|
| Eric Arellanes | .... | gang boss |
| Craig Ayers | .... | greens coordinator |
| David D. Baumann | .... | property assistant (as Dave Baumann) |
| Thomas Betts | .... | set designer |
| Craig P. Bradley | .... | set dresser |
| Thomas L. Caldwell | .... | on-set greensman |
| John C. Cameron | .... | assistant property master |
| Thomas Steven Chapman | .... | gang boss |
| Lance Cheatham | .... | set dresser |
| Wesley B. Claunch | .... | greensman |
| Jack Colmenero | .... | set dresser: Austin, Texas |
| April Crump | .... | set dresser: Austin, Texas |
| Carla Curry | .... | set buyer: Austin, Texas |
| Brian DeNike | .... | greens foreman (as Brian C. Denike) |
| Jimmy Dewnard | .... | greensman: Austin, Texas |
| Ginger Dunhill | .... | set dresser |
| Ginger Dunnier | .... | set dresser: second unit |
| James H. Gill | .... | shop foreman (as Jim Gil) |
| Darek Gogol | .... | storyboard artist (as Derek Gogol) |
| Linda R. Gore | .... | set buyer |
| Tara Grey | .... | construction auditor |
| Graham Griswold | .... | set dresser |
| Paul Harman | .... | stand-by painter |
| Eric Henshaw | .... | greens foreman: Austin, Texas |
| Mark Hitchler | .... | additional set designer |
| Lelan Keffer | .... | leadman (as Lelan E. Keffer) |
| Jerry Kilber | .... | general foreman: Austin, Texas |
| George Kruft | .... | paint foreman (as George A. Kruft) |
| Emily Latting | .... | art department production assistant |
| James M. Lewis | .... | construction medic |
| Dave MacDonald | .... | set dresser: Austin, Texas |
| Pat Martine | .... | scenic foreman: Austin, Texas |
| Michael Matovich | .... | on-set greensman |
| Heidi Mayfield | .... | art department coordinator (as Heidi E. Mayfield) |
| Dave McDonald | .... | set dresser: Austin, Texas |
| Diane Minfa | .... | construction medic |
| Jake Mingenbach | .... | set dresser |
| Orlando R. Montoya | .... | greensman (as Orlando Robert Montoya) |
| Randy Ortega | .... | lead scenic |
| Robert Ortega | .... | paint foreman |
| Shane Patrick | .... | leadman: Austin, Texas |
| Scott Plunkett | .... | set dresser |
| Jeremy Reeves | .... | set dresser: Austin, Texas |
| Dennis Riewerts | .... | drapery foreman |
| Jason Schulte | .... | greensman: Austin, Texas |
| Robert A. Sturtevant | .... | shop foreman |
| Wallace R. Symns | .... | greensman: Austin, Texas |
| Keith Walters | .... | property master |
| James Walton | .... | propmaker |
| Tom Ward | .... | construction coordinator: Austin, Texas |
| Randal Woodward | .... | lead scenic: Austin, Texas (as Randy Woodward) |
| Koen Wooten | .... | property assistant: Austin, Texas |
| Colin Zaug | .... | on-set dresser |
| Ben Zeller | .... | construction coordinator |
| Carl Zeller | .... | general foreman |
| Steve Allen | .... | propmaker (uncredited) |
| Doug Butts | .... | construction foreman (uncredited) |
| Ellen Lampl | .... | graphic designer (uncredited) |
| Garcia L. Sonia | .... | stand-by painter (uncredited) |
| Nichole Miller | .... | set dresser (uncredited) |
| Randy Severs | .... | lead sculptor (uncredited) |
| David Thompson | .... | carpenter (uncredited) |
| |
|
| William Ambrose | .... | grip: Austin, Texas |
| Mark J. Anderson | .... | grip |
| Diego Arroye | .... | electrician (as Diego Arroyo) |
| Joe Bacharka | .... | electrician |
| Liza Bambenek | .... | second assistant camera: "b" camera |
| Bradley Barnes | .... | electrician |
| Jeff Bettis | .... | grip |
| Kelly Bogdan | .... | second assistant camera: "c" camera Austin, Texas |
| Theodore Y. Bott | .... | electrician |
| David Brink | .... | camera loader: second unit |
| Michael P. Catanzarite | .... | dolly grip: "b" camera (as Michael Catanzarite) |
