| Videos (see all 4) |
| Romola Garai | ... | Angel Deverell | |
| Sam Neill | ... | Théo | |
| Lucy Russell | ... | Nora Howe-Nevinson | |
| Michael Fassbender | ... | Esmé | |
| Charlotte Rampling | ... | Hermione | |
| Jacqueline Tong | ... | Mother Deverell | |
| Janine Duvitski | ... | Aunt Lottie | |
| Christopher Benjamin | ... | Lord Norley | |
| Tom Georgeson | ... | Marvell | |
| Simon Woods | ... | Clive Fennelly | |
| Jemma Powell | ... | Angelica | |
| Alison Pargeter | ... | Edwina | |
| Seymour Matthews | ... | Norley Doctor | |
| Una Stubbs | ... | Miss Dawson | |
| Jo Perrin | ... | Publisher's secretary | |
| Ruth England | ... | Neighbour | |
| Rosanna Lavelle | ... | Lady Irania | |
| Geoffrey Streatfield | ... | Sebastian | |
| Roger Morlidge | ... | Journalist | |
| Teresa Churcher | ... | Governess | |
| John Rowe | ... | Paradise Doctor | |
| Edward MacLiam | ... | Angelica's Husband | |
| Oscar Redif | ... | Esme's Son | |
| Alice Hubball | ... | Esme's Friend | |
| Simon Shrimpton Smith | ... | Bearded man at awards (as Simon Smith Shrimpton) | |
| rest of cast listed alphabetically: | |||
| Roland Javornik | ... | Party Guest (uncredited) | |
| CinSyla Key | ... | Young aristocrat (uncredited) | |
| Annelien Vanderhoeght | ... | Flower Girl (uncredited) | |
Directed by | |||
| François Ozon | |||
Writing credits | ||
| Elizabeth Taylor | (novel) | |
| François Ozon | (written by) | |
| François Ozon | (dialogue) & | |
| Martin Crimp | (dialogue) | |
Original Music by | |||
| Philippe Rombi | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| Muriel Breton | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Katia Wyszkop | |||
Art Direction by | |||
| Alexandra Lassen | |||
Set Decoration by | |||
| Gérard Marcireau | |||
Costume Design by | |||
| Pascaline Chavanne | |||
Makeup Department | |||
| Virginie Berland | .... | assistant makeup artist | |
| Marese Langan | .... | hair designer | |
| Marese Langan | .... | makeup designer | |
| Gill Robillard | .... | key makeup artist | |
| Michelle Van Brussel | .... | assistant makeup artist | |
| Jill Wertz | .... | makeup artist: second unit | |
Production Management | |||
| Aurore Benoît | .... | assistant unit manager | |
| Nadine Borreman | .... | production manager | |
| Didier Jacquemotte | .... | unit manager | |
| Jeremy Johns | .... | unit production manager: UK development | |
| Tori Parry | .... | production manager | |
| Pierre Wallon | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | second assistant director: UK prep | |
| Dominique Delany | .... | first assistant director | |
| Benoît Giorgini | .... | third assistant director | |
| Matthew Grant | .... | trainee assistant director: UK | |
| Olivia Lloyd | .... | second assistant director | |
| Caroline Tambour | .... | assistant director | |
Art Department | |||
| Benoît Bechet | .... | assistant art director | |
| Tatiana Bouchain | .... | art department coordinator | |
| Renaud Charlier | .... | scenic technician | |
| Manuel Demoulling | .... | chargehand stand-by props | |
| Manuel Demoulling | .... | property master | |
| Thierry Doerflinger | .... | plasterer | |
| Peter Hallam | .... | property master | |
| Alexandra Lassen | .... | assistant art director | |
| Pascal Leguellec | .... | assistant art director | |
| Etienne Mercier | .... | props | |
| Alberto Sebastiani | .... | scenic painter | |
| Smygol | .... | head carpenter | |
| Oli van der Vijver | .... | stand-by prop | |
| Roger Tarry | .... | carpenter (uncredited) | |
Sound Department | |||
| Philippe Amouroux | .... | foley recording mixer | |
| Christian Bass | .... | adr editor | |
| Nicolas Becker | .... | foley artist | |
| Nicolas Bouvet | .... | assistant sound editor | |
| Rym Debbarh-Mounir | .... | assistant sound editor | |
| Olivier Ferrari | .... | assistant sound editor | |
| Christopher Fosh | .... | adr artist | |
| Benoît Hillebrant | .... | sound editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Pascal Jasmes | .... | boom operator | |
| Forbes KB | .... | adr artist | |
| Pierre Mertens | .... | sound | |
Special Effects by | |||
| Martin 'Marty' McLaughlin | .... | snow effects floor supervisor | |
Visual Effects by | |||
| Vadim Androussoff | .... | digital compositor | |
| Hugo Arcier | .... | visual effects | |
| Axel Bonami | .... | digital compositor | |
