| Photos (see all 35 | slideshow) | Videos (see all 2) |
| Stephen Dillane | ... | Jakob | |
| Rade Serbedzija | ... | Athos | |
| Rosamund Pike | ... | Alex | |
| Ayelet Zurer | ... | Michaela | |
| Robbie Kay | ... | Young Jakob | |
| Ed Stoppard | ... | Ben | |
| Rachelle Lefevre | ... | Naomi | |
| Nina Dobrev | ... | Bella | |
| Themis Bazaka | ... | Mrs. Serenou | |
| Diego Matamoros | ... | Jozef | |
| Sarah Orenstein | ... | Sara | |
| Larissa Laskin | ... | Irena | |
| Giorgos Karamihos | ... | Ioannis | |
| Danai Skiadi | ... | Young Allegra | |
| rest of cast listed alphabetically: | |||
| Memos Begnis | ... | Makis | |
| Marcia Bennett | ... | Mrs. Taylor | |
| Devon Bostick | ... | Ben - Teen | |
| Hakan Coskuner | ... | German Soldier | |
| Elli Fotiou | ... | Allegra - 50s | |
| Daniel Kash | ... | Maurice | |
| Jennifer Podemski | ... | Marylin | |
| Gray Powell | ... | Allen | |
| Stefen Rollpiller | ... | German Soldier | |
| Monika Schurmann | ... | Jakob's Mother | |
| Jonathan Soja | ... | German Soldier | |
| Birgitte Solem | ... | Ellen | |
| Michael Stevens | ... | Book publisher | |
Directed by | |||
| Jeremy Podeswa | |||
Writing credits(in alphabetical order) | ||
| Anne Michaels | novel | |
| Jeremy Podeswa | writer | |
Original Music by | |||
| Nikos Kypourgos | |||
Cinematography by | |||
| Gregory Middleton | |||
Film Editing by | |||
| Wiebke von Carolsfeld | |||
Casting by | |||
| Nancy Bishop | |||
| Makis Gazis | |||
| Nina Gold | |||
Production Design by | |||
| Matthew Davies | |||
Art Direction by | |||
| Peter Emmink | |||
Set Decoration by | |||
| Erica Milo | |||
| Nikos Triandafilopoulos | |||
Costume Design by | |||
| Anne Dixon | |||
Makeup Department | |||
| Argyro Kouroupou | .... | makeup artist | |
| Niki Psimouli | .... | hair stylist | |
Art Department | |||
| Mary Arthurs | .... | property master | |
| Yannis Damigos | .... | assistant constructor | |
| Neil Floyd | .... | art department apprentice | |
| Gerassimos Karvounis | .... | props (as Gerasimos Karvounis) | |
| Dimitris Katsikis | .... | associate production designer | |
| Sakis Koularmanis | .... | props | |
| Elis Y. Lam | .... | first assistant art director (as Elis Lam) | |
| Katerina Manolakou | .... | assistant art director | |
| Aaron Morrison | .... | graphics | |
| Andreas Siroyiannis | .... | props | |
| Cherie Spencer | .... | set dresser | |
| Alexis Tsiflikos | .... | constructor | |
Sound Department | |||
| Sylvain Arseneault | .... | sound recordist | |
| Steve Baine | .... | foley artist | |
| Fred Brennan | .... | dialogue and adr editor | |
| Steph Carrier | .... | sound re-recording mixer | |
| Sue Fawcett | .... | assistant dialogue editor | |
| Nick Foley | .... | adr recordist | |
| Jamie Gould | .... | sound re-recording assistant | |
| Gina Gyles | .... | foley assistant | |
| Garrett Kerr | .... | sound effects editor | |
| Travis MacKay | .... | adr recordist | |
| Matthew McKenzie | .... | adr recordist | |
| Rudy Michael | .... | adr recordist | |
| Periklis Patsourakis | .... | boom operator | |
| Peter Persaud | .... | foley recordist | |
| Brent Pickett | .... | first assistant sound editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Ted Swanscott | .... | adr mixer | |
| Jane Tattersall | .... | sound effects editor | |
| Marilee Yorston | .... | foley assistant | |
Special Effects by | |||
| David Antonacci | .... | special effects technician | |
| Steve Carbajal | .... | special effects water truck driver | |
| Tim Ferguson | .... | special effects technician | |
| Peter Kovachis | .... | special effects first assistant | |
| Derek Liscoumb | .... | special effects coordinator | |
| Ron Shinder | .... | special effects key | |
| Sean Wakfer | .... | special effects technician | |
Visual Effects by | |||
| Darcy Bangsund | .... | senior systems administrator: Mr. X Inc | |
| Barb Benoit | .... | digital compositor | |
| Anand Dorairaj | .... | digital compositor | |
| Mag Sarnowska | .... | digital artist | |
| Chris Wallace | .... | digital intermediate colorist | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc | |
| Fiona Campbell Westgate | .... | visual effects producer: Mr. X Inc | |
Camera and Electrical Department | |||
| Spiros Angelopoulos | .... | electrician | |
| Blayne Badge | .... | electrician | |
| Terry Banting | .... | gaffer | |
