A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback ...
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After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback Mountain'. Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing chronology and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, independent films, sex on screen, outlaw culture and bad guys, female romances, films about A.I.D.S. and dying, emergence of romantic comedy, transsexual films, films about diversity and various cultures, and then main-stream Hollywood drama. What might come next? Written by
<firstname.lastname@example.org> and Brian McInnis
I can't say that I agree with the earlier poster who claims the film doesn't represent gay men's films. Hello, John Waters, Don Roos and any number of other participants. There are far more glaring omissions than a few enjoyable mainstream 1990s indies and "The Boys in the Band." How about the entire history of avant-garde gay cinema, pre-1960s?
Regardless, any survey this broad is obviously going to be shallow. You'd need a miniseries to cover the entire history of queer cinema across all eras, countries of origin and genres.
This being an IFC documentary, it focuses on independent cinema. That makes sense.
For a broader historical perspective, albeit a very Hollywood-focused, U.S.-centric one, check out The Celluloid Closet.
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