| Guillaume Carniato | .... | digital compositor | |
| Alain Carsoux | .... | visual effects director | |
| Solena Collignon | .... | digital compositor | |
| Jean-Nicolas Costa | .... | digital restoration | |
| Bertrand de Saint Seine | .... | visual effects assistant editor | |
| Séverine De Wever | .... | visual effects coordinator | |
| François Dupuy | .... | digital intermediate technical director | |
| Marion Frelat | .... | visual effects coordinator | |
| Thibaut Granier | .... | digital compositor | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Guillaume Le Gouez | .... | digital compositor | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Benoit Philippon | .... | visual effects | |
| Joel Pinto | .... | digital compositor | |
| Charlotte Quemy | .... | retouch and restoration | |
| Sebastien Rame | .... | digital compositor | |
| Olivier Ryard | .... | digital compositor | |
| Mikael Tanguy | .... | digital compositor | |
| Christian Tomikowski | .... | digital compositor | |
| Georges Tornero | .... | visual effects coordinator | |
| Daniel Trujillo | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Olivier Cazzitti | .... | electrician | |
| Philippe Cointepas | .... | clapper loader: UK | |
| Tanguy Delhez | .... | additional electrician | |
| Olivier Dirksen | .... | additional electrician | |
| Dimitri Doulkeridis | .... | key rigging | |
| Warwick Drucker | .... | additional grip | |
| Valentina Iorio | .... | grip | |
| Témoudjine Janssens | .... | grip | |
| Jean-Claude Moireau | .... | still photographer | |
| Jean-François Roqueplo | .... | key grip | |
| Jan Rubens | .... | Steadicam operator | |
| Roel Tanghe | .... | additional electrician | |
| Stéphane Thiry | .... | grip | |
| Sébastien Tran | .... | second assistant camera | |
| Dirk Van Rampelbergh | .... | pre-lighting gaffer | |
Casting Department | |||
| Michaël de Nijs | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lee Croucher | .... | costume stand-by | |
| Charlotte Finlay | .... | assistant costume designer | |
| Natasha Francotte | .... | wardrobe | |
| Andrew Hunt | .... | costume assistant | |
Editorial Department | |||
| Agnès Gaudet | .... | assistant editor | |
| Aurélie Laumont | .... | color timer | |
| Natacha Louis | .... | digital color grader | |
| Fabien Pascal | .... | colorist | |
Music Department | |||
| Jean-Pierre Arquie | .... | music supervisor | |
| Jeff Atmajian | .... | orchestrator | |
| Benjamin Caillaud | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stéphane Reichart | .... | music mixer | |
| Simon Rhodes | .... | music scoring mixer | |
| Philippe Rombi | .... | conductor | |
| Philippe Rombi | .... | orchestrator | |
Transportation Department | |||
| Alain Cools | .... | star driver | |
| Nicolas De Zuttere | .... | driver: cast | |
| Muriel Kuypers | .... | star driver | |
| Noureddine Zerrad | .... | head production driver | |
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| Love in the Time of Cholera | Les enfants du siècle | Love Actually | Isadora | Mansfield Park |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Hmmmm... if the reviews and comments I've seen are any indication, melodrama is as divisive as ever. I found Ozon's approach admirable: intelligent and objective but not satirically distanced, like Fassbinder without the cruelty. It seems clear to me that he is showing us not a realistic depiction of Angel's life but a version colored by her imagination. The intention is not to mock her but to allow us to share her experience, and to make up our own minds about the value of her fantasies. The closest to an authorial statement comes from the character least sympathetic to Angel: Charlotte Rampling as the publisher's wife comments that in spite of Angel's lack of talent or self-knowledge, she has to admire her drive to succeed. Of course we're not compelled to agree, but it strikes me as a fair assessment.
The reactions to this movie remind me of the uncomprehending dismissal of Sofia Coppola's Marie Antoinette, another story of a shallow, self-involved woman that insists on looking through her eyes. This kind of scrupulous generosity is in line with a tradition going back to Flaubert's Madame Bovary, and both directors have the stylistic confidence to carry it off. It may just be that they don't have the critics they deserve.