| Linda Hattendorf | ... | Herself | |
| Jimmy Mirikitani | ... | Himself |
Directed by | |||
| Linda Hattendorf | |||
Produced by | |||
| Linda Hattendorf | .... | producer | |
| Masahiro Yoshikawa | .... | producer (as Masa Yoshikawa) | |
Original Music by | |||
| Joel Goodman | |||
Cinematography by | |||
| Linda Hattendorf | |||
| Masahiro Yoshikawa | |||
Film Editing by | |||
| Keiko Deguchi | |||
| Linda Hattendorf | |||
Production Management | |||
| Richard O'Connell | .... | associate director of production: itvs | |
Sound Department | |||
| Philippe Desloovere | .... | sound editor | |
| James David Redding III | .... | sound re-recording mixer | |
Editorial Department | |||
| Lucjan Gorczynski | .... | assistant editor | |
Other crew | |||
| Chris Cliadakis | .... | archival researcher | |
| Sachio Nomura | .... | archival researcher | |
Thanks | |||
| Zeny Abbariao | .... | special thanks | |
| Konrad Aderer | .... | special thanks | |
| Hatsumi Asaka | .... | special thanks | |
| Yuka Azuma | .... | special thanks | |
| Victor Baker | .... | special thanks | |
| Katherine Barnier | .... | special thanks | |
| David Becker | .... | special thanks | |
| David Becker | .... | special thanks | |
| Barbara Blackie | .... | special thanks | |
| Dougie Bowne | .... | special thanks | |
| Bruce Brennan | .... | special thanks | |
| Pam Brennan | .... | special thanks | |
| Peggy Brennan | .... | special thanks | |
| James Brown | .... | special thanks | |
| Ruth Brown | .... | special thanks | |
| Donna Cheng | .... | special thanks | |
| Nicholas Chin | .... | special thanks | |
| Wayne Collins Jr. | .... | special thanks | |
| Maureen Dougherty | .... | special thanks | |
| James Ehrlich | .... | special thanks | |
| Bob Eisenhardt | .... | special thanks | |
| Bronwyn Emmett | .... | special thanks | |
| Mary Engel | .... | special thanks | |
| Beth Epstein | .... | special thanks | |
| Lisa Eschenback | .... | special thanks | |
| Jo Face | .... | special thanks | |
| John Patrick Fleming | .... | special thanks | |
| Donna Weng Friedman | .... | special thanks | |
| Isao Fujimoto | .... | special thanks | |
| Asako Fujioka | .... | special thanks | |
| Toti Funara | .... | special thanks | |
| Aaron Gerow | .... | special thanks | |
| Jacob Akira Okada | .... | special thanks | |
| Seiko Ono | .... | special thanks | |
| Helen Yum | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
When film maker Linda Hattendorf stumbles upon Japanese-American artist Jimmy Mirikitani on the streets of Soho, he is huddled for warmth under the awning of a Deli, drawing charming, stylized, joyful pictures of cats. They get acquainted, and she starts filming. The morning of 9-11 she rescues him from the horror and chaos of the streets, and he comes to live with her. They make the "Odd Couple" look tame, and she continues to unravel the stories of his life from his birth in Sacramento 80 years before, to his growing up in Hiroshima, to his return to the U.S. just before WWII---and just in time to be carted off to one of the "internment camps" for Japanese Americans.
The film follows Jimmy as he reveals more and more of his past, and follows Hattendorf as she helps him put together a life off the streets, and eventually to a reunion of internees at the Tule Lake Camp in California. This is a loving portrait, exquisitely filmed and told in a way that unfolds without pretense. Even when Jimmy draws parallels between his family's tragedy at Hiroshima and the tragedy of American stereotyping and anti-Arab sentiment after 9-11, the film is not heavy-handed or "preachy." It is simply lovely and poignant.
Hattendorf set out to film this interesting character (and wonderful artist---he calls himself a "grand master," and not without reason) and ended up giving him a new existence and helping him tie up many of the "loose ends" of his life---and letting us get to know both of them intimately and without judgment.
This is the simple art of film making and story telling at its best.