| Brendon Clark | .... | grip |
| Scott Conn | .... | electrician: Austin, Texas |
| Jacob Cottrell | .... | electrician |
| Tom D'Amour | .... | grip |
| Matt Ervin | .... | rigging electrician |
| John Eschberger | .... | electrician: Austin, Texas (as Joh Eschberger) |
| Chris Espeset | .... | key grip: second unit |
| Harland Espeset | .... | grip (as Harlan Espeset) |
| Tobin Espeset | .... | grip |
| Matt Fliehler | .... | electrician: Austin, Texas |
| Adam Flores | .... | grip: Austin, Texas |
| Neil Fraser | .... | grip: Austin, Texas |
| Small Bear Free | .... | video assist operator (as Free Small Bear) |
| James Garcia | .... | electrician (as James A. Garcia) |
| Justin Geoffroy | .... | video assist operator |
| Rolando Simon Gomez | .... | electrician (as Rolando Simon-Gomez) |
| Lamarr Gray | .... | rigging gaffer |
| Ian Hanna | .... | grip |
| Justin Hartery | .... | camera loader |
| Kim Heath | .... | key rigging grip |
| Dale Holmen | .... | best boy electric (as Dale Holemen) |
| Ingrid Howe | .... | second assistant camera: second unit |
| Jeff 'Moose' Howery | .... | dolly grip: "a" camera (as Jeffery Howery) |
| Chip Huntington | .... | grip: Austin, Texas |
| Robert Janecka | .... | electrician: Austin, Texas (as Robert Janecica) |
| Janet Jensen | .... | electrician: Austin, Texas |
| John Joleaud | .... | electrician |
| Jack C. Jones | .... | rigging electrician (as Jack Jones) |
| Steve Jones | .... | rigging best boy (as Steve B. Jones) |
| Jason Keene | .... | grip: Austin, Texas |
| Brad Keffer | .... | electrician: Austin, Texas |
| Kurt Kornemann | .... | best boy grip |
| Jonathan Leary | .... | grip: Austin, Texas |
| Cas Lincoln | .... | electrician: Austin, Texas |
| Benjamin Lobato | .... | rigging grip |
| Lynn Lockwood | .... | camera operator: "c" camera |
| Thomas J. Lott III | .... | rigging electrician |
| Brendan Malone | .... | rigging best boy grip (as Brian Malone) |
| Otis Mannick | .... | dolly grip: second unit |
| Robert L. Mant | .... | second assistant camera: "c" camera (as Robert Mant) |
| James Marks | .... | gyrohead technician: Austin, Texas |
| Tor Matson | .... | electrician |
| Fred L. McLane | .... | first assistant camera: "b" camera (as Fred McLane) |
| David Melhorn | .... | electrician |
| Raul Mello | .... | electrician: Austin, Texas |
| Richard Merryman | .... | camera operator: "b" camera |
| Coad Miller | .... | rigging grip |
| Lea E. Miller | .... | grip |
| Stephen Mullen | .... | electrician |
| P.K. Munson | .... | first assistant camera: "c" camera Austin, Texas |
| P.K. Munson | .... | first assistant camera: second unit |
| Rob Palmer | .... | electrician (as Robert L. Palmer) |
| Frank Parrish | .... | second assistant camera: "c" camera Austin, Texas |
| Frank Parrish | .... | second assistant camera: second unit |
| J.P. Patin | .... | first assistant camera: second unit |
| William 'Bear' Paul | .... | key grip (as William Paul) |
| Mike Pesce | .... | rigging electrician |
| Philip C. Pfeiffer | .... | director of photography: second unit (as Phil Pfeiffer) |
| Joe A. Ponticelle | .... | first assistant camera: "c" camera (as Joe Ponteicelle) |
| Don Reddy | .... | camera operator: second unit |
| Aldous Regster | .... | rigging electrician (as Aldus Register) |
| Brice Reid | .... | second assistant camera: second unit |
| Brice Reid | .... | 2nd unit: second assistant camera |
| Donis Rhoden | .... | grip: Austin, Texas |
| Tony Rivetti | .... | first assistant camera: "a" camera (as Anthony J. Rivetti) |
| Brandon Roberts | .... | electrician: Austin, Texas |
| Rodney Sandoval | .... | second assistant camera: "a" camera |
