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Tsunami: The Aftermath (2006) (TV)
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Overview
User Rating:
Release Date:
9 December 2006 (South Africa) morePlot:
Inspired by true accounts, this HBO miniseries focuses on a group of fictional characters caught up in the harrowing aftermath of the tsunami that devastated the coast of Thailand two years ago. full summary | add synopsisAwards:
Nominated for 3 Golden Globes. Another 2 wins & 9 nominations moreNewsDesk:
(3 articles)
Comedy series lead acting races: By the numbers (From Gold Derby. 16 July 2009, 2:07 PM, PDT)
Toni Collette Shines on Intriguing ‘United States of Tara’
(From HollywoodChicago.com. 13 January 2009, 1:39 PM, PST)
User Comments:
Too much dignified emoting more (11 total)Cast
(Credited cast)| Tim Roth | ... | Nick Fraser | |
| Chiwetel Ejiofor | ... | Ian Carter | |
| Sophie Okonedo | ... | Susie Carter | |
| Hugh Bonneville | ... | Tony Whittaker | |
| Gina McKee | ... | Kim Peabody | |
| Samrit Machielsen | ... | Than | |
| Grirggiat Punpiputt | ... | Pravat Meeko | |
| Toni Collette | ... | Kathy Graham | |
| rest of cast listed alphabetically: | |||
| Kate Ashfield | ... | Ellen | |
| Aure Atika | ... | Simone | |
| Schwis Bhokhahhanes | ... | Morgue Attendant | |
| Tanapol Chuksrida | ... | Boat Captain | |
| Leon Ford | ... | Joe Meddler | |
| Glacian Jarusomboon | ... | Dr. Boomers Potuk | |
| Morgan David Jones | ... | John Peabody | |
| Jacek Koman | ... | Peer | |
| Will Yun Lee | ... | Chai | |
| Velicitat Lionel | ... | French Man | |
| Edith Loney | ... | Eve's Mother | |
| Savannah Loney | ... | Eve | |
| George MacKay | ... | Adam Peabody | |
| Jazmyn Maraso | ... | Martha Carter | |
| Usuma Sukhsvash | ... | Suk, Chai's wife | |
| Poh Sursakul | ... | Than's Grandmother | |
| Owen Teale | ... | James Peabody | |
| Diane Zurn | ... | Mother reunited w / daughter | |
Additional Details
Also Known As:
Tsunami (USA) (working title)Efter tsunamin (Finland: Swedish title) [sv]
Tsunami (Greece) (DVD title) [el]
Tsunami - Die Killerwelle (Germany) [de]
Tsunami - El día después (Argentina) (DVD title) [es]
Tsunami - Les jours d'après (France) [fr]
Tsunami ston Indiko - Vivliki katastrofi (Greece) [el]
Tsunamin jälkeen (Finland) [fi]
more
Parents Guide:
Add content advisory for parentsRuntime:
186 min (2 parts) | Australia:111 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
StereoFun Stuff
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The problem with making a film about a well-known disaster is that the obvious line of dramatic development is precluded precisely because everyone knows it before the film starts. In 'Titanic', James Cameron spun a tale about the spirit of the age, which he bound up with the famous event at the heart of the film; but 'Tsumami: the Aftermath' tries no such tricks, and sells us a straightforward catalogue of human misery and suffering. It's all very earnest, and unclear what the point is supposed to be. Countless survivors (with missing relatives) are shown responding with a mixture of dignity and disbelief in reality. This may be one response to tragedy, but it's not the only one, and in this film appears to be celebrated as the highest expression of the human condition: epitomised when one man stands up at a public meeting and is applauded for his heartfelt but impossible demand that his (dead) child is returned to him. Liekwise, the film stresses a view that those on the scene in a non-personal capacity needed to emotionally empathise with the feelings of the suffering, whereas one could argue that, when it comes to the rationing of limited resources, one actually needs officials who can be completely dispassionate, and who can turn down the heart-rending (and conventionally justified) demands of those who cry loudest to meet instead the needs of those with even greater need. Finally, there is a political sub-plot, but this is presented more as a means to the redemption of a cynical journalist (who, as you might have guessed, learns to care) than as an end in itself.
The review may sound pretty cynical in itself, and I don't want to belittle the appalling human suffering of the real life tragedy in any way. But this film's obsession with dignified emoting puts a very strange spin on the human condition.