| Photos (See all 66 | slideshow) | Videos (see all 15) |
| Elizabeth Berrington | ... | Natalie | |
| Rudy Blomme | ... | Ticket Seller | |
| Olivier Bonjour | ... | Film Director | |
| Mark Donovan | ... | Overweight Man | |
| Ann Elsley | ... | Overweight Woman #2 | |
| Colin Farrell | ... | Ray | |
| Jean-Marc Favorin | ... | Policeman (as Jean Mark Favorin) | |
| Ralph Fiennes | ... | Harry | |
| Brendan Gleeson | ... | Ken | |
| Eric Godon | ... | Yuri | |
| Zeljko Ivanek | ... | Canadian Guy | |
| Sachi Kimura | ... | Imamoto | |
| Anna Madeley | ... | Denise | |
| Louis Nummy | ... | Harry's child #3 | |
| Clémence Poésy | ... | Chloe | |
| Jordan Prentice | ... | Jimmy | |
| Jérémie Renier | ... | Eirik (as Jérémie Rénier) | |
| Thekla Reuten | ... | Marie | |
| Theo Stevenson | ... | Boy in Church | |
| Inez Stinton | ... | Kelli | |
| Emily Thorling | ... | Overweight Woman | |
| Angel Witney | ... | Harry's child #2 | |
| Bonnie Witney | ... | Harry's child #1 | |
| Ran Yaniv | ... | Barman | |
| Stephanie Carey | ... | Canadian Girl | |
| Jamie Edgell | ... | Boat Driver | |
| rest of cast listed alphabetically: | |||
| Susan Ateh | ... | Ken's Wife (uncredited) | |
| Michael Bennett | ... | Belgian Policeman (uncredited) | |
| Ciarán Hinds | ... | Priest (uncredited) | |
| Matt Smith | ... | Young Harry (uncredited) | |
Directed by | |||
| Martin McDonagh | |||
Writing credits | ||
| Martin McDonagh | (written by) | |
Produced by | |||
| Jeff Abberley | .... | executive producer | |
| Julia Blackman | .... | executive producer | |
| Graham Broadbent | .... | producer | |
| Peter Czernin | .... | producer (as Pete Czernin) | |
| Sarah Harvey | .... | co-producer | |
| Tessa Ross | .... | executive producer | |
| Ronaldo Vasconcellos | .... | line producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Eigil Bryld | (director of photography) | ||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Chris Lowe | |||
Set Decoration by | |||
| Anna Lynch-Robinson | |||
Costume Design by | |||
| Jany Temime | |||
Makeup Department | |||
| Francesco Alberico | .... | hair stylist | |
| Charlotte Hayward | .... | hair trainee | |
| Charlotte Hayward | .... | makeup trainee | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Sharon Martin | .... | makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| David White | .... | prosthetic makeup designer: Altered States FX | |
| Pamela Goldammer | .... | prosthetics workshop technician (uncredited) | |
Production Management | |||
| James Biddle | .... | unit production manager | |
| Alistair Hopkins | .... | post-production supervisor | |
| Grietje Lammertyn | .... | unit production manager | |
| Judy Richter | .... | production consultant | |
| Steve Harvey | .... | unit manager: UK (uncredited) | |
Second Unit Director or Assistant Director | |||
| Matthew Penry-Davey | .... | first assistant director | |
| Charlie Reed | .... | third assistant director | |
| Lance Roehrig | .... | second assistant director | |
Art Department | |||
| Joshua Barraud | .... | stand-by art director | |
| Philippe Bertin | .... | set dresser | |
| Jacco Bout | .... | dressing props | |
| Tim Browning | .... | assistant art director | |
| Robert Clarke | .... | construction rigger | |
| Guy Cope | .... | stand-by rigger | |
| George Dean | .... | head painter | |
| Arwel Evans | .... | stand-by props | |
| Stephen Forrest-Smith | .... | storyboard artist (as Steve Forrest-Smith) | |
| Niki Geeraerts | .... | stagehand | |
| Muffin Green | .... | property master | |
| Kathy Heaser | .... | graphic designer | |
| Peter Hodge | .... | stand-by carpenter | |
| Alez King | .... | stand-by props | |
| Richard Law | .... | construction rigger | |
| Steven Liegeois | .... | production buyer: BE | |
| Chris Lievens | .... | stand-by props | |
| Adam McCreight | .... | dressing props (as Adam McReight) | |
| Pascal Mievis | .... | carpenter | |
| Eddie Murphy | .... | construction supervisor | |
| Robbe Nuyttens | .... | set dresser | |
| Mark Overall | .... | carpenter | |
| Gert Pannecoucke | .... | petty cash buyer | |
| Antoine Robin | .... | construction manager | |
