| Mathieu Amalric | ... | Simon | |
| Michael Lonsdale | ... | Mathias Jüst | |
| Edith Scob | ... | Lucy Jüst | |
| Lou Castel | ... | Arie Neumann | |
| Jean-Pierre Kalfon | ... | Karl Rose | |
| Valérie Dréville | ... | Lynn Sanderson | |
| Laetitia Spigarelli | ... | Louisa | |
| Delphine Chuillot | ... | Isabelle | |
| Nicolas Maury | ... | Tavera | |
| Rémy Carpentier | ... | Jacques Paolini | |
| rest of cast listed alphabetically: | |||
| Louis Aguettant | ... | Le chanteur de fado | |
| Jessica Cohen | ... | La jeune fille qui chante | |
| Mathieu Césarsky | ... | Hurleur 2 | |
| Cyrille Kervestin | ... | Walter | |
| Mamadou Steve Koundio | ... | Le travesti africain | |
| Julien Lacroix | ... | Philippe | |
| Philippe Montaye | ... | Hurleur 1 | |
| Miguel Poveda | ... | Flamenco singer | |
| Olivier Renouf | ... | Le danseur after rave | |
| Erwan Ribard | ... | Miguel | |
| Jean-Pierre Vigneau | ... | Angelino | |
| Patrick Zocco | ... | Le flic | |
Directed by | |||
| Nicolas Klotz | |||
Writing credits(in alphabetical order) | ||
| François Emmanuel | story | |
| Elisabeth Perceval | ||
Produced by | |||
| Sophie Dulac | .... | producer | |
| Jean-Christophe Gigot | .... | executive producer | |
| Michel Zana | .... | producer | |
Original Music by | |||
| Syd Matters | |||
Cinematography by | |||
| Josée Deshaies | |||
Film Editing by | |||
| Rose-Marie Lausson | |||
Casting by | |||
| Stéphane Batut | |||
| Isabelle Ungaro | |||
Production Design by | |||
| Antoine Platteau | |||
Set Decoration by | |||
| Romain Scavazza | |||
Costume Design by | |||
| Dorothée Guiraud | |||
Makeup Department | |||
| Stéphane Desmarez | .... | key hair stylist | |
| Laurence Grosjean | .... | key makeup artist | |
Production Management | |||
| Sébastien Brun | .... | assistant unit manager | |
| Pierre Dufour | .... | production manager | |
| Adrien Ledoux | .... | assistant production manager | |
| Amélie Melkonian | .... | assistant production | |
| Mélanie Pienne | .... | assistant unit manager | |
| Pascal Pons | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Emile Louis | .... | first assistant director | |
| Fany Pouget | .... | second assistant director | |
Art Department | |||
| Laurent Baude | .... | assistant art director | |
| Vincent Dugied | .... | assistant art director | |
| William Mordos | .... | set dresser | |
| Romain Scavazza | .... | assistant art director | |
Sound Department | |||
| Julie Brenta | .... | sound editor | |
| Stéphane De Rocquigny | .... | sound re-recording mixer | |
| Dominique Eyraud | .... | boom operator | |
| Nicolas Fioraso | .... | assistant foley artist | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Johann Nallet | .... | sound recordist | |
| Gadou Naudin | .... | foley artist | |
| Brigitte Taillandier | .... | sound | |
| Philippe Vandendriessche | .... | additional sounds | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Stunts | |||
| Gérard Kuhnl | .... | stunts | |
| Alain Vanneville | .... | stunts | |
| Daniel Vérité | .... | stunt coordinator | |
Editorial Department | |||
| Nadine Mahé | .... | assistant editor | |
Music Department | |||
| Yann Arnaud | .... | music mixer | |
| Loris Bernot | .... | music recordist | |
Thanks | |||
| Patrick Zocco | .... | special thanks | |
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| L'accompagnatrice | Marie Antoinette | Les égarés | Faubourg 36 | Cristo si è fermato a Eboli |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This is an interesting movie. The pace is slow, and the subject is painful, so it takes some effort to watch it from end to end. But in the end, it's worth it.
The music is very effective in inducing empathy with the main character, who's going through a life-changing crisis.
The main point is that today's corporate speak is dehumanizing ('units' to designate workers, 'efficiency', 'objectives'), in the same way as the Nazi's ruthless technical language of death was. Language can be a tool of destruction with a clean conscience.
Not perfect - a bit over-obvious sometimes. Also, the people speak like books, which, for me, induced a distance and made suspension of disbelief harder. Good acting though.