Body of Lies (2008)

User Rating:

7.2/10   

Director:

Ridley Scott

Writers (WGA):

William Monahan (screenplay)
David Ignatius (novel)

Release Date:

10 October 2008 (USA)

Genre:

Action | Drama | Thriller

Tagline:

Trust no one. Deceive everyone.

Plot:

Roger Ferris uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.

Plot Keywords:

Jordan | Terrorist | Amman Jordan | Terrorist Attack | Cell Phone

Awards:

2 nominations

Cast

Leonardo DiCaprio	...	Roger Ferris
Russell Crowe	...	Ed Hoffman
Mark Strong	...	Hani Salaam
Golshifteh Farahani	...	Aisha
Oscar Isaac	...	Bassam
Ali Suliman	...	Omar Sadiki
Alon Abutbul	...	Al-Saleem (as Alon Aboutboul)
Vince Colosimo	...	Skip
Simon McBurney	...	Garland
Mehdi Nebbou	...	Nizar
Michael Gaston	...	Holiday
Kais Nashif	...	Mustafa Karami
Jamil Khoury	...	Marwan (as Jameel Khoury)
Lubna Azabal	...	Kala - Aisha's sister
Ghali Benlafkih	...	Aisha's Nephew Rowley

Also Known As:

Chatter (USA) (working title)
House of Lies (USA) (working title)
Penetration (USA) (working title)
Red de mentiras (Argentina) (Mexico) (Peru) (Spain) (Venezuela) [es]
Der Mann, der niemals lebte (Germany) [de]
I plektani (Greece) [el]
Labyrint lzí (Czech Republic) [cs]
Mensonges d'état (France) [fr]
Nessuna verità (Italy) [it]
O Corpo da Mentira (Portugal) [pt]
Pavucina izí (Slovakia) [sk]
Rede de Mentiras (Brazil) [pt]
Tijelo od lazi (Croatia) [hr]
Une vie de mensonges (Canada: French title) [fr]
Valede rägastik (Estonia) [et]
Valheiden verkko (Finland) [fi]
W sieci klamstw (Poland) (poster title) [pl]
Wârudo obu raizu (Japan) [ja]
World of Lies (Japan: English title) [en]
Yalanlar üstüne (Turkey: Turkish title) [tr]

MPAA:

Rated R for strong violence including some torture, and for language throughout.

Runtime:

128 min

Country:

USA

Language:

English | Arabic

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | DTS | Dolby Digital

Certification:

USA:R (certificate #44537) | Ireland:15A | Finland:K-15 | Canada:13+ (Québec) | Canada:14A (Alberta/Ontario) | UK:15 | Netherlands:16 | South Africa:16LV | Canada:18A (British Columbia/Manitoba/Nova Scotia) | Australia:MA | Singapore:NC-16 | New Zealand:R16 | Philippines:R-13 (MTRCB) | Germany:16 | Hong Kong:IIB | South Korea:15 | Portugal:M/16 | Japan:PG-12 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | France:U | Argentina:16 | Brazil:16 | India:A | Sweden:15 | Malaysia:18SG | Peru:14 | Norway:15 | Taiwan:R-12

Filming Locations:

Annapolis, Maryland, USA

Company:

De Line Pictures

Trivia:

The plot is set in various international locations: Manchester (United Kingdom), Samarra and Balad (Iraq), Qatar's US Military Base, Amman (Jordan), Amsterdam (Netherlands), Langley and Washington DC (United States), Dubai (United Arab Emirates), Incirlik (Turkey), Vienna (Austria) and Dar'a (Syria) but the actual filming locations were only Morocco and United States.

Goofs:

Continuity: When Roger goes to see Garland for the first time Garland pours him a coffee into a square cream colored mug. When they are in the next room he is now drinking from a round green mug.

Quotes:

Hani: This is unusual. Your Ed Hoffman would rather have less information than share what he has with me.

Movie Connections:

References The Lion King (1994)

Soundtrack:

If The World

Ridley does it again

You really have to admire Ridley Scott's moxie.

Even though the 70-year-old director has long established himself as one of Hollywood's best and most durable directors; having helmed some of the most entertaining films of all time, in virtually every genre (including sci-fi classics like Alien and Blade Runner); and having been nominated no less than three times for the Best Director Oscar (Thelma & Louise, Gladiator, Black Hawk Down), to decide to take on theme that has produced exactly zero blockbusters thus far – the Middle East and terrorism – takes an incredible amount of chutzpah.

But it does help if you have the help of two of the biggest actors in Hollywood at the moment, those being Leonardo DiCaprio and Russell Crowe (who has worked with Scott on two previous films, Gladiator and A Good Year). It's ironic to think that the last time these two actors shared the screen was back in 1995, with the clichéd-but-entertaining oater The Quick and the Dead. Of course, at the time, Crowe was a complete unknown and DiCaprio was a 21-year-old newcomer with only a couple of notable titles under his belt. But oh, how that's all changed now.

It's not easy to describe the plot of Body of Lies without giving too much away. DiCaprio plays CIA operative Roger Ferris, who is trying to flush out a terrorist leader named Al-Saleem in Jordan. He gets his orders from Ed Hoffman (Crowe), a man for whom results are the only satisfactory outcome, delivered with a fair amount of arrogance and a cocky Southern drawl. Ed plays the situation like a kid playing a video game, and has the resources to change the rules anytime he feels like it, dispensing his orders from his office, from his backyard, from his daughter's soccer game, for Pete's sake! This, of course, infuriates Ferris to no end, because he is the one who is in the trenches, chasing the bad guys, dodging bullets, ducking explosions, and procuring the badly-needed intelligence that Hoffman needs. Ferris is also trying to build a productive working relationship with the head of Jordanian Intelligence, Hani Salaam (Mark Strong), a relationship that is made even more tenuous by Hoffman's double-dealings and hidden agendas.

There are so many ways that Scott could have screwed this up. A lesser director might have chosen to ramp up the action, sacrificing intelligence for entertainment. A lesser director could have taken this story of espionage and twisted it into a convoluted and indecipherable Gordian knot. A lesser director would have gotten less convincing performances from his lead actors.

But Ridley Scott is not a lesser director. Though the plot is indeed complex, with many layers and sub-layers, deceit and treachery, Scott never lets you lose sight of the overall picture. He tells a solid, wonderfully entertaining story, without the need to drive home its message with sledgehammer subtlety (after all, very few things are black and white). And most of all, he gets electric performances from Crowe and DiCaprio, whose symbiotic relationship with a thinly-veiled veneer of mutual contempt is a pleasure to watch.

I don't know if Body of Lies will end up breaking through the barrier that every movie in this genre couldn't; but for what it's worth, I hope it does. One thing's for sure… if anybody can, Ridley Scott can.

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