| Ignacio J. Santeugini | .... | carpenter (as Nacho Santeugini) | |
| Luke Sargent | .... | carpenter | |
| Nick Sargent | .... | construction supervisor (as Nicholas Sargent) | |
| Russell Sargent | .... | carpenter (as Russ Sargent) | |
| Charlotte Sierens | .... | art department runner | |
| Patrick Tierssoone | .... | construction technical advisor | |
| Peggy Verstraeten | .... | stand-by props | |
| Rod Whiting | .... | storeman | |
| Sarah Whittle | .... | production buyer: London | |
| Peter Wilkinson | .... | painter | |
| Rohan Harris | .... | model maker (uncredited) | |
| Colin Jackman | .... | sculptor (uncredited) | |
| John Jones | .... | prop maker (uncredited) | |
Sound Department | |||
| Robert Brazier | .... | foley mixer | |
| Oliver Brierley | .... | sound re-recording mixer | |
| Peter Burgis | .... | foley artist (as Pete Burgis) | |
| Paul Carr | .... | adr mixer | |
| Alistair Crocker | .... | production sound mixer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Alex Fielding | .... | sound mix technician | |
| Arthur Graley | .... | foley editor (as Arthur Grayley) | |
| James Harbour | .... | sound maintenance engineer | |
| Sue Harding | .... | foley artist | |
| James Harrison | .... | sound effects editor | |
| Nigel Heath | .... | adr mixer | |
| Nigel Heath | .... | sound re-recording mixer | |
| Dan Morgan | .... | adr editor | |
| Dan Morgan | .... | dialogue editor | |
| Rob Saunders | .... | sound assistant | |
| Julian Slater | .... | supervising sound editor | |
| Jessica Ward | .... | assistant sound editor | |
| Rowena Wilkinson | .... | foley artist | |
| Robert Edwards | .... | adr recordist (uncredited) | |
| Johan Maertens | .... | epk sound recordist (uncredited) | |
| Beauxregard Neylon | .... | adr mixer (uncredited) | |
| Jamie Roden | .... | adr mixer (uncredited) | |
| Chris Sturmer | .... | sound consultant: dolby (uncredited) | |
Special Effects by | |||
| James Davis III | .... | snow effects technician (as James Davies) | |
| James Davis III | .... | special effects senior technician (as James Davies) | |
| Hugh Goodbody | .... | special effects senior technician | |
| Mark Holt | .... | special effects supervisor | |
| David Johns | .... | snow effects technician | |
| Russell Pritchett | .... | special effects technician | |
| Del Reid | .... | snow effects technician | |
| Stephen Shelley | .... | snow effects senior technician | |
| Jamie Weguelin | .... | special effects technician (as Jamie Wegeulin) | |
| Barry Best | .... | mould maker (uncredited) | |
| Oliver Guy-Watkins | .... | snow effects technician (uncredited) | |
| Graham Riddell | .... | senior special effects technician (uncredited) | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore-CFC | |
| Oliver Atherton | .... | sequence lead compositor: Double Negative | |
| Michael Atkin | .... | matchmover: Double Negative | |
| Nicola Atkinson | .... | matchmover: Double Negative | |
| Ben Baker | .... | head of digital lab: Framestore-CFC | |
| Richard Briscoe | .... | visual effects supervisor: Double Negative | |
| Andy Burrow | .... | scanning and recording manager: Framestore-CFC | |
| Francesca Canducci | .... | retouch and restoration: Framestore-CFC | |
| Eric D'Souza | .... | digital lab engineer: Framestore-CFC | |
| Jerome Dewhurst | .... | digital lab engineer: Frametore-CFC | |
| Richard Diver | .... | visual effects editor: Double Negative | |
| Kenneth Fanning | .... | matchmover: Double Negative (as Ken Fanning) | |
| Gavin Gregory | .... | visual effects coordinator: Double Negative | |
| Jerry Hall | .... | compositor: Double Negative | |
| Adam Hawkes | .... | retouch and restoration: Framestore-CFC | |
| Aeon Henderson | .... | compositor: Double Negative | |
| Joseph Hoare | .... | scanning and recording: Framestore-CFC | |
| Yan Jennings | .... | film mastering engineer: Framestore-CFC | |
| Jody Johnson | .... | digital supervisor: Double Negative | |
| David Johnston | .... | data operator: Framestore-CFC | |
| Kevin Lowery | .... | film mastering engineer: Framestore-CFC | |
| Rupert Porter | .... | visual effects producer: Double Negative | |