| Roy Benson | .... | dolly grip | |
| Randy Brown | .... | generator operator | |
| Federico De Marco | .... | second assistant camera | |
| Christos Douros | .... | clapper loader | |
| Chad Edwards | .... | electrician | |
| Cinar Eryasar | .... | electrician | |
| Candide Franklyn | .... | camera operator | |
| Gene Gray | .... | grip | |
| Mitch Holmes | .... | key grip | |
| Sean Jordan | .... | electrician | |
| Thanassis Karambelos | .... | best boy grip | |
| John MacLean | .... | best boy grip | |
| Grigoris Moschos | .... | best boy electric | |
| Nikos Nikolopoulos | .... | still photographer | |
| John Pogue | .... | best boy electric | |
| Benjamin Smith | .... | camera loader | |
| Mike Sokoluk | .... | grip | |
| Carolos Stermy | .... | key grip | |
| Dean Stinchcombe | .... | first assistant camera | |
| Manu Tilinski | .... | second assistant camera | |
| Panayiotis Triandafilopoulos | .... | electrician | |
| Stathis Tsiapas | .... | gaffer | |
Casting Department | |||
| Nancy Bishop | .... | casting | |
| Jason Knight | .... | casting associate | |
Costume and Wardrobe Department | |||
| Anastasia Arseni | .... | associate costume designer | |
| Marie Beracha | .... | assistant costume designer | |
| Anna Dal Farra | .... | assistant costume designer | |
| Anastasia Havouta | .... | assistant costume designer | |
| Maria Kokkini | .... | second assistant costume designer | |
| Alkistis Mamali | .... | assistant costume designer | |
| Katerina Tsakota | .... | second assistant costume designer | |
Editorial Department | |||
| Kate Hickey | .... | assistant editor | |
| Debbie Holland | .... | colorist | |
| Nick Iannelli | .... | digital intermediate producer | |
| Takis Kardasis | .... | negative developer | |
| Christos Manousakis | .... | negative developer | |
| Rui Martins | .... | telecine operator | |
| Dave Muscat | .... | digital intermediate editor | |
| Sandy Pereira | .... | first assistant editor | |
| Emma Sanders | .... | post-production coordinator | |
| Kelley Whitis | .... | post-production coordinator | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| John Rowley | .... | music supervisor | |
Transportation Department | |||
| Maria Goudi | .... | transportation & accomodation coordination | |
| Costis Panayiotopoulos | .... | film transportation | |
Other crew | |||
| Errikos Bari | .... | production assistant | |
| William Cameron | .... | title designer: main titles | |
| Donna Gardon | .... | script supervisor | |
| Lisa Ghione | .... | unit publicist | |
| Joe Iacono | .... | financial consultant and auditor | |
| Fotini Karnassioti | .... | production accountant assistant | |
| George Litinas | .... | production assistant | |
| Mark Moore | .... | location manager | |
| Efi Papazachariou | .... | publicist | |
| Keith Park | .... | assistant location manager | |
| Irene Phelps | .... | production accountant | |
| Diane Pitblado | .... | dialect coach | |
| Sephira Salazar | .... | assistant: Andras Hamori | |
| Jonathan Schwartz | .... | production assistant | |
| Brian Sidaway | .... | hydra consultant | |
| George Siokos | .... | production assistant | |
| Michael Solomon | .... | assistant: Mr. Lantos | |
| Jason Stone | .... | assistant: Jeremy Podeswa | |
| Victoria Vellopoulou | .... | location manager | |
| Kelly Willson Harvey | .... | assistant: Sandra Cunningham | |
| Christine Zaher | .... | production assistant | |
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Moving, beautifully crafted, unbelievable performances, direct, poetic, raw. I was so moved by this film, I find it hard to compose complete sentences to describe it. This movie touched and inspired every cell in my body. The acting by the entire cast was precise and authentic. How were they able to compile this cast? How did they manage to extract these performances? The writing is intelligent, sensitive, moving and direct. This is a rare script. Each scene in this movie required such an investment by the entire film crew to reach its rare authenticity. The courage it would take to produce this film escapes me. While the result deserves the highest awards, this is not a film that was made for the sake of popularity. This film feels like a labor of love and the result of the truest of intentions. My hat is off to anyone who participated in this film.