| Photos (see all 6 | slideshow) |
| David Duchovny | ... | Fox Mulder | |
| Gillian Anderson | ... | Dana Scully | |
| Mitch Pileggi | ... | Walter Skinner | |
| Nicholas Lea | ... | Alex Krycek | |
| William B. Davis | ... | Cigarette Smoking Man / CGB Spender | |
| Mimi Rogers | ... | Agent Diana Fowley | |
| Jeff Gulka | ... | Gibson Andrew Praise | |
| Martin Ferrero | ... | Shooter | |
| Michael Shamus Wiles | ... | Black-Haired Man | |
| Chris Owens | ... | FBI Special Agent Jeffrey Spender | |
| George Murdock | ... | Elder #2 | |
| Tom Braidwood | ... | Melvin Frohike | |
| Dean Haglund | ... | Richard 'Ringo' Langly | |
| Bruce Harwood | ... | John Fitzgerald Byers | |
| Don S. Williams | ... | Elder #1 | |
| John Neville | ... | The Well-Manicured Man | |
| John Moore | ... | Elder #3 | |
| Patrick Phillips | ... | Clinician #1 | |
| Paul Moniz de Sa | ... | Clinician #2 | |
| John Trottier | ... | Clinician #3 | |
| Orest Blajkevitch | ... | Russian |
| Episode Crew |
Directed by | |||
| R.W. Goodwin | |||
Writing credits | ||
| Chris Carter | (creator) | |
| Chris Carter | (written by) | |
Produced by | |||
| Rob Bowman | .... | producer | |
| Chris Carter | .... | executive producer | |
| Joseph Patrick Finn | .... | producer | |
| Vince Gilligan | .... | supervising producer | |
| R.W. Goodwin | .... | executive producer | |
| Ken Horton | .... | consulting producer | |
| Kim Manners | .... | producer | |
| Lori Jo Nemhauser | .... | co-producer | |
| Paul Rabwin | .... | producer | |
| John Shiban | .... | co-producer | |
| Frank Spotnitz | .... | co-executive producer | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Joel Ransom | |||
Film Editing by | |||
| Heather MacDougall | |||
Casting by | |||
| Coreen Mayrs | |||
| Rick Millikan | |||
Production Design by | |||
| Graeme Murray | |||
Art Direction by | |||
| Greg Loewen | |||
Set Decoration by | |||
| Shirley Inget | |||
Makeup Department | |||
| Laverne Basham | .... | key makeup artist | |
| Anji Bemben | .... | key hair stylist | |
| Anji Bemben | .... | key makeup artist | |
| Forest Sala | .... | hair stylist | |
Production Management | |||
| Brett Dowler | .... | unit manager | |
| Ron French | .... | production manager (as Ron E. French) | |
| Gina Lamar | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tom Braidwood | .... | first assistant director | |
| Mark D. Currie | .... | second assistant director | |
| Brett Dowler | .... | second unit director | |
Art Department | |||
| Michael Dundas | .... | lead hand painter | |
| Lisa Goldsmith | .... | buyer | |
| Erik Grasteit | .... | set master | |
| Frank Haddad | .... | greensman | |
| Kenneth H. Hawryliw | .... | property master (as Ken Hawryliv) | |
| Benjamin Hayden | .... | lead man | |
| Rob Maier | .... | construction coordinator (as Rob 'Stroby' Maier) | |
| Louis Solyom | .... | head painter | |
Sound Department | |||
| Harry Andronis | .... | sound re-recording mixer | |
| Thierry J. Couturier | .... | supervising sound editor | |
| Craig Hunter | .... | sound re-recording mixer | |
| George Nemzer | .... | sound effects editor | |
| John Trenholm | .... | sound re-recording engineer | |
| David John West | .... | sound designer | |
| Michael T. Williamson | .... | sound mixer (as Michael Williamson) | |
Special Effects by | |||
| Chris Flemington | .... | on set effects | |
| David Gauthier | .... | special effects | |
Visual Effects by | |||
| Laurie Kallsen-George | .... | visual effects supervisor | |
Stunts | |||
| Tony Morelli | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Justin Bergler | .... | camera trainee | |
| Richard Buckmaster | .... | chief lighting technician | |
| Al Campbell | .... | key grip | |
| Rusty Deluce | .... | first assistant camera: "b" camera, second unit | |
| Tim Heller | .... | lighting technician | |
| Simon Jori | .... | focus puller | |
| Ian Kerr | .... | camera operator | |
| Marty McInally | .... | camera operator (as Martin McInally) | |
| Rob Parisien | .... | video playback operator | |
| Attila Szalay | .... | director of photography: second unit | |
| Randy A. Jablonka | .... | electrician (uncredited) | |
Casting Department | |||
| Heike Brandstatter | .... | casting associate: Vancouver | |
| Kimberly Nordlinger | .... | casting associate: Los Angeles | |
| Lisa Ratke | .... | extras casting | |
Costume and Wardrobe Department | |||
| Shane Deschamps | .... | costume supervisor (as L. Shane Deschamps) | |
Editorial Department | |||
| Philip Azenzer | .... | colorist: DaVinci | |
| Jeff Hodge | .... | assistant editor | |
| Sue Kesler | .... | assistant editor | |
Music Department | |||
| Jeff Charbonneau | .... | music editor | |
| Larold Rebhun | .... | score mixer | |
Transportation Department | |||
| Bob Bowe | .... | transportation coordinator | |
Other crew | |||
| Mary Astadourian | .... | assistant: Chris Carter | |
| Amir Barsoum | .... | production assistant | |
| Billy Brown | .... | story editor | |
| James Castle | .... | title designer | |
| Briton W. Erwin | .... | production assistant | |
| Louisa Gradnitzer | .... | location manager | |
| Alexis Labra | .... | production assistant | |
| Christine Lyons | .... | double: Gillian Anderson | |
| Linda McAteer | .... | assistant production coordinator | |
| Anita Meehan-Truelove | .... | production coordinator | |
| Tim Minear | .... | executive story editor | |
| Joanne Service | .... | assistant: Chris Carter | |
| Lee Smith | .... | researcher | |
| Scott Steyns | .... | playback coordinator | |
| Tom Teotico | .... | production assistant | |
| Helga Ungurait | .... | script supervisor | |
| Annette Encinas | .... | payroll accountant (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Chris Carter | creator | |
Original Music by | |||
| Ken Tamplin | |||
Film Editing by | |||
| Christopher Cooke | |||
Set Decoration by | |||
| Hamish Purdy | |||
Costume Design by | |||
| Jenni Gullett | (1995-1998) | ||
Makeup Department | |||
| Mark Alfrey | .... | special makeup effects artist | |
| Jane Aull | .... | makeup artist | |
| Ken Culver | .... | foam technician | |
| Fionagh Cush | .... | makeup artist | |
| Gabriel De Cunto | .... | special makeup effects artist | |
| Mike Fields | .... | assistant special makeup effects artist | |
| Kevin Haney | .... | makeup artist | |
| Camille Henderson | .... | makeup artist | |
| Glenn Hetrick | .... | special makeup effects artist | |
| Matthew Jorgensen | .... | sculptor/painter: Tech Optic Nerve | |
| Steve LaPorte | .... | makeup artist | |
| Norma Lee | .... | hair stylist | |
| Shauna Magrath | .... | assistant makeup artist | |
| Shauna Magrath | .... | special makeup effects artist | |
| Rodd Matsui | .... | special makeup effects artist | |
| Robert Maverick | .... | special makeup effects artist | |
| Ryan Nicholson | .... | special makeup effects artist | |
| Thomas Opitz | .... | additional hair stylist | |
| Leanne Rae Podavin | .... | special makeup effects artist: multiple episodes seasons 4 & 5 | |
| Craig Reardon | .... | makeup artist | |
| Mark Shostrom | .... | makeup artist | |
| Perri Sorel | .... | makeup artist | |
| Rick Stratton | .... | makeup artist | |
| Bill Terezakis | .... | flukeman designer | |
| Julie Travis-Socash | .... | makeup artist (as Julie Socash) | |
| Jeanne Van Phue | .... | makeup artist | |
| Patricia Vecchio | .... | assistant hair stylist | |
| Patricia Vecchio | .... | hair stylist | |
| John Wheaton | .... | makeup artist | |
| Kim M. Ferry | .... | hair stylist (uncredited) | |
| Frederick London | .... | assistant hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Velvet Andrews-Smith | .... | dga trainee (1999) | |
| Tom Braidwood | .... | first assistant director (episode "Gethsemany") (episode "Post-Mortem Prometheus, The") | |
| Lynn K. D'Angona | .... | first assistant director (final season) | |
| Suzan Derkson | .... | third assistant director | |
| Pierre Henry | .... | first assistant director: second unit | |
| Alexis Hinde | .... | trainee assistant director: second unit (1996-1998) | |
| Jeffrey Hunt | .... | dga trainee | |
| Bill Millar | .... | second unit director | |
| Kevin Parks | .... | first assistant director: second unit (season 5) | |
| Canyon Prince | .... | first assistant director: splinter unit (as Ryan Prince) | |
| Brent Stanton | .... | second second assistant director (day player) | |
| Patrick Stark | .... | trainee assistant director (season 5) | |
| Dan Tohill | .... | first assistant director | |
Visual Effects by | |||
| Brian Bell | .... | digital artist | |
| Christian Boudman | .... | digital compositor | |
| Steward Burris | .... | computer graphic artist: North West Imaging & FX | |
| Jennifer Champagne | .... | digital artist (episode "Syncrony") | |
| Christopher Chen | .... | digital effects producer (season 3) | |
| John Decker | .... | digital artist | |
| Roger Dorney | .... | visual effects supervisor | |
| Larry Ewing | .... | visual effects producer: View Studios | |
| Simon Holden | .... | digital compositor | |
| Jeremy Hunt | .... | digital effects artist: The Sixth Extinction | |
| Mark Kochinski | .... | 3D artist | |
| Craig Kuehne | .... | visual effects | |
| Al Magliochetti | .... | visual effects | |
| Todd Perry | .... | digital artist (episode "Syncrony") | |
| Christine Petrov | .... | compositor | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Tom Raycove | .... | visual effects | |
| Steven Joseph Rogers | .... | digital artist: The Sixth Extinction | |
| Thomas Schelesny | .... | computer graphics artist | |
| Scott Shields | .... | visual effects coordinator | |
| Siouxsie Stewart | .... | visual effects coordinator: Encore Visual Effects | |
| Michael Vaglienty | .... | Flame artist | |
| Martin Wells | .... | colourist (season 3) | |
| Bob Williamson | .... | digital compositor | |
| Niel Wray | .... | digital effects artist | |
| Bernice Kenton | .... | visual effects vendor producer (uncredited) | |
| Jim O'Hagan | .... | digital artist: Editel (uncredited) | |
Casting Department | |||
| Andy Henry | .... | casting assistant (1998) | |
| Kit Mallet | .... | extras casting assistant | |
| Scott Muller | .... | casting assistant: Los Angeles (2000-) | |
| Patrick Stark | .... | extras casting assistant (season 1) | |
| Camille St. Cyr | .... | casting assistant (1998) | |
Costume and Wardrobe Department | |||
| Vanessa Anderson | .... | assistant dresser (as Vanessa Oepkes) | |
| Candace Cruikshank | .... | costume set supervisor: second unit | |
| Sam Greenmun | .... | promotional alien costume fabricator | |
| Philip Maldonado | .... | costumer | |
| Gail L. Smith | .... | set costumer (1993-1994) | |
| Lee Sollenberger | .... | set costumer | |
Editorial Department | |||
| Louis Eske | .... | assistant editor: title sequence | |
| Shannon Leigh Olds | .... | assistant editor | |
| Robert P. Schneider | .... | on-line editor: opening sequence | |
Music Department | |||
| Lolita Ritmanis | .... | orchestrator | |
| John Rodd | .... | orchestral scoring recordist | |
| Jonathan Sacks | .... | orchestrator | |
Transportation Department | |||
| Michael Avallon | .... | driver | |
| Barry Shelton | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
After five dark, cold, and rain-filled seasons filming in Vancouver, the x-files wrapped up production and moved to warm and sunny L.A. It was a great five years, and the dark and wet atmosphere really helped set the tone for the series. For the opening teaser, the show used a large arena and advertised for all the locals to come fill up the arena as extras for the chess tournament. Those aren't CGI people. They're all real. It was the x-files way of thanking the people of Vancouver for five wonderful years. It's hard to believe that that many people would watch one chess match, but it's still a cool visual. The season goes out with a bang in 'The End', a fitting finale for Vancouver. It's cool to see the syndicate out of their usual office. I believe this is the first time you see all of them together in a different setting. It's interesting how the cartoon Gibson is watching mirrors the episode. The emotional tension in this episode is heightened, especially between Mulder and Scully. This is caused by the addition of Diana Fowley, excellently played by Mimi Rogers. The character of Diana Fowley adds a certain amount of dramatic tension to the show, when she apparently horns in on Scully's territory. The scene of Scully seeing Mulder with Fowley and then returning to her car to call him is very poignant. The Cigarette Smoking Man's vocabulary is replete with chess terms in his conversations with others. And the final scene of Mulder's office is very powerful. The whole episode is layered with meaning. 'The End' means so many different things in this episode; an excellent title for the episode. It's a very fitting end to the Vancouver years of the X-Files.