| Photos (see all 16 | slideshow) |
| Tue. July 14 | 8:30 PM | SHOW |
| Matthew Macfadyen | ... | Daniel (as Matthew MacFadyen) | |
| Keeley Hawes | ... | Jane | |
| Andy Nyman | ... | Howard | |
| Ewen Bremner | ... | Justin | |
| Daisy Donovan | ... | Martha | |
| Alan Tudyk | ... | Simon | |
| Jane Asher | ... | Sandra | |
| Kris Marshall | ... | Troy | |
| Rupert Graves | ... | Robert | |
| Peter Vaughan | ... | Uncle Alfie | |
| Thomas Wheatley | ... | The Reverend | |
| Peter Egan | ... | Victor | |
| Peter Dinklage | ... | Peter | |
| Brendan O'Hea | ... | Undertaker | |
| Jeremy Booth | ... | Mourner | |
| Angela Curran | ... | Sandra's Friend | |
| Gareth Milne | ... | Edward | |
| rest of cast listed alphabetically: | |||
| Kelly Eastwood | ... | Katie (uncredited) | |
Directed by | |||
| Frank Oz | |||
Writing credits(WGA) | ||
| Dean Craig | (written by) | |
Produced by | |||
| Philip Elway | .... | executive producer | |
| Andreas Grosch | .... | executive producer | |
| William Horberg | .... | executive producer | |
| Josh Kesselman | .... | co-producer | |
| Sidney Kimmel | .... | producer | |
| Alex Lewis | .... | co-producer | |
| Laurence Malkin | .... | producer | |
| Diana Phillips | .... | producer | |
| Share Stallings | .... | producer | |
| Bruce Toll | .... | executive producer | |
| Bruce Webb | .... | co-producer (uncredited) | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Oliver Curtis | (director of photography) | ||
Film Editing by | |||
| Beverley Mills | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Michael Howells | |||
Art Direction by | |||
| Lynne Huitson | (supervising art director) | ||
Set Decoration by | |||
| Judy Farr | (key set decorator) | ||
Costume Design by | |||
| Natalie Ward | |||
Makeup Department | |||
| Julie Dartnell | .... | hair stylist | |
| Julie Dartnell | .... | makeup artist | |
| Frances Hannon | .... | hair designer | |
| Frances Hannon | .... | makeup designer | |
| Marilyn MacDonald | .... | hair stylist (as Marilyn McDonald) | |
| Marilyn MacDonald | .... | makeup artist (as Marilyn McDonald) | |
| Gemma Richards | .... | hair stylist | |
| Gemma Richards | .... | makeup artist | |
Production Management | |||
| Stephen Barker | .... | post-production supervisor | |
| Richard Hewitt | .... | production supervisor | |
| Diana Phillips | .... | unit production manager | |
| Hugo Smith-Bingham | .... | unit manager | |
| Kerstin Dyroff | .... | production manager: VIP Medienfons (uncredited) | |
| Aaron Merrell | .... | director of production: SKE (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joey Coughlin | .... | third assistant director | |
| Sean Guest | .... | first assistant director (as Sean Cameron Guest) | |
| James Haven | .... | second assistant director | |
| Sarah MacFarlane | .... | second second assistant director | |
Art Department | |||
| Bruce Bigg | .... | property master | |
| Matthew Broderick | .... | stand-by propman | |
| Rob Brown | .... | construction manager | |
| Ged Dale | .... | prop storeman | |
| Judy Farr | .... | set decoration buyer | |
| James Fennessy | .... | stand-by painter | |
| Hal Forbes-Adam | .... | art department work experience | |
| John Greaves | .... | storyboard artist | |
| Peter Hasler | .... | dressing propman | |
| Robert Irvine | .... | stand-by painter | |
| Paul Lynford | .... | stand-by carpenter | |
| Katie MacGregor | .... | art department assistant | |
| Lisa Meller | .... | art department work experience | |
| Mitch Niclas | .... | stand-by propman | |
| Matthew Robinson | .... | draftsperson (as Matt Robinson) | |
| Warren Stickley | .... | dressing propman | |
| Lee Thurbun | .... | construction chargehand | |
| Andy Tomlinson | .... | stand-by art director | |
| Stuart Watson | .... | construction manager | |
| Max Woodhead | .... | art department work experience | |
| Graham Caulfield | .... | drapes master (uncredited) | |
| Graham Caulfield | .... | upholstery (uncredited) | |
| Robert J. Dugdale | .... | scenic artist (uncredited) | |
Sound Department | |||
| Lucy Barnes | .... | foley artist | |
| Phillip Mark Freudenfeld | .... | foley mixer (as Phil Freudenfeld) | |
| Rachel H. Gibson | .... | foley editor | |
| Stephen Gilmour | .... | sound assistant (as Steve Gilmour) | |
| Peter Gleaves | .... | adr mixer | |
| Peter Gleaves | .... | foley mixer | |
| Tim Hands | .... | supervising sound editor | |
| Mary Whitby James | .... | foley artist | |
| Philip Jenkins | .... | assistant sound re-recording mixer | |
| Nick Kray | .... | foley mixer | |
| John Midgley | .... | sound mixer | |
| Clive Osborne | .... | boom operator | |
