| Sonia Almarcha | ... | Adela | |
| Petra Martínez | ... | Antonia | |
| Miriam Correa | ... | Inés | |
| Nuria Mencía | ... | Nieves | |
| María Bazán | ... | Helena | |
| Jesús Cracio | ... | Manolo | |
| Lluís Villanueva | ... | Carlos | |
| José Luis Torrijo | ... | Pedro | |
| Juan Margallo | ... | Padre Adela | |
| Luis Bermejo | ... | Alberto | |
| Adrián García | ... | Miguelito | |
| Eric García | ... | Miguelito | |
| Carmen Gutiérrez | ... | Miriam | |
| Pep Sais | ... | Doctor | |
| Adrián Marín | ... | Pepe | |
| Natalia Mateo | ... | Enfermera | |
| Roberto Mori | ... | Chico Bus | |
| Teresa Cortés | ... | Mercedes | |
| Arantxa Iglesias | ... | Camarera | |
| Julio Escalada | ... | Camarero | |
| Paul Lostau | ... | Amigo 1 Pueblo (as Paul Lousteau) | |
| Santiago López | ... | Amigo 2 Pueblo | |
| Elvira Cuadrupani | ... | Azafata 1 | |
| Luchi López | ... | Azafata 2 (as Luchy López) | |
| Joaquín Tejada | ... | Empleado Banco | |
| Sol García | ... | Niña Pueblo | |
| Lara Ventoso | ... | Leonor |
Directed by | |||
| Jaime Rosales | |||
Writing credits(in alphabetical order) | ||
| Jaime Rosales | written by | |
| Enric Rufas | written by | |
Produced by | |||
| María José Díez | .... | executive producer | |
| Ricard Figueras | .... | producer | |
| José María Morales | .... | producer | |
| Jaime Rosales | .... | producer | |
Cinematography by | |||
| Óscar Durán | |||
Film Editing by | |||
| Nino Martínez Sosa | (as Nino Martínez) | ||
Casting by | |||
| Sara Bilbatúa | (as Sara Bilbatua) | ||
Art Direction by | |||
| Ion Arretxe | |||
Costume Design by | |||
| Asun Arretxe | |||
| Eva Arretxe | |||
Makeup Department | |||
| Chicha Blanco | .... | special makeup effects artist | |
| Rosa Ferré Vico | .... | make-up and hair (as Rosa Ferre) | |
Production Management | |||
| María José Díez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ion Collar | .... | third assistant director (as Yon Collar) | |
| Jairo Murray | .... | second assistant director | |
| Javier Petit | .... | assistant director | |
Sound Department | |||
| Alejandro Castillo | .... | sync sound | |
| Iñaki Diez | .... | boom operator | |
| Álex F. Capilla | .... | foley artist | |
| Carlos Garrido | .... | sound mixer | |
| Diego Garrido | .... | sound mix assistant | |
| Pelayo Gutiérrez | .... | sound editor | |
| Lucía Loiseau | .... | playback operator | |
| César Molina | .... | foley mixer | |
| Nacho Royo | .... | sound editor (as Nacho Royo-Villanova) | |
| Eva Valiño | .... | sound | |
| Ricardo Viñas | .... | dolby consultant | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
Visual Effects by | |||
| Antonio Inglott | .... | visual effects | |
| Curro Muñoz | .... | visual effects | |
Stunts | |||
| Gregory Brossard | .... | stunt performer | |
Camera and Electrical Department | |||
| Eva Aycart | .... | assistant camera | |
| Luis Fuentes | .... | second unit: assistant camera | |
| Antonio Linares | .... | machinist | |
| Alex Narváez | .... | electrician (as Alejandro Narvaez) | |
| Xavier Sarasa | .... | gaffer | |
| Manuel Álvarez | .... | first assistant camera | |
Casting Department | |||
| Carlos Díez | .... | extras casting | |
| Macarena Pombo | .... | casting assistant | |
Editorial Department | |||
| Miguel P. Gilaberte | .... | color grader | |
| Dimas Ortiz | .... | assistant editor | |
Other crew | |||
| Silvia Arimany | .... | production staff | |
| Lucía Casal | .... | script supervisor | |
| Clarissa Couassi | .... | location manager | |
| Manuel Estrada | .... | credits | |
Thanks | |||
| Pablo Berger | .... | thanks | |
| Ángel Hernández Zoido | .... | thanks (as Ángel Hernández-Zoido) | |
| Carlos Reygadas | .... | thanks | |
| David Trueba | .... | thanks | |
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| Saving Face | The Duchess | Love Actually | Rois et reine | The Blue Hour |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
It has been a nice surprise for me to see such a wonderful movie and I recognize that I would not have seen it if it had not been prized with three 2008 Goya Awards (including Best Film and Best Director ones). Of course, Spanish media did not talk too much about it because I can imagine they have not any economical or political interest on it. That is the way they do it.
But it is a delight that those kind of films are still done in 21st century, so simple, with no music and not dramatic special effects, with unknown but credible and natural actors and actresses. This film is an effective portrait of the Spanish society today with all its problems and all its virtues, with no typical images for tourists nor false features to sell a brilliant and fiction image of a Spain that does not actually exist.
I love the calmed atmosphere that wrap the scenes and the usual division of the image in two halves that let the audience have a double perspective of the scene. The static cameras and the frontal shots make me remember Yