| Bertille Noël-Bruneau | ... | L'enfant | |
| Isabelle Carré | ... | Narrator / L'enfant adulte | |
| Thomas Laliberté | ... | Le petit garçon | |
| rest of cast listed alphabetically: | |||
| Ambra Angiolini | ... | Narrator (voice) | |
| Camille Lambert | ... | Judie | |
| Kate Winslet | ... | Narrator (voice: English version) | |
Directed by | |||
| Luc Jacquet | |||
Writing credits(in alphabetical order) | ||
| Luc Jacquet | ||
| Eric Rognard | scenario | |
Produced by | |||
| Yves Darondeau | .... | producer | |
| Kali Ligertwood | .... | coordinating producer | |
| Christophe Lioud | .... | producer | |
| Laurence Picollec | .... | executive producer | |
| Emmanuel Priou | .... | producer | |
Original Music by | |||
| Evgueni Galperine | |||
| Alice Lewis | |||
| David Reyes | |||
Cinematography by | |||
| Eric Dumage | |||
| Gérard Simon | |||
Film Editing by | |||
| Sabine Emiliani | |||
Casting by | |||
| Tatiana Vialle | |||
Production Design by | |||
| Marc Thiébault | |||
Makeup Department | |||
| Marie-Anne Hum | .... | key makeup artist | |
| Simon Maggie | .... | makeup artist | |
| Diane Mahmoudi | .... | key hair stylist | |
Production Management | |||
| Jean-Christophe Barret | .... | post-production supervisor | |
| Benjamin Dewaele | .... | assistant unit manager | |
| Nicolas Le Parlouer | .... | assistant production manager | |
| Thomas Pflimlin | .... | unit manager | |
| Pascal Roussel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Martin Blum | .... | second assistant director | |
| Maia Etcheverry | .... | first assistant director | |
| Vincent Steiger | .... | assistant director | |
Art Department | |||
| Emmanuel Marais | .... | assistant art director | |
Sound Department | |||
| Jean-Baptiste Benoit | .... | sound | |
| Germain Boulay | .... | supervising sound editor | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Armelle Mahé | .... | sound re-recording mixer | |
| Jan Petrov | .... | adr recordist | |
| Laurent Quaglio | .... | supervising sound editor | |
| Adrien Roch | .... | sound | |
| Soazic Veillon | .... | dialogue editor | |
| Jean-Marie Viollet | .... | sound mixer trainee | |
Visual Effects by | |||
| Béatrice Bauwens | .... | visual effects coordinator | |
| Lucie Bories | .... | digital compositor | |
| Loïc Caer | .... | digital effects | |
| Bastien Chauvet | .... | digital compositor: Mikros | |
| Cédric Fayolle | .... | visual effects supervisor | |
| Amélie Guyot | .... | matchmover | |
| Thomas Larocca | .... | digital compositor | |
| Sabine Lineres | .... | digital compositor | |
| Peregrine McCafferty | .... | matchmove artist | |
| Hugues Namur | .... | visual effects supervisor | |
| Jean-René Nébot | .... | digital color timer | |
| Alexandre Rouil | .... | 3D matte painter | |
| Julien Rousseau | .... | digital compositor | |
Editorial Department | |||
| Jean-René Nébot | .... | digital color timer | |
| Karine Prido | .... | assistant editor | |
| Soazic Veillon | .... | assistant editor | |
| Emmanuelle Zelez | .... | first assistant editor | |
Music Department | |||
| Vladislav Boyadjiev | .... | music technical supervisor | |
| Amélie de Chassey | .... | music supervisor | |
| Hervé Jamet | .... | orchestrator | |
| Thomas Jamois | .... | music consultant | |
| Asen Kanchev | .... | music production manager | |
| Alice Lewis | .... | musician | |
| Ronan Maillard | .... | orchestrator | |
| Delphine Mathieu | .... | music supervisor | |
| Deyan Pavlov | .... | conductor | |
| David Reyes | .... | musician | |
| David Reyes | .... | orchestrator | |
Other crew | |||
| Maia Etcheverry | .... | acting coach | |
| Nicholas Frank | .... | delivery consultant | |
| Allison Mella Strina | .... | business & legal affairs (as Allison J. Mella) | |
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| La gloire de mon père | The Fox and the Hound | Au revoir les enfants | Dreamcatcher | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb France section |
I first saw this movie in a theater in France a year or so ago. It came and went with little fanfare, but I enjoyed it for the beauty of the landscape photography and the fascinating wildlife footage. (The story, while nice, is really incidental. If you actually thought about it, there is no way most of what happens could happen in real life.) I just saw it again tonight, here in the States, on DVD. Again, I gather it has very limited distribution. Blockbusters only had one copy of it, and I don't recall it ever playing in the art houses in Cleveland.
Seen on my TV, the photography is not as breathtaking, though it is still very beautiful. The wildlife footage is still fascinating. The story of the relationship between the 10-year old child and the fox is even less convincing the second time around, when you know where it's headed.
Still, as I said, the story is incidental. It's a beautiful film to watch, and if you like wildlife footage, you should find this fascinating.