| Ian Redmond | .... | digital lab engineer: Framestore-CFC | |
| Jimmy Saul | .... | scanning and recording: Framestore-CFC | |
| Nick Stanley | .... | retouch and restoration: Framestore-CFC | |
| Davi Stein | .... | compositor: Double Negative | |
| Odean Thompson | .... | retouch and restoration: Framestore-CFC (as O'Dean Thompson) | |
| Simon Trafford | .... | sequence lead compositor: Double Negative | |
| Simon Wessely | .... | data operator: Framestore-CFC | |
| Patrick Zentis | .... | digital matte painter: Double Negative | |
| Szvák Antal | .... | visual effects coordinator: Cube Effects (uncredited) | |
| Jaume Arteman | .... | digital compositor: Double Negative (uncredited) | |
| Szapek Attila | .... | compositor: Cube Effects (uncredited) | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore-CFC (uncredited) | |
| Clare Brody | .... | digital intermediate: data operator (uncredited) | |
| Paul Burke | .... | scanning and recording: Framestore-CFC (uncredited) | |
| Dave Calub | .... | retouch and restoration: Framestore-CFC (uncredited) | |
| Zoe Cousins | .... | scan record operator (uncredited) | |
| Richard Edwards | .... | data operator: Framestore-CFC (uncredited) | |
| Péter Farkas | .... | digital compositor: Cube Effects (uncredited) | |
| Tamás Fiedler | .... | digital compositor: Cube Effects (uncredited) | |
| Mai Gray | .... | retouch and restoration: Framestore-CFC (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Pete Hanson | .... | studio manager: Double Negative (uncredited) | |
| Karsten Hecker | .... | scanning & film recording assistant manager: Framestore-CFC (uncredited) | |
| John Inch | .... | retouch and restoration (uncredited) | |
| Rafal Kaniewski | .... | compositor (uncredited) | |
| Pál Klemm | .... | supervising digital compositor: Cube Effects (uncredited) | |
| Katalin Kriskó | .... | roto/prep artist: Cube Effects (uncredited) | |
| Aaron Lear | .... | digital cleanup artist: Framestore-CFC (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| James Long | .... | data operator (uncredited) | |
| Veronica Marcano | .... | scanning and recording operator: Framestore-CFC (uncredited) | |
| James Reed | .... | scanning and recording (uncredited) | |
| Zoltán Szegedi | .... | digital artist: Cube Effects (uncredited) | |
| Gábor Székely | .... | technical director: Cube Effects (uncredited) | |
| Derek Walsh | .... | assistant visual effects editor: Double Negative (uncredited) | |
| Péter Zavorszky | .... | visual effects production manager: Cube Effects (uncredited) | |
Stunts | |||
| James Embree | .... | stunt double: Ray | |
| Paul Herbert | .... | stunt coordinator | |
| Rowley Irlam | .... | stunts (uncredited) | |
| Mark Mottram | .... | stunt performer (uncredited) | |
Casting Department | |||
| Dixie Chassay | .... | casting assistant: UK | |
| Patrick Hella | .... | additional casting: BE | |
| Lucinda Johnston | .... | casting assistant: UK | |
| Jakob Verbruggen | .... | extras casting coordinator | |
| Jakob Verbruggen | .... | extras casting | |
Costume and Wardrobe Department | |||
| Chloe Aubry | .... | costume assistant | |
| Rosy Coppola | .... | seamstress | |
| Richard Davies | .... | assistant costume designer | |
| Michelle Gisonda | .... | costume buyer | |
| Laurent Guinci | .... | costume supervisor | |
| Neil Murphy | .... | costume assistant | |
Editorial Department | |||
| Greg Barrett | .... | head of film: Deluxe | |
| Tabitha Blythe | .... | digital intermediate editorial | |
| Ben Bradley | .... | on-line editor: Deluxe | |
| Jo Dixon | .... | first assistant editor (as Jo-Anne Dixon) | |
| Alec Gibson | .... | color grader: Deluxe | |
| Adam Glasman | .... | digital intermediate colorist | |
| Adam Gough | .... | second assistant editor | |
| Jan Hogevold | .... | digital intermediate executive producer | |
| Stuart Nippard | .... | digital intermediate conform editor | |
| Ian Seymour | .... | first assistant editor | |
| Maria Stroka | .... | digital intermediate producer | |
| Chris Andrews | .... | negative cutter (uncredited) | |
| Stephen Bearman | .... | colorist: dailies (uncredited) | |
