Bill Lee Brown | ... | Mr. Rice - 'Lucky Boy' Manager | |
| Chasen Hampton | ... | Donald Pankow - Hungry Guy | |
| Kerry Zook | ... | Lucy - 'Lucky Boy' Employee | |
| Steve Kiziak | ... | Steve Kiziak | |
| Kevin Porter | ... | Motivational Speaker | |
| Susan Slome | ... | Woman at O.A. | |
| rest of cast listed alphabetically: | |||
| Dusty Sorg | ... | Lucky Boy Employee (uncredited) | |
| Episode Crew |
Directed by | |||
| Kim Manners | |||
Writing credits | ||
| Chris Carter | (creator) | |
| Vince Gilligan | (written by) | |
Produced by | |||
| David Amann | .... | co-producer | |
| Chris Carter | .... | executive producer | |
| Bernadette Caulfield | .... | producer | |
| Vince Gilligan | .... | co-executive producer | |
| Kim Manners | .... | supervising producer | |
| Paul Rabwin | .... | producer | |
| Daniel Sackheim | .... | consulting producer | |
| John Shiban | .... | supervising producer | |
| Frank Spotnitz | .... | executive producer | |
| Michael W. Watkins | .... | co-executive producer (as Michael Watkins) | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Bill Roe | (director of photography) | ||
Film Editing by | |||
| Heather MacDougall | |||
Casting by | |||
| Rick Millikan | |||
Production Design by | |||
| Corey Kaplan | |||
Art Direction by | |||
| Phil Dagort | |||
| Sandy Getzler | |||
Set Decoration by | |||
| Timothy Stepeck | (as Tim Stepeck) | ||
Costume Design by | |||
| Molly Harris Campbell | |||
Makeup Department | |||
| Laverne Basham | .... | hair & makeup: Mr. Duchovny & Ms. Anderson | |
| Dena Green | .... | hair department head | |
| Cheri Montesanto-Medcalf | .... | makeup department head | |
| Gary Yee | .... | moldshop supervisor (uncredited) | |
Production Management | |||
| Harry V. Bring | .... | unit production manager | |
| Gina Lamar | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Julie Herrin | .... | second assistant director | |
| Robert D. Nellans | .... | first assistant director: second unit (as Robert Dillon Nellans) | |
| Craig West | .... | first assistant director | |
Art Department | |||
| Dawn Ascher-Trevino | .... | art department coordinator (as Dawn Ascher) | |
| Tom Day | .... | property master | |
| Duke Tomasick | .... | construction coordinator | |
| John French | .... | paint foreman (uncredited) | |
| Lisa Goldsmith | .... | buyer (uncredited) | |
| Erik Grasteit | .... | set master (uncredited) | |
| David Napoli | .... | leadman (uncredited) | |
Special Effects by | |||
| Robert Calvert | .... | special effects (as Bob Calvert) | |
| Scott D. Mattson | .... | special effects office coordinator (uncredited) | |
| Jeff Miller | .... | special effects foreman (uncredited) | |
| David Peterson | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Bill Millar | .... | visual effects producer | |
| Deena Burkett | .... | visual effects supervisor (uncredited) | |
| Monique Klauer | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Danny Weselis | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tom Doherty | .... | key grip | |
| James Etheridge | .... | camera operator (as Jim Etheridge) | |
| Jono Kouzouyan | .... | gaffer | |
| Robert LaBonge | .... | director of photography: second unit (as Bob LaBonge) | |
| David Luckenbach | .... | Steadicam operator (as Dave Lückenbach) | |
| Brian Cwiakala | .... | lighting technician: second unit (uncredited) | |
| James Jermyn | .... | film loader (uncredited) | |
| Richard J. Lee Jr. | .... | assistant chief lighting technician: second unit (uncredited) | |
| Rob Lueker | .... | electrician (uncredited) | |
Casting Department | |||
| Kimberly Nordlinger | .... | casting associate: Los Angeles | |
| Randy Stone | .... | original casting | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | costumer: Mr. Duchovny & Ms. Anderson | |
| Tony Velasco | .... | costume supervisor | |
Editorial Department | |||
