| David Duchovny | ... | Fox Mulder | |
| Gillian Anderson | ... | Dana Scully | |
| rest of cast listed alphabetically: | |||
| Steven Barr | ... | Courier-Guard | |
| Mark Chaet | ... | Bank Officer | |
| J. David | ... | Young Boss | |
| Sherri Howard | ... | Employee | |
| Ricky Jay | ... | The Amazing Maleeni / Herman Pinchbeck / Albert Pinchbeck | |
| Dennis Keiffer | ... | Bullethead #2 | |
| Robert LaSardo | ... | Cissy Alvarez | |
| Jonathan Levit | ... | Billy LaBonge | |
| Jim Maniaci | ... | Bullethead #1 | |
| Rick Marzan | ... | Prison Official | |
| Dan Rice | ... | Man in Uniform | |
| Adam Vernier | ... | Courier Driver | |
| Episode Crew |
Directed by | |||
| Thomas J. Wright | |||
Writing credits | ||
| Chris Carter | (creator) | |
| Vince Gilligan | (written by) & | |
| John Shiban | (written by) & | |
| Frank Spotnitz | (written by) | |
Produced by | |||
| David Amann | .... | co-producer | |
| Chris Carter | .... | executive producer | |
| Bernadette Caulfield | .... | producer | |
| Vince Gilligan | .... | co-executive producer | |
| Kim Manners | .... | supervising producer | |
| Paul Rabwin | .... | producer | |
| Daniel Sackheim | .... | consulting producer | |
| John Shiban | .... | supervising producer | |
| Frank Spotnitz | .... | executive producer | |
| Michael W. Watkins | .... | co-executive producer (as Michael Watkins) | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Bill Roe | (director of photography) | ||
Film Editing by | |||
| Lynne Willingham | |||
Casting by | |||
| Rick Millikan | |||
Production Design by | |||
| Graeme Murray | |||
Art Direction by | |||
| Phil Dagort | |||
| Sandy Getzler | |||
Set Decoration by | |||
| Timothy Stepeck | (as Tim Stepeck) | ||
Costume Design by | |||
| Molly Harris Campbell | |||
Makeup Department | |||
| Laverne Basham | .... | makeup artist: Mr. Duchovny and Ms. Anderson | |
| Dena Green | .... | hair department head | |
| Cheri Montesanto-Medcalf | .... | makeup department head | |
| Gary Yee | .... | moldshop supervisor | |
Production Management | |||
| Harry V. Bring | .... | unit production manager | |
| Gina Lamar | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Wendy Bledsoe | .... | dga trainee | |
| Ryan Gordon | .... | first assistant director | |
| Julie Herrin | .... | second assistant director | |
Art Department | |||
| Dawn Ascher-Trevino | .... | art department coordinator (as Dawn Ascher) | |
| Tom Day | .... | property master | |
| John French | .... | paint foreman | |
| Lisa Goldsmith | .... | buyer | |
| Erik Grasteit | .... | propmaster | |
| Jennifer N. MacLeod | .... | art department researcher | |
| Duke Tomasick | .... | construction coordinator | |
| David Napoli | .... | leadman (uncredited) | |
Sound Department | |||
| Harry Andronis | .... | sound re-recording mixer | |
| Steve Cantamessa | .... | sound mixer | |
| Thierry J. Couturier | .... | supervising sound editor | |
| Ray O'Reilly | .... | sound re-recording mixer | |
| David John West | .... | sound designer | |
Special Effects by | |||
| Kelly Kerby | .... | special effects | |
| David Peterson | .... | special effects coordinator | |
| Scott D. Mattson | .... | special effects office coordinator (uncredited) | |
Visual Effects by | |||
| Deena Burkett | .... | visual effects supervisor | |
| Monique Klauer | .... | visual effects coordinator | |
| Bill Millar | .... | visual effects producer | |
Stunts | |||
| Danny Weselis | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Hospecio Balani | .... | grip | |
| Brian Cwiakala | .... | lighting technician: second unit | |
| Tom Doherty | .... | key grip | |
| James Jermyn | .... | film loader | |
| Jono Kouzouyan | .... | gaffer | |
| Robert LaBonge | .... | director of photography: second unit | |
| Richard J. Lee Jr. | .... | assistant chief lighting technician: second unit | |
| David Luckenbach | .... | Steadicam operator (as Dave Lückenbach) | |
| Rob Lueker | .... | electrician | |
Casting Department | |||
| Kimberly Nordlinger | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Nancy Collini | .... | costumer: Mr. Duchovny and Ms. Anderson | |
| Tony Velasco | .... | costume supervisor | |
Editorial Department | |||
| Jeff Cahn | .... | assistant editor | |
| Marilyn Moore | .... | assistant editor (as Marilyn R. Moore) | |
Music Department | |||
| Bob Boykin | .... | composer: additional music | |
| Jeff Charbonneau | .... | music editor | |
| Larold Rebhun | .... | score mixer | |
Transportation Department | |||
| Steve Duncan | .... | transportation coordinator | |
| Chris Ferrence | .... | dispatcher | |
| Tim Sisson | .... | transportation co-captain | |
Other crew | |||
| Mary Astadourian | .... | vice president: Ten Thirteen | |
| Amir Attaie | .... | assistant to producers | |
| Carol Banker | .... | script supervisor | |
| Kimberley Barnhart | .... | production assistant | |
| Lara Beatus | .... | assistant to producer | |
| Jeffrey Bell | .... | story editor | |
| Katrina Cabrera | .... | researcher | |
| James Castle | .... | title designer | |
| Michele Clark | .... | assistant to producers (as Michele-Nicole Clark) | |
| Nanci Etchells | .... | production accountant | |
| Alison Gallant | .... | assistant to producers | |
| Paul Harrison | .... | key assistant location manager | |
| Ilt Jones | .... | location manager | |
| Michelle Latham | .... | assistant location manager | |
| Daniel Mosley | .... | assistant to producer | |
| Barbara Nance | .... | script coordinator | |
| Leslie Perlow | .... | production coordinator (as Leslie Perlow Burakoff) | |
| Sandra Tripicchio | .... | assistant to producer | |
| Ginger Wadley | .... | production assistant | |
| Greg Walker | .... | story editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Chris Carter | creator | |
Original Music by | |||
| Ken Tamplin | |||
Film Editing by | |||
| Christopher Cooke | |||
Set Decoration by | |||
| Hamish Purdy | |||
Costume Design by | |||
| Jenni Gullett | (1995-1998) | ||
Makeup Department | |||
| Mark Alfrey | .... | special makeup effects artist | |
| Jane Aull | .... | makeup artist | |
| Ken Culver | .... | foam technician | |
| Fionagh Cush | .... | makeup artist | |
| Gabriel De Cunto | .... | special makeup effects artist | |
| Mike Fields | .... | assistant special makeup effects artist | |
| Kevin Haney | .... | makeup artist | |
| Camille Henderson | .... | makeup artist | |
| Glenn Hetrick | .... | special makeup effects artist | |
| Matthew Jorgensen | .... | sculptor/painter: Tech Optic Nerve | |
| Steve LaPorte | .... | makeup artist | |
| Norma Lee | .... | hair stylist | |
| Shauna Magrath | .... | assistant makeup artist | |
| Shauna Magrath | .... | special makeup effects artist | |
| Rodd Matsui | .... | special makeup effects artist | |
| Robert Maverick | .... | special makeup effects artist | |
| Ryan Nicholson | .... | special makeup effects artist | |
| Thomas Opitz | .... | additional hair stylist | |
| Leanne Rae Podavin | .... | special makeup effects artist: multiple episodes seasons 4 & 5 | |
| Craig Reardon | .... | makeup artist | |
| Mark Shostrom | .... | makeup artist | |
| Perri Sorel | .... | makeup artist | |
| Rick Stratton | .... | makeup artist | |
| Bill Terezakis | .... | flukeman designer | |
| Julie Travis-Socash | .... | makeup artist (as Julie Socash) | |
| Jeanne Van Phue | .... | makeup artist | |
| Patricia Vecchio | .... | assistant hair stylist | |
| Patricia Vecchio | .... | hair stylist | |
| John Wheaton | .... | makeup artist | |
| Kim M. Ferry | .... | hair stylist (uncredited) | |
| Frederick London | .... | assistant hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | dga trainee (1999) | |
| Tom Braidwood | .... | first assistant director (episode "Gethsemany") (episode "Post-Mortem Prometheus, The") | |
| Lynn K. D'Angona | .... | first assistant director (final season) | |
| Suzan Derkson | .... | third assistant director | |
| Pierre Henry | .... | first assistant director: second unit | |
| Alexis Hinde | .... | trainee assistant director: second unit (1996-1998) | |
| Jeffrey Hunt | .... | dga trainee | |
| Bill Millar | .... | second unit director | |
| Kevin Parks | .... | first assistant director: second unit (season 5) | |
| Canyon Prince | .... | first assistant director: splinter unit (as Ryan Prince) | |
| Brent Stanton | .... | second second assistant director (day player) | |
| Patrick Stark | .... | trainee assistant director (season 5) | |
| Dan Tohill | .... | first assistant director | |
Visual Effects by | |||
| Brian Bell | .... | digital artist | |
| Christian Boudman | .... | digital compositor | |
| Steward Burris | .... | computer graphic artist: North West Imaging & FX | |
| Jennifer Champagne | .... | digital artist (episode "Syncrony") | |
| Christopher Chen | .... | digital effects producer (season 3) | |
| John Decker | .... | digital artist | |
| Roger Dorney | .... | visual effects supervisor | |
| Larry Ewing | .... | visual effects producer: View Studios | |
| Simon Holden | .... | digital compositor | |
| Jeremy Hunt | .... | digital effects artist: The Sixth Extinction | |
| Mark Kochinski | .... | 3D artist | |
| Craig Kuehne | .... | visual effects | |
| Al Magliochetti | .... | visual effects | |
| Todd Perry | .... | digital artist (episode "Syncrony") | |
| Christine Petrov | .... | compositor | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Tom Raycove | .... | visual effects | |
| Steven Joseph Rogers | .... | digital artist: The Sixth Extinction | |
| Thomas Schelesny | .... | computer graphics artist | |
| Scott Shields | .... | visual effects coordinator | |
| Siouxsie Stewart | .... | visual effects coordinator: Encore Visual Effects | |
| Michael Vaglienty | .... | Flame artist | |
| Martin Wells | .... | colourist (season 3) | |
| Bob Williamson | .... | digital compositor | |
| Niel Wray | .... | digital effects artist | |
| Bernice Kenton | .... | visual effects vendor producer (uncredited) | |
| Jim O'Hagan | .... | digital artist: Editel (uncredited) | |
Casting Department | |||
| Andy Henry | .... | casting assistant (1998) | |
| Kit Mallet | .... | extras casting assistant | |
| Scott Muller | .... | casting assistant: Los Angeles (2000-) | |
| Patrick Stark | .... | extras casting assistant (season 1) | |
| Camille St. Cyr | .... | casting assistant (1998) | |
Costume and Wardrobe Department | |||
| Vanessa Anderson | .... | assistant dresser (as Vanessa Oepkes) | |
| Candace Cruikshank | .... | costume set supervisor: second unit | |
| Sam Greenmun | .... | promotional alien costume fabricator | |
| Philip Maldonado | .... | costumer | |
| Gail L. Smith | .... | set costumer (1993-1994) | |
| Lee Sollenberger | .... | set costumer | |
Editorial Department | |||
| Louis Eske | .... | assistant editor: title sequence | |
| Shannon Leigh Olds | .... | assistant editor | |
| Robert P. Schneider | .... | on-line editor: opening sequence | |
Music Department | |||
| Lolita Ritmanis | .... | orchestrator | |
| John Rodd | .... | orchestral scoring recordist | |
| Jonathan Sacks | .... | orchestrator | |
Transportation Department | |||
| Michael Avallon | .... | driver | |
| Howard Bachrach | .... | transportation captain (seasons 6-10) | |
| Barry Shelton | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
When a sideshow magician's head does a 360o turn - it falls off! Scully suspects someone else is the hack - Mulder makes his high card disappear! Misdirection and sleight-of-hand are keys to this million-dollar magical mystery of robbery and revenge!
This is a well-done comic episode with a clever plot that keeps the twists coming - the ones we expect, and the ones we don't! The acting is perfect and the ending is too - almost. My only complaints are that too many of the 'magic tricks' are crude cinematographic editing, and the ending should really have been revealed in action, rather than explained.