| Lorey Sebastian | .... | still photographer |
| Tom Shaughnessy | .... | remote head technical grip |
| Ferrell A. Shinnick | .... | key rigging grip: Austin, Texas (as Ferrell Shinnick) |
| Peter Simonite | .... | camera operator: "c" camera, Austin, Texas |
| Sol Slavin | .... | grip |
| Eric Stillions | .... | electrician |
| Pete Stockton | .... | grip: Austin, Texas (as Peter Stockton) |
| James R. Tynes | .... | chief lighting technician (as Jim Tynes) |
| Steve Urban | .... | grip: Austin, Texas |
| Torn Uylonis | .... | rigging electrician |
| Daniel S. Valerio | .... | rigging electrician |
| Joseph Vasquez | .... | best boy rigging grip: Austin, Texas |
| Jacob Watson | .... | camera production assistant |
| Ralph Watson | .... | Steadicam operator |
| Ralph Watson | .... | camera operator: "a" camera |
| Corey Weintraub | .... | additional camera assistant (as Corey M. Weintraub) |
| Sean Wright | .... | grip |
| Tyler Fletcher | .... | additional second assistant camera (uncredited) |
| Eric Pickett | .... | video assist operator (uncredited) |
| Brandon Ponticelle | .... | second assistant camera (uncredited) |
| Ezra Venetos | .... | grip (uncredited) |
| Cody West | .... | rigger grip (uncredited) |
| |
|
| Doug Acton | .... | set medic |
| Sara Carmen Alvarez | .... | prep cook |
| John Arszyla | .... | medic: Austin, Texas |
| James Augare | .... | wrangler (as James A. Augure) |
| Jeffrey G. Baca | .... | set medic |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances |
| Manuel Barboza | .... | assistant chef |
| Gary Bensman | .... | train crew engineer |
| Elizabeth A. Bergman | .... | post-production accountant (as Elizabeth Bergman) |
| Dave Bethel | .... | set medic |
| Jason Bonnell | .... | assistant location manager |
| Eric Borja | .... | assistant: Jonathan Fischer, Groundswell Productions |
| Karoline Bota | .... | script supervisor: second unit |
| David Boyle | .... | business and legal affairs |
| Jess Brackenburry | .... | wrangler (as Jesse Brackenbury) |
| Ashley Burleson | .... | assistant: Daniel Pipski, Groundswell Productions |
| Thomas Campbell | .... | extras wrangler: New Mexico |
| Tim Carlson | .... | stand-in: Mr. Irons |
| David Carrico | .... | saddles and gunleather |
| Tim Carroll | .... | livestock coordinator |
| Javier Chapa | .... | assistant: Mr. Harris |
| Javier Chapa | .... | electronic press kit |
| Ryan Cheevers | .... | business and legal affairs: Groundswell |
| F.A. Clingman | .... | train welder |
| Thomas Cobb | .... | title designer |
| Daniel B. Cone | .... | production office assistant (as Daniel Cone) |
| Caroline Connor | .... | office production assistant: Austin, Texas |
| Cletus Cotton | .... | wrangler |
| Quentin Day | .... | craft service: second unit |
| Gil Dean | .... | wrangler: Austin, Texas |
| Jennifer Dickey | .... | set medic |
| Sherman Donegan | .... | office production assistant: Austin, Texas |
| Don Draper | .... | key craft service: second unit |
| Windy Earls | .... | production office assistant |
| Breanna Ellis | .... | stand-in: Ms. Zellweger |
| Juliana Farrell | .... | vice president: Groundswell Productions |
| Jonathan Fischer | .... | chief operating officer: Groundswell Productions |
| Chris Glennon | .... | piano teacher: Ms. Zellweger |
| Nicholas A. Gonzales | .... | set medic |
| Francey Grace | .... | production executive: Groundswell Productions |
| Elizabeth Grave | .... | assistant: Michael London, Groundswell Prodyctions |
| Elizabeth Grave | .... | assistant: Mr. London |
| Charles Greathouse | .... | train relief engineer |
| Steve Greathouse | .... | train fireman |
| Granville Greene | .... | key assistant location manager |
| Richard Grigsby | .... | train coordinator |
| Paul Harris | .... | set production assistant |
| Cody Haynes | .... | wrangler: Austin, Texas |
| Richard Heller | .... | production office assistant |
| Ryan Hintz | .... | second assistant accountant |
| Allison Jandreau-Heil | .... | craft service assistant |
| Vicki V. Johnson | .... | medic: Austin, Texas (as Vicki Johnson) |
| Joanna Kennedy | .... | script supervisor |
| Cheryl Kurk | .... | production accountant |
| Jeb A. Lemos | .... | craft service assistant: Austin, Texas |
| Stephen Light | .... | assistant production coordinator: Austin, Texas |
| Michael London | .... | chief executive officer: Groundswell Productions |
| Dirk Q. Long | .... | head chef (as Dirk Long) |
| Brinton Lukens | .... | assistant: Bruna Papandrea, Groundswell Productions |
| Alvin William 'Dutch' Lunak | .... | wrangler (as Alvin Lunak) |
| David E. Lynch | .... | production assistant |
| Cathy Marshall | .... | payroll accountant |
| Ismael Martinez | .... | key set production assistant |
| Michael Mattioli | .... | electronic press kit |
| Sarah Anne Milliken | .... | assistant: Ms. Zellweger (as Sarah Milliken) |
| Steven Montgomery | .... | business and legal affairs |
| Jennifer Mosley | .... | assistant: Ms. Sledge (as Jennifer K. Mosley) |
| Tim R. Muncy | .... | wrangler |
| Molly Murray | .... | accounting clerk: Austin, Texas |
| Walter E. Myal | .... | set production assistant (as Walt Myal) |
| Edward A. Navarro | .... | craft service assistant: Austin, Texas (as Ed Navarro) |
| Tara Norris | .... | travel coordinator |
| Rusty Nye | .... | location assistant: Austin, Texas |
| Dale O'Malley | .... | set medic |
| Reid Overstreet | .... | wrangler |
| Jason Owen | .... | wrangler: Austin, Texas (as Jason M. Owen) |
| Bruna Papandrea | .... | president: Groundswell Productions |
| Richard Payton | .... | stand-in: Mr. Harris |
| Rex Peterson | .... | horse wrangler (as Rex Petersen) |
| Gayle Phelps | .... | animal trainer: cougar |
| Perry Phillis | .... | train mechanic |
| Daniel Pipski | .... | senior vice president: production, Groundswell Productions |
| Colleen Porth | .... | representative: American Humane Association |
| Anne Rapp | .... | wrangler |
| Lucy Kim Robertson | .... | accounting assistant: Austin, Texas |
| Arthur Roses | .... | assistant: Mr. Irons |
| Dr. Scott Rushforth | .... | consultant: Apache language (as Scott Rushforth) |
| Kerry Russell | .... | assistant: Mr. Chubb |
| Nicholas Salinas | .... | set medic |
| Sara Scarritt | .... | production coordinator |
| Wolf Schneider | .... | unit publicist |
| Cristie Schoen | .... | pastry chef/breakfast cook |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances |
| Adrian Simpson-Riddle | .... | wrangler |
| Jonathan Slater | .... | location manager (as Jonathan Slator) |
| Graham Sonnenberg | .... | key craft service: Austin, Texas |
| Clayton Stambaugh | .... | wrangler |
| Sharon Steinhauser | .... | business and legal affairs |
| Rebecca Stover | .... | extras wrangler: New Mexico |
| Faith Strongheart | .... | assistant production coordinator |
| Girard Swan | .... | stand-in: Mr. Mortensen |
| Mark Tizdale | .... | assistant location manager |
| Sonia Torres | .... | set production assistant: Austin, Texas (as Sonia V. Torres) |
| Glenn Towe | .... | train relief foreman |
| Lisa Vanallen | .... | craft service (as Lisa Van Allen) |
| Robert Vertrees | .... | production assistant |
| Monica Walters | .... | location manager: Austin, Texas |
| Jeremy E. Wilcox | .... | accounting clerk: Austin, Texas (as Jeremy Wilcox) |
| James Wilkerson | .... | production assistant |
| Janice Williams | .... | head of physical production: Groundswell Productions |
| Karen Yokomizo | .... | first assistant accountant (as Karen A. Yokomizo) |
| Jorge Zul Jr. | .... | prep cook |
| Mark Brooks | .... | wrangler (uncredited) |
| Celli Crawford | .... | assistant to director (uncredited) |
| Colin Garza | .... | set production assistant (uncredited) |
| Jim Giesler | .... | craft service daily (uncredited) |
| Johann Grimm | .... | production assistant (uncredited) |
| Brent Lambert | .... | stand-in (uncredited) |
| Bryan Lane | .... | wrangler (uncredited) |
| Anne Lockhart | .... | adr loop group (uncredited) |
| Tiffany Patterson | .... | set production assistant (uncredited) |
| Breanna Perera | .... | office production assistant intern (uncredited) |
| Rachel Varnell | .... | production assistant (uncredited) |
| Gabby West | .... | production assistant (uncredited) |
| |
Goofs:
Continuity: After Bragg has been pardoned by the President, he meets Virgil, Mrs. French and Everett at their dinner table. When Bragg moves across the room to visit the town elders, the camera comes back to Virgil and Mrs. French. There is no sign that Everett was ever there at the table as his dishes, wine glass and all have disappeared.
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company.
There are two tough partners in justice Virgil Cole (Ed Harris) and Everett Hitch (Viggo Mortensen) that have been riding together for more than one decade and they understand each other just fine… So they're not initially supposed to talk about their easy, warm, intuitive solidarity… We intuitively catch there's something between them, that special bond, that profound respect, and obviously that sense of esteem, of attention and sympathy and most of all each other's needs…
Ed is particularly fine… It may not be a romantic conception, but he gives his role great vitality… He's melancholy, laconic and assured as the cool, nerveless professional hired gun who becomes the town's peace keeper... His justice is rapid and simple… Follow his law or get locked up; if you deny, you're going to be shot… He's also very faithful, and you see this in his friendship with Everett Hitch…
Virgil trusts Everett completely because Everett is very sincere and truthful with him…
With his formidable shotgun, Everett is a kind of Virgil's straight man, his worshiping right hand and conscience… Mortensen is a sharpshooter… He's never seen on foot, in any scene, without his huge weapon… His heavy rifle has become almost another character in the film… It doesn't matter where, either in his hands or right next to him… And that's in the bar, in the restaurant, in the office, and even in the bedroom…
Renee Zellweger plays the role of Allison French, a mysterious woman who seduces everyone…After Cole and Hitch meet her in a restaurant, they knew that she is a refined widow, that she arrives to the brutal New Mexico town with one dollar in her purse, that she plays piano and likes to be called Allie…
Cole takes a liking to her, and makes a very tough decision to stick with her… Zellweger plays the malicious new-gal with a great sense of sweetness and gaiety… She brings liveliness and refinement to her role…
Another strong character in "Appaloosa" is the miscreant cold-hearted rancher Randall Bragg… The film starts with the killing of the town's last Marshall and his deputies at the hands of the nefarious Bragg played by Jeremy Irons… Bragg is a wealthy man whose ranch henchmen run menacingly and aggressively over the town…
"Appaloosa" is a Western of real depth and sophistication… Every punch seen in the film is like a word of dialog moving the story forward, creating tension and drama…