| Jeff Cahn | .... | assistant editor | |
| Marilyn Moore | .... | assistant editor (as Marilyn R. Moore) | |
| Anthony R. Smith | .... | colorist: DaVinci | |
Music Department | |||
| Jeff Charbonneau | .... | music editor | |
| Larold Rebhun | .... | score mixer | |
Transportation Department | |||
| Steve Duncan | .... | transportation coordinator | |
| Howard Bachrach | .... | transportation captain (uncredited) | |
| Chris Ferrence | .... | dispatcher (uncredited) | |
| Tim Sisson | .... | transportation co-captain (uncredited) | |
Other crew | |||
| Mary Astadourian | .... | vice president: Ten Thirteen | |
| Amir Attaie | .... | assistant to the producers | |
| Carol Banker | .... | script supervisor | |
| Jeffrey Bell | .... | story editor | |
| Katrina Cabrera | .... | researcher | |
| Michele Clark | .... | assistant to the producers (as Michele-Nicole Clark) | |
| Nanci Etchells | .... | production accountant | |
| Alison Gallant | .... | assistant to the producers | |
| Mac Gordon | .... | location manager | |
| Elizabeth Harrison | .... | assistant to the producers | |
| Ilt Jones | .... | location manager | |
| Daniel Mosley | .... | assistant to the producers | |
| Barbara Nance | .... | script coordinator | |
| Leslie Perlow | .... | production coordinator (as Leslie Perlow Burakoff) | |
| Sandra Tripicchio | .... | assistant to the producers | |
| Kimberley Barnhart | .... | production assistant (uncredited) | |
| James Castle | .... | title designer (uncredited) | |
| Annette Encinas | .... | payroll accountant (uncredited) | |
| Paul Harrison | .... | key assistant location manager (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Chris Carter | creator | |
Original Music by | |||
| Ken Tamplin | |||
Film Editing by | |||
| Christopher Cooke | |||
Set Decoration by | |||
| Hamish Purdy | |||
Costume Design by | |||
| Jenni Gullett | (1995-1998) | ||
Makeup Department | |||
| Mark Alfrey | .... | special makeup effects artist | |
| Jane Aull | .... | makeup artist | |
| Ken Culver | .... | foam technician | |
| Fionagh Cush | .... | makeup artist | |
| Gabriel De Cunto | .... | special makeup effects artist | |
| Mike Fields | .... | assistant special makeup effects artist | |
| Kevin Haney | .... | makeup artist | |
| Camille Henderson | .... | makeup artist | |
| Glenn Hetrick | .... | special makeup effects artist | |
| Matthew Jorgensen | .... | sculptor/painter: Tech Optic Nerve | |
| Steve LaPorte | .... | makeup artist | |
| Norma Lee | .... | hair stylist | |
| Shauna Magrath | .... | assistant makeup artist | |
| Shauna Magrath | .... | special makeup effects artist | |
| Rodd Matsui | .... | special makeup effects artist | |
| Robert Maverick | .... | special makeup effects artist | |
| Ryan Nicholson | .... | special makeup effects artist | |
| Thomas Opitz | .... | additional hair stylist | |
| Leanne Rae Podavin | .... | special makeup effects artist: multiple episodes seasons 4 & 5 | |
| Craig Reardon | .... | makeup artist | |
| Mark Shostrom | .... | makeup artist | |
| Perri Sorel | .... | makeup artist | |
| Rick Stratton | .... | makeup artist | |
| Bill Terezakis | .... | flukeman designer | |
| Julie Travis-Socash | .... | makeup artist (as Julie Socash) | |
| Jeanne Van Phue | .... | makeup artist | |
| Patricia Vecchio | .... | assistant hair stylist | |
| Patricia Vecchio | .... | hair stylist | |
| John Wheaton | .... | makeup artist | |
| Kim M. Ferry | .... | hair stylist (uncredited) | |
| Frederick London | .... | assistant hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | dga trainee (1999) | |
| Tom Braidwood | .... | first assistant director (episode "Gethsemany") (episode "Post-Mortem Prometheus, The") | |
| Lynn K. D'Angona | .... | first assistant director (final season) | |
| Suzan Derkson | .... | third assistant director | |
| Pierre Henry | .... | first assistant director: second unit | |