| Adrian Rhodes | .... | sound effects editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Gavin Rose | .... | assistant sound editor | |
| Ruth Sullivan | .... | foley artist | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Ben Baker | .... | head of digital lab: Framestore CFC | |
| Helen Bunker | .... | lead compositor: Framestore CFC | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Keith Devlin | .... | lead 2D compositor: Cinesite | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC | |
| Paul Edwards | .... | visual effects producer: Cinesite | |
| James D. Fleming | .... | rotoscope artist: Framestore CFC (as James Fleming) | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| Aaron Lear | .... | retouch and restoration: Framestore CFC | |
| Ben Lock | .... | visual effects producer: Framestore CFC | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Roz Lowrie | .... | visual effects editorial: Framestore CFC | |
| Savneet Nagi | .... | retouch and restoration: Framestore CFC | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Donna Smith | .... | visual effects editorial: Framestore CFC | |
| Vishal Songara | .... | data operator: Framestore CFC | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC | |
| Dan Victoire | .... | data operator: Framestore CFC | |
| Simon Wessely | .... | scanning and recording: Framestore CFC | |
| Erik Dehkhoda | .... | digital retouching (uncredited) | |
| David Johnston | .... | data operator: Framestore CFC (uncredited) | |
| Adrian Lee | .... | digital I/O: Cinesite (uncredited) | |
| Guy Nesfield | .... | data operator (uncredited) | |
| Stuart Nippard | .... | retouch and restoration: Framestore CFC (uncredited) | |
| Aatesh Shah | .... | systems engineer: Framestore CFC (uncredited) | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC (uncredited) | |
| Shahin Toosi | .... | digital paint & roto artist: Framestore CFC (uncredited) | |
Stunts | |||
| Nick Hobbs | .... | stunt driver | |
| Gareth Milne | .... | stunt coordinator | |
| Peter Pedrero | .... | stunt rigger (uncredited) | |
Camera and Electrical Department | |||
| Lou Bogue | .... | electrician (as Louis Bogue) | |
| Paul Borg | .... | generator operator | |
| John Campbell | .... | electrician | |
| Paul Cronin | .... | generator operator | |
| Camilla Drennan | .... | second assistant camera: "a" camera | |
| John Fenelly | .... | stand-by rigger | |
| Lee Godfrey | .... | camera trainee | |
| Stuart Godfrey | .... | key grip | |
| Keith Hamshere | .... | still photographer | |
| Dylan Jones | .... | digital video assist operator | |
| Kenny Monger | .... | best boy electric | |
| James Perry | .... | camera trainee | |
| Hilda Sealy | .... | first assistant camera: "a" camera | |
| Paul Toomey | .... | gaffer | |
| Dan Garlick | .... | second grip (uncredited) | |
| Jo Gibbs | .... | additional camera loader (uncredited) | |
| Tom Scott | .... | rigger (uncredited) | |
Casting Department | |||
| William Davies | .... | casting associate | |
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Mark Ferguson | .... | assistant costume designer | |
| Fiona MacKinnon | .... | extras costumer | |
| David Otzen | .... | costume assistant | |
| Tamsin Wright | .... | costume assistant | |
Editorial Department | |||
| Gavin Buckley | .... | first assistant editor | |
| Jan Hogevold | .... | digital intermediate executive producer: Framestore CFC | |
| Brian Krijgsman | .... | digital intermediate colorist: Framestore CFC | |
| Natasha Marsh | .... | post-production coordinator | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Mike Morrison | .... | digital intermediate production manager: Framestore CFC | |
| Edward Randolph | .... | editorial trainee | |
| Donna Smith | .... | digital intermediate editorial: Framestore CFC | |
| Annabel Wright | .... | digital intermediate conform editor: Framestore CFC | |
| Marc Eskenazi | .... | on-line editor (uncredited) | |
| Matthew Streatfield | .... | assistant editor: Technicolor (uncredited) | |
Music Department | |||
| Becky Bentham | .... | music supervisor: Hot House Music | |
| Paul Clarvis | .... | musician: drums | |
| Mitchell Dalton | .... | musician: guitar (as Mitch Dalton) | |
| Philippa Davies | .... | musician: alto flute and flute | |
| Olga FitzRoy | .... | assistant music engineer (as Olga Fitzroy) | |
| Ben Foskett | .... | additional orchestrator | |
| Ben Foskett | .... | music preparation | |
| Ben Foster | .... | conductor | |
| Ben Foster | .... | orchestrator | |
| Murray Gold | .... | music arranger | |
| Tracey Goldsmith | .... | musician: accordion | |
