| Photos (see all 53 | slideshow) | Videos (see all 14 NEW) |
| Wed. Nov. 18 | 3:45 AM | MAX |
| Jack Black | ... | Jerry Gerber | |
| Mos Def | ... | Mike | |
| Danny Glover | ... | Elroy Fletcher | |
| Mia Farrow | ... | Miss Falewicz | |
| Melonie Diaz | ... | Alma | |
| Irv Gooch | ... | Wilson | |
| Chandler Parker | ... | Craig | |
| Arjay Smith | ... | Manny | |
| Quinton Aaron | ... | Q | |
| Gio Perez | ... | Randy | |
| Basia Rosas | ... | Andrea | |
| Tomasz Soltys | ... | Carl | |
| Marcus Carl Franklin | ... | Kid #1 | |
| Blake Hightower | ... | Kid #2 | |
| Amir Ali Said | ... | Kid #3 | |
| David Slotkoff | ... | Jack | |
| Frank Heins | ... | Patrick | |
| Heather Lawless | ... | Sherry | |
| Karolina Wydra | ... | Gabrielle Bochenski | |
| Harvey Hogan | ... | Video Store Customer #1 | |
| Ted McElwee | ... | Video Store Customer #2 | |
| Walter Helbig | ... | Video Store Customer #3 | |
| Victor Dickerson | ... | Man in Video Store #1 | |
| David M. Sheppard | ... | Man in Video Store #2 | |
| Marc Alan Austen | ... | Man in Video Store #3 | |
| Paul Barman | ... | Young Man Watching TV | |
| Karen Spitzer | ... | Young Woman Watching TV | |
| Allie Woods Jr. | ... | Doctor Bent | |
| McKinley Page | ... | Brother McDuff | |
| Francisco Fabian | ... | Simon from the Copy Shop | |
| Kishu Chand | ... | Alma's Sister | |
| Ann Longo | ... | Miss Falewicz's Friend | |
| Parrie Hodges | ... | Miss Falewicz's Friend / Fats Waller's Mom | |
| Kid Creole | ... | West Coast Video Employee Passaic (as August Darnell) | |
| Jon Glaser | ... | West Coast Video Employee NYC | |
| P.J. Byrne | ... | Mr. Baker | |
| Marceline Hugot | ... | City Hall Employee | |
| John Tormey | ... | Demolition Chief | |
| Frank Girardeau | ... | Officer Gary | |
| Matt Walsh | ... | Officer Julian | |
| Paul Dinello | ... | Mr. Rooney | |
| Sigourney Weaver | ... | Ms. Lawson | |
| rest of cast listed alphabetically: | |||
| Elizabeth Berkley | ... | Girl In Library (uncredited) | |
| Sacha Bourdo | ... | Man in queue (uncredited) | |
| Steve Cropper | ... | Fats Waller's fan in train (uncredited) | |
| Anthony Guerino | ... | Laundromat Patron (uncredited) | |
| Booker T. Jones | ... | Fats Waller's fan in train (uncredited) | |
| Loukas Papas | ... | Tophat Harry (uncredited) | |
| Jimmy Scott | ... | Fats Waller's fan in train (uncredited) | |
| McCoy Tyner | ... | Fats Waller's fan in train (uncredited) | |
| Todd Travis Warrick | ... | Store Patron (uncredited) | |
Directed by | |||
| Michel Gondry | |||
Writing credits | ||
| Michel Gondry | (written by) | |
Produced by | |||
| Raffi Adlan | .... | associate producer | |
| Georges Bermann | .... | producer | |
| Toby Emmerich | .... | executive producer | |
| Julie Fong | .... | producer | |
| Michel Gondry | .... | producer | |
| Ann Ruark | .... | co-producer | |
| Guy Stodel | .... | executive producer | |
Original Music by | |||
| Jean-Michel Bernard | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Jeff Buchanan | |||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| James Donahue | |||
Set Decoration by | |||
| Ron von Blomberg | |||
Costume Design by | |||
| Rahel Afiley | |||
| Kishu Chand | |||
Makeup Department | |||
| Marjorie Durand | .... | makeup department head | |
| Suzy Mazzarese-Allison | .... | hair department head | |
Production Management | |||
| Gwen Bialic | .... | production supervisor | |
| Kendall McCarthy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Catherine Bloch | .... | additional second assistant director | |
| David Fischer | .... | second second assistant director | |
| Michael Hausman | .... | first assistant director | |
| Jesse Nye | .... | second assistant director | |
| Eric West | .... | additional second assistant director: action unit (uncredited) | |
Sound Department | |||
| Gina Alfano | .... | adr editor | |
| Jamie Baker | .... | supervising foley editor | |
| David Corcoran | .... | apprentice sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Jeanne Gilliland | .... | boom operator | |
| Anguibe Guindo | .... | sound utility (as A. G. Guindo) | |
| Eric Hirsch | .... | sound re-recordist | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| Frank Kern | .... | foley editor | |
| Dan Korintus | .... | dialogue editor | |
| George A. Lara | .... | foley mixer | |
| Lisa J. Levine | .... | adr editor (as Lisa Levine) | |
| Marissa Littlefield | .... | supervising adr editor | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Egor Panchenko | .... | ProTools playback mixer | |
| Egor Panchenko | .... | sound utility | |
| Egor Panchenko | .... | utility boom | |
| Mary Ellen Porto | .... | adr editor | |
| Alex Soto | .... | assistant sound editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Jeffrey Stern | .... | dialogue editor | |
| Sara Stern | .... | first assistant sound editor | |
| Eric Thompson | .... | adr mixer | |
| Robert Troeller | .... | sound technician | |
| Pawel Wdowczak | .... | sound | |
Special Effects by | |||
| Russell Berg | .... | special effects coordinator (as Russell J. Berg) | |
| Doug Coleman | .... | special effects technician | |
| Chris Jordan | .... | special effects | |
| Steven Kirshoff | .... | special effects manufacturer (as Steve Kirshoff) | |
| Tim Rossiter | .... | special effects coordinator | |
| Danielle Webb | .... | special effects | |
Visual Effects by | |||
| François-Xavier Aubague | .... | visual effects producer: BUF | |
| Patrick Clancey | .... | digital opticals | |
| Melanie Cussac | .... | visual effects producer: BUF | |
| Aaron Dorn | .... | digital opticals producer: EFilm | |
| Pierre Escande | .... | visual effects coordinator | |
| Nadia Essid | .... | digital artist | |
| Frederique Gyuran | .... | digital artist: BUF | |
| Nicolas Jauffret | .... | software research & development: BUF | |
| Gregory Jennings | .... | digital artist: BUF | |
| Fabrice Lagayette | .... | visual effects supervisor: BUF | |
| Cynthia Mourou | .... | visual effects producer | |
| Isabelle Perin-Leduc | .... | digital artist | |
| Nolwenn Rimbault | .... | digital artist: BUF | |
| Jean-Gabriel Saint-Paul | .... | visual effects consultant | |
| Danita Slaughter | .... | digital opticals editor | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Matt Berkoski | .... | stunt player | |
| Scott Burik | .... | stunt rigger | |
| Bob Colletti | .... | stunt double | |
| Jeffrey Lee Gibson | .... | stunt rigger | |
| Dave Pope | .... | stunts: band member | |
| Stephen A. Pope | .... | stunt coordinator (as Stephen Pope) | |
Camera and Electrical Department | |||
| Sebastián Almeida | .... | assistant camera | |
| Diaz Alzaro | .... | grip | |
| Tony Arnaud | .... | best boy grip | |
| Kelly Britt | .... | electrician | |
| Anne Carson | .... | assistant camera | |
| Lamont Crawford | .... | key grip | |
| Andrea Cronin-Souza | .... | electrician | |
| Fernando Gayesky | .... | additional assistant camera | |
| Abbot Genser | .... | still photographer | |
| Sandy Hays | .... | steadicam operator | |
| Charles Libin | .... | additional camera operator: "b" camera | |
| Kim Marcelino | .... | additional electrician | |
| Michael C. Maronna | .... | electrician | |
| John C. Nadeau | .... | gaffer | |
| Chris Norr | .... | camera operator: 'a' camera | |
| Craig Pecchia | .... | camera intern | |
| Christopher Raymond | .... | assistant camera | |
| Brooke Stanford | .... | electrician | |
| John Tanzer | .... | generator operator | |
| Dana Turken | .... | additional camera loader | |
| Craig Vaccaro | .... | key rigging grip | |
| Craig Paul Harris | .... | electrician (uncredited) | |
| J. Dan Wright | .... | light balloon technician (uncredited) | |
Casting Department | |||
| Nicole Abellera | .... | casting associate | |
| Joanne Bloom | .... | casting assistant | |
| Kathleen Chopin | .... | additional casting | |
| Morgan Donaho | .... | casting assistant | |
| Mellicent Dyane | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jessica Chaney | .... | key on-set costumer | |
| Jackie Freeman | .... | additional costumer | |
| Tonya Huskey | .... | costume supervisor | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Terra Bliss-Alvarez | .... | digital intermediate producer (as Terra Bliss) | |
| Eileen Godoy | .... | digital intermediate producer | |
| Nat Jencks | .... | assistant editor | |
| Alex Kopit | .... | first assistant editor | |
| Natasha Leonnet | .... | digital film colorist | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Marc Lulkin | .... | digital color assist | |
| Scott Maloney | .... | telecine colorist | |
| Tom Reiser | .... | digital intermediate color assist | |
| Alec Styborski | .... | editing room assistant | |
| Justin Worthington | .... | digital intermediate assistant | |
Music Department | |||
| Jean-Michel Bernard | .... | conductor | |
| Jean-Michel Bernard | .... | orchestrator | |
| Dan Bora | .... | music preparation | |
| Hector Castillo | .... | score engineer | |
| Linda Cohen | .... | music supervisor | |
| Pedro H. da Silva | .... | musician: electric guitar | |
| Tass Filipos | .... | music editor | |
| François Gauthier | .... | assistant score engineer | |
| Michel Gondry | .... | musician: drums, play | |
| Bruno Mercere | .... | music recording mixer | |
| Bruno Mercere | .... | score engineer | |
| Nico Muhly | .... | additional orchestrator | |
| Ichiho Nishiki | .... | assistant score engineer | |
| Jean-Michel Tavernier | .... | orchestra manager | |
| Adam Thompson | .... | assistant score engineer | |
Transportation Department | |||
| Matthew Callagy | .... | driver | |
| William Ferrick | .... | driver | |
| William 'Mac' Maquez | .... | driver | |
| Ed Savago | .... | driver | |
Thanks | |||
| Walter F. Parkes | .... | thanks | |
| Ivan Reitman | .... | thanks | |
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| Son of Rambow | Clerks. | The Heartbreak Kid | Billy Liar | Something New |
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This is the latest brainchild of Michel Gondry the one time video maker turned director of 'Eternal Sunshine..' and 'The Science of Sleep' and once again there's a visual feast on offer. On many levels this is just a clever comedy but on many others its much more than that, it is a homage to film-making as a whole, the death of artistry in the face of technology, the sense of community that cinemas can bring in a world where cinema is struggling against the internet and apathy. Jack Black and Mos Def play at odds friends who have an outlet running the local video store 'Be Kind Rewind', with the huge DVD emporium down the road the business is struggling and in danger of being pulled down to make way for condos. After a freak accident wipes all the tapes in the shop the pair decide to remake all the films rather than get caught and lose the shop and this then is where Gondry et al step up to the mark and let their imaginations run wild with hilarious consequences. The first film they make is 'Ghostbusters' and it sets the premises of what is to come as they do their own versions of 'Robocop, Lion King, Rush Hour 2 and Men in Black to name but a few. Black and Def play off each other really well but it's the ingenuity in the sets and lo-fi costumes that make all these little twenty minute 'Swedes' (The tapes are described as having come from Sweden as an excuse for higher rental fees and longer wait times) brilliantly funny. They are even available to watch online and you're also encouraged to make your own! The story is for want of a better word silly and my only criticism I have is that Gondry tends to be too whimsical and over idealistic at times but that said he is portraying a fantasy world where he can play like a child with bits of old rubbish and sticky back plastic and come up with stunning arty creations that shine on screen. With so much subject matter to work with Gondry picks films that he is sure most people will have seen, although I hadn't seen 'Rush Hour 2' and so struggled to find all of that section funny, so on the off chance you haven't seen any of the films being Sweded you may wonder what the hell is going on. Be Kind.. is not a new story or even a new idea but it has new things to say about the state of the industry, copyright law and ownership that hide subtly below the comedy and it is so full of visual ideas it's a film you could quite easily watch again. Not as dark as 'Eternal Sunshine' and slightly better than 'Science of Sleep' Gondry is proving he can do aesthetically great lo-fi films without the lure of CGI or the Hollywood big budget. Like the war between VHS tapes and DVDs Gondry is taking on the big boys and coming out relatively unscathed.