A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
In New York, the former NYPD detective Ben Carson is hired to work as night watch of the remains of the Mayflower Department Store that was partially destroyed by fire many years ago. Ben became alcoholic and was retired from the police force after killing a man in a shooting. His marriage was also destroyed and now he is living in the apartment of his younger sister Angie. However he has not been drinking for three months and sees the employment as a chance to rebuild his life. When he goes to the rounds in his first night, he finds that the mirrors are impeccably clean and his colleague explains that the former night watch was obsessed with the mirrors. After a couple of nights, Ben sees weird images in the mirrors, but due to the lack of credibility of his past, his ex-wife Amy believes he has hallucinations as a side effect of his medication. When Angie is found brutally murdered in her bathtub, Ben discovers that there is an evil force in the mirror that is chasing him and ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Thrills, chills, and scary scenes directed by expert Alexandre Aja
A former policeman and nowadays alcoholic named Ben Carson (Kiefer Sutherland) who inadvertently brought the death during a face off with an outlaw, has quit the police force . Now heads up security at Mayflower Department Store that was destroyed by deadly fire in which deceased 23 dead and 78 wounds, he's an employee of the security company who finds alone with the scorched mannequins . Having been caught up in the situation at the department store he watch stuff reflected in glass. Then the spirits trapped behind the mirrors flee and attack his sister (Amy Smart), wife (Paula Patton) and sons. Ben comes across his former partner (Jason Flemyng) who now heads the investigation into the recent murders to chase the criminal. The presence of the weird events and the eerie situations causes Ben to relive the horrendous memories which he has since tried to forget. Meanwhile, Carson is hurrying to solve the recent string of killings . As he discovers how a mysterious nun , once-possessed named Anna Esseker is also found lingering about the crime scenes and she tells him about an asylum where seriously ill patients were subjected to mirror-based shock treatment. Without wishing it, Carson is drawn farther and farther into the deep mystery surrounding the astonishing deaths.
Alexandre's Aja remake of a Korean movie titled ¨Into the mirror¨ is made in American style. It packs,tension,suspense,chills,horror and lot of blood and gore including slitting the throat,attempted rage, slicing ,stabbing, all courtesy of Robert Kurtzman, Greg Nicotero and Howard Berger. They create a creepy make-up of horrible and bloody images. The gutsy murders are gruesomely executed and equally as graphic as the original movie.The film is constituted by a well done terror set pieces with creepy and spooky atmosphere.The mirrors's reflections appearance deliver the goods with hair raising chills and full scares.The story is borrowing from the original Korean film , taking and ripping off numerous scenes. Thrilling musical score by Javier Navarrete including a leitmotif based on a Spanih classical music and appropriate cinematography by cameraman Maxime Alexandre. The motion picture is skillfully directed by Alexandre Aja, though with no originality because it is a simple reworking . Aja is an expert on terror genre as proved in the new version of ¨The Hill have eyes¨ and ¨Switchblade romance¨ also titled ¨High tension¨ and in post-production realizing ¨Piraña 3D¨. .The film isn't apt for little boys,neither squeamish.
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