| Isobel Griffiths | .... | musician contractor (as Isobell Griffiths) | |
| Dave Hartley | .... | musician: piano | |
| Allan Jenkins | .... | music editor | |
| Gary Kettel | .... | musician: percussion | |
| Gaby Lester | .... | orchestra leader: The London Metropolitan Orchestra | |
| Steve McManus | .... | musician: double bass | |
| John Parricelli | .... | musician: guitar, mandolin, banjo, ukelele | |
| Nyree Pinder | .... | music supervisor: Hot House Music | |
| Owen Slade | .... | musician: tuba | |
| Mark Tucker | .... | music mixer | |
| Mark Tucker | .... | music recordist | |
| Jake Jackson | .... | music recording mixer (uncredited) | |
Transportation Department | |||
| Phil Allchin | .... | transportation captain | |
| Danny Brown | .... | driver: wardrobe truck | |
| John Burden | .... | driver: minibus | |
| Simon Burgess | .... | driver: make-up & hair truck | |
| Colin Davies | .... | driver: producers | |
| Lloyd Eaton | .... | facilities coordinator | |
| Mike Elliott | .... | driver: Mr. Oz | |
| Tim Harrison | .... | driver: stand-by construction truck | |
| Pat Jinks | .... | driver: camera truck | |
| Steve John | .... | driver: stand-by props truck (as Stevie John) | |
| Martin Lewis | .... | driver: camera truck | |
| Vic Minay | .... | unit driver | |
| Abbi Ozturk | .... | unit driver | |
| Terry Rhys | .... | unit driver | |
| Gary Barnes | .... | daily unit driver (uncredited) | |
| Guy Bostock | .... | vehicle coordinator (uncredited) | |
| Peter Collins | .... | daily unit driver (uncredited) | |
| Tony Jayes | .... | daily unit driver (uncredited) | |
| Roy Kirkman | .... | daily unit driver (uncredited) | |
Other crew | |||
| Kate Brontë-Stewart | .... | floor runner (as Kate Bronte-Stewart) | |
| Julie Burnham | .... | unit nurse | |
| Donna Casey | .... | second assistant accountant | |
| Anna Cash | .... | stand-in | |
| Hannah Collett | .... | assistant production coordinator | |
| Paul Davies | .... | stand-in | |
| Carolyn Davis | .... | travel services: US, New Act Travel | |
| Greg Doherty | .... | stand-in | |
| Rod Haak | .... | location manager | |
| Steve Hart | .... | location scout | |
| Julia Hilliard | .... | production assistant | |
| Simon Hill | .... | first assistant accountant | |
| Mex Horne | .... | stand-in | |
| Mick Hurrell | .... | health and safety officer | |
| Julia Jones | .... | unit publicist | |
| Sandrine Loisy | .... | floor runner | |
| Natasha Marsh | .... | assistant: Mr. Oz | |
| Felix Phillips | .... | legal consultant: USA | |
| Gemma Louise Read | .... | floor runner (as Gemma Read) | |
| Sue Roberts | .... | travel services: UK, Scallywag Travels | |
| Julie Roze | .... | production runner | |
| Karen Smithson | .... | stand-in | |
| Tom Fenwick Smith | .... | production runner (as Tom Fenwick-Smith) | |
| Maxine Stanley | .... | post-production accountant | |
| Trevor Stanley | .... | production accountant | |
| Isobel Thomas | .... | production coordinator | |
| Elizabeth West | .... | script supervisor (as Liz West) | |
| San San F. Young | .... | production assistant | |
| Cassandra Barbour | .... | rights and clearances (uncredited) | |
| Finn Brandt | .... | title designer (uncredited) | |
| Florian Harms | .... | legal counsel: VIP (uncredited) | |
| Eva Neufahrt | .... | production controller: VIP Medienfonds (uncredited) | |
| Nick Pearson | .... | construction nurse (uncredited) | |
| Laura Sevier | .... | rights and clearances (uncredited) | |
| Daniel Villagomez | .... | director: legal administration for SKE (uncredited) | |
| Berit Wetzel | .... | legal counsel: VIP (uncredited) | |
| Chris Wilson | .... | stand-in (uncredited) | |
| Sylvi Woitusch | .... | production assistant: VIP Medienfonds (uncredited) | |
Thanks | |||
| Joel Mendoza | .... | special thanks | |
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| City of Shoulders and Noses | Across the Universe | Prick Up Your Ears | Gone with the Wind | Antonia |
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It's been a while since there's been a genuinely good British farce, but this one pressed all the right buttons. Memorable performances from Andy Nyman playing neurotic fool Howard and straight man Matthew MacFadyen make this a real crowd pleaser. Comedy is edgy enough for teens to enjoy although overall it will probably appeal to slightly older audiences. It would be great if this could do a Four Weddings. Only downer is the miscasting of the drug dealing brother who seems far too middle class and unrealistic for role. And the 'drug' joke seems to go on a bit. Uncle Alfie is an absolute hoot and script is generally full of some really good gags.