| Alexis Hinde | .... | trainee assistant director: second unit (1996-1998) | |
| Jeffrey Hunt | .... | dga trainee | |
| Bill Millar | .... | second unit director | |
| Kevin Parks | .... | first assistant director: second unit (season 5) | |
| Canyon Prince | .... | first assistant director: splinter unit (as Ryan Prince) | |
| Brent Stanton | .... | second second assistant director (day player) | |
| Patrick Stark | .... | trainee assistant director (season 5) | |
| Dan Tohill | .... | first assistant director | |
Visual Effects by | |||
| Brian Bell | .... | digital artist | |
| Christian Boudman | .... | digital compositor | |
| Steward Burris | .... | computer graphic artist: North West Imaging & FX | |
| Jennifer Champagne | .... | digital artist (episode "Syncrony") | |
| Christopher Chen | .... | digital effects producer (season 3) | |
| John Decker | .... | digital artist | |
| Roger Dorney | .... | visual effects supervisor | |
| Larry Ewing | .... | visual effects producer: View Studios | |
| Simon Holden | .... | digital compositor | |
| Jeremy Hunt | .... | digital effects artist: The Sixth Extinction | |
| Mark Kochinski | .... | 3D artist | |
| Craig Kuehne | .... | visual effects | |
| Al Magliochetti | .... | visual effects | |
| Todd Perry | .... | digital artist (episode "Syncrony") | |
| Christine Petrov | .... | compositor | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Tom Raycove | .... | visual effects | |
| Steven Joseph Rogers | .... | digital artist: The Sixth Extinction | |
| Thomas Schelesny | .... | computer graphics artist | |
| Scott Shields | .... | visual effects coordinator | |
| Siouxsie Stewart | .... | visual effects coordinator: Encore Visual Effects | |
| Michael Vaglienty | .... | Flame artist | |
| Martin Wells | .... | colourist (season 3) | |
| Bob Williamson | .... | digital compositor | |
| Niel Wray | .... | digital effects artist | |
| Bernice Kenton | .... | visual effects vendor producer (uncredited) | |
| Jim O'Hagan | .... | digital artist: Editel (uncredited) | |
Casting Department | |||
| Andy Henry | .... | casting assistant (1998) | |
| Kit Mallet | .... | extras casting assistant | |
| Scott Muller | .... | casting assistant: Los Angeles (2000-) | |
| Patrick Stark | .... | extras casting assistant (season 1) | |
| Camille St. Cyr | .... | casting assistant (1998) | |
Costume and Wardrobe Department | |||
| Vanessa Anderson | .... | assistant dresser (as Vanessa Oepkes) | |
| Candace Cruikshank | .... | costume set supervisor: second unit | |
| Sam Greenmun | .... | promotional alien costume fabricator | |
| Philip Maldonado | .... | costumer | |
| Gail L. Smith | .... | set costumer (1993-1994) | |
| Lee Sollenberger | .... | set costumer | |
Editorial Department | |||
| Louis Eske | .... | assistant editor: title sequence | |
| Shannon Leigh Olds | .... | assistant editor | |
| Robert P. Schneider | .... | on-line editor: opening sequence | |
Music Department | |||
| Lolita Ritmanis | .... | orchestrator | |
| John Rodd | .... | orchestral scoring recordist | |
| Jonathan Sacks | .... | orchestrator | |
Transportation Department | |||
| Michael Avallon | .... | driver | |
| Barry Shelton | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
The best thing about the X-Files writers is that they can build a history out of nothing or maybe just with a simple thing as maybe a Dog, a novelist, an Erlenmeyer flask, etc. This time, Vince Gilligan wrote about something that everybody has suffer, hunger.
The thing with hunger in this episode was: How to make it an X-file?, Mr. Gilligan mast have been very hungry to write this one because is one of the best of season seven. This episode is not as dark as The X-Files are used to, but even with almost all scenes filmed in daylight it just keeps getting better and better to the very end that is one of the best of the whole series.