| Sara Janasz | .... | post-production coordinator (uncredited) | |
| Sabine McDonald | .... | negative cutter (uncredited) | |
| Kelly Smith | .... | negative cutter (uncredited) | |
Music Department | |||
| James Bellamy | .... | music editor | |
| Christine Bergren | .... | music legal and clearances | |
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Karen Elliott | .... | music supervisor | |
| Michael Farrow | .... | scoring mixer | |
| Isobel Griffiths | .... | orchestra contractor | |
| David Hartley | .... | musician: piano | |
| Jill Streater | .... | copyist | |
| Adam Langston | .... | composer: additional music (uncredited) | |
| Dean Parker | .... | composer assistant (uncredited) | |
Transportation Department | |||
| Philippe Bertin | .... | driver: prop | |
| Malcolm Cooper | .... | driver: facilities | |
| Paul Frederickson | .... | driver: facilities | |
| Jeff Hudson | .... | driver: Mr. Gleeson | |
| Tony Jayes | .... | driver: Mr. Farrell | |
| Michael Knight | .... | driver: facilities | |
| Marek Kowelski | .... | driver: facilities | |
| Colin McDaid | .... | transportation captain: facilities | |
| Randy Nichols | .... | driver: facilities | |
| Robbe Nuyttens | .... | driver: prop | |
| Steve Rivenell | .... | unit driver (as Stephen Rivenell) | |
| Barrie Williams | .... | driver: Mr. Fiennes | |
| Cain Lee | .... | driver: camera car, UK (uncredited) | |
Other crew | |||
| Charline Adriaens | .... | assistant production coordinator: BE | |
| Roland Ballard | .... | assistant production coordinator: UK | |
| Mark Beaumont | .... | production accountant | |
| Alain Berenboom | .... | legal advisor: BE | |
| Charles Bodycomb | .... | on-set armorer (as Charlie Bodycomb) | |
| Russell Boswell | .... | chef: Ace Film Catering | |
| Jonas Boutens | .... | production runner: BE | |
| Deepti Burton | .... | legal services: Wiggin LLP | |
| Jelle Claeys | .... | location assistant: BE | |
| Judy Crane | .... | chef: Ace Film Catering | |
| Matt Curtis | .... | title designer | |
| Lara Davis | .... | production runner: UK | |
| Kaat De Jonghe | .... | production runner: BE | |
| Lars de Kuyper | .... | set production assistant | |
| Tine de Meulenaere | .... | production assistant: BE (as Tine Demeulenaere) | |
| Paul Dray | .... | laboratory contact: Deluxe | |
| Nicky Earnshaw | .... | production coordinator | |
| Katleen Goossens | .... | assistant accountant: BE | |
| Lisa Jane Graham | .... | craft service | |
| Louise Green | .... | assistant accountant: post-production | |
| Paul Grindey | .... | head of business affairs: Film4 | |
| Ruth Halliday | .... | clearances: The Clearing House | |
| Hanne Hauquier | .... | production assistant: BE | |
| Sam Haveland | .... | floor runner | |
| Alistair Hays | .... | chef: Ace Film Catering | |
| Emma Hayter | .... | dialect coach: Mr. Renier | |
| Jo van Hende | .... | location manager: BE (as Jo Van Hande) | |
| Mick Hurrell | .... | health & safety advisor | |
| Johan Ivens | .... | location assistant: BE | |
| Barbara Jansen | .... | base production assistant | |
| Bieke Janssens | .... | assistant: Mr. Fiennes | |
| Ariane Joachimowicz | .... | legal advisor: BE | |
| Joanna Johnson | .... | legal and production: Scion Films | |
| Tracey Josephs | .... | head of production: Film4 | |
| Rachel Kennedy | .... | unit publicist | |
| Miles Ketley | .... | legal services: Wiggin LLP, Film 4 | |
| Tamara King | .... | production runner: UK | |
| Ben Knight | .... | production assistant: Blueprint | |
| Rowena Ladbury | .... | script supervisor | |
| Jo Littlejohn | .... | second assistant accountant | |
| Seb Loden | .... | production assistant | |
| Todd Lundquist | .... | assistant: director | |
| Dieter Moeyaert | .... | stand-in: utility | |
| Charles Moore | .... | legal services: Wiggin LLP | |
| Ante Novakovic | .... | assistant: Mr. Farrell | |
| Paula Oehlers | .... | unit nurse: BE | |
| Emma Olrich-Smith | .... | assets administrator | |
| Katharine Otway | .... | legal services: Wiggin LLP | |
| Martin Parr | .... | chef: Ace Film Catering | |
| Bev Reid | .... | assistant: Mr. Abberley and Mrs. Blackman, Scion Films | |
