Persepolis (2007)

Directors:

Vincent Paronnaud
Marjane Satrapi

Writers:

Marjane Satrapi (comic)
Vincent Paronnaud (scenario)

Release Date:

27 June 2007 (France)

Genre:

Animation | Biography | Drama | War

Plot:

Poignant coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution.

Plot Keywords:

Revolution | Iran | 1970s | Shah | Dream

Awards:

Nominated for Oscar. Another 16 wins & 25 nominations

Cast

Chiara Mastroianni	...	Marjane 'Marji' Satrapi, as a teenager and a woman (voice)
Catherine Deneuve	...	Mrs. Satrapi - Marjane's mother (voice)
Danielle Darrieux	...	Marjane's grandmother (voice)
Simon Abkarian	...	Mr. Satrapi - Marjane's father (voice)
Gabrielle Lopes Benites	...	Marjane as a child (voice)
François Jerosme	...	Uncle Anouche (voice)
Sophie Arthuys	...	(voice)
Jean-François Gallotte
Arié Elmaleh	...	(voice)
Mathias Mlekuz	...	(voice)
rest of cast listed alphabetically:
Stéphane Foenkinos
Amethyste Frezignac	...	Marjane as a child (voice: English version)
Tilly Mandelbrot	...	Lali (voice)
Sean Penn	...	Mr. Satrapi - Marjane's father (voice: English version)
Iggy Pop	...	Uncle Anouche (voice: English version)
Gena Rowlands	...	Marjane's grandmother (voice: English version)

Also Known As:

Persépolis (Argentina) (Mexico) (Spain) [es]
Персеполис (Russia) [ru]
Persepolis (Finland) [fi]
Persepolis (Finland: Swedish title) [sv]
Persepolis (Turkey: Turkish title) [tr]
Persepolis (Greece) [el]

MPAA:

Rated PG-13 for mature thematic material including violent images, sexual references, language and brief drug content.

Runtime:

96 min | Turkey:89 min (TV version)

Country:

France | USA

Language:

French | English | Persian | German

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | France:U | USA:PG-13 | Canada:14A | Finland:K-11 | Sweden:7 | Singapore:PG | Brazil:12 | Ireland:12A | Netherlands:6 | Taiwan:R-12 | UK:12A (2008) | Germany:12 | Argentina:Atp | South Korea:12 | Australia:M | Singapore:NC-16 (DVD rating)

Company:

2.4.7. Films

Trivia:

At the party given by the Austrian nihilists, the symbol of the famous industrial band Einstürzende Neubauten can be seen on the upper left-hand side of the screen.

Goofs:

Continuity: When it is 1992, Marji marries. Her mother says her that she is just 21 years old. But in last minutes of movie, it is written 22.11.1969 as her date of birth. So when she got married, she is at least 23 years old.

Quotes:

[first lines]
Airport receptionist: Ticket and passport, please.

Movie Connections:

References Gojira (1954)

Soundtrack:

Eye of the Tiger

A life in cartoons.

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.