| Jo Rogers | .... | head of creative affairs: Scion Films | |
| Katrien Rycx | .... | assistant: Mr. Gleeson | |
| Lara Sargent | .... | accountant: post-production, JFA Inc. | |
| Ellen Scheers | .... | location assistant: BE | |
| Joanne Sennitt | .... | head of group finance: Scion Films | |
| Jana Tallieu | .... | set production assistant | |
| Ben Thomas | .... | legal and production: Scion Films | |
| Liesbet Vaes | .... | assistant production coordinator: BE | |
| Davina Van Belle | .... | second assistant accountant: BE | |
| Carl Van Oyen | .... | production runner: BE | |
| Reinhout Vandeputte | .... | location assistant: BE (as Reinout Vandeputte) | |
| Jan Verstraete | .... | stand-in: utility | |
| Maarten Vyncke | .... | production runner: BE | |
| Dan Whitty | .... | location manager: London (as Daniel Whitty) | |
| Julia Wilson Dickson | .... | dialect coach: Mr. Fiennes (as Julia Wilson-Dickson) | |
| Sarah-Jane Wilson | .... | first assistant accountant | |
| Nadira Azermai | .... | production assistant: dailies (uncredited) | |
| Dave Evans | .... | armourer (uncredited) | |
| Frankie Malhotra | .... | production coordinator (uncredited) | |
| Paulette Osorio | .... | publicity executive (uncredited) | |
| Judy Richter | .... | production consultant (uncredited) | |
| Sascha Robey | .... | armorer (uncredited) | |
| Ben Urquhart | .... | post production executive (uncredited) | |
| Helen Varty | .... | assistant: Tessa Ross (uncredited) | |
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One of the problems with seeing a trailer for a film is it creates an expectation. If it raises expectations, and the film delivers, great. However, if the film is less then expected, then the viewer feels cheated. The best case scenario is the one I found myself in before I saw In Bruges. Low expectations.
After seeing the trailer, In Bruges looked like a plodding British comedy with little originality and repetitious humor, hence the low expectations. Yet, In Bruges exceeded my minimal expectations, and, unlike my impression from the trailer, was an original drama with good acting and a nice blend of comedy mixed in. It was funny in the right places and appropriately dramatic when the story shifted into high gear towards the end.
Set in, no surprise here, Bruges, Belgium, the plot focuses on two London hit men, Ray played by Colin Farrell, and Ken, played by Brendan Gleeson. The pair is sent to Belgium after Ray botches his first hi. And therein lies the humor, Ray has no interest in being in the medieval city, and Ken wants to sight see.
I've never really liked Colin Farrell but who knew he had such a good sense of comedic timing? There is a running gag involving fighting with a bottle, and karate, that he manages to keep fresh as it pops up throughout the film. Brendan Gleeson's character provides the moral center and plays the straight man to Farrell's Ray. This works well as the movie turns more serious towards the end. However, for my money, the best performance is delivered by Ralph Fiennes who plays Harry the pair's criminal overlord back in London. Whereas Gleeson character embodies the moral center, Fiennes's Harry fills the role of principled immorality, if there is such a thing. Fiennes creates a character with a dubious moral center and is a quite believable figure of menace when he travels to Bruges to square off with Ken. Also, of note, is Jordan Prentice, an irritable dwarf who's in town to act in a movie filming there. His ramblings in one scene, about a coming race war, is worth the price of admission right there.
The only aspect of the film that didn't work for me was Ray's love interest. Early in the film he manages to woo Chloe, a drug dealer with, drum roll please, a heart of gold. For my tastes, the budding romance seems a little forced and comes across more as a vehicle for jokes and drama. But it's a small thing and I doubt anyone but me would notice.
I intentionally left a lot of plot points out, because, as I've mentioned, this film surprised me in a good way and I don't won't to ruin it for anyone else.
In Bruges is a good film. Go see it.
At the very least, it'll make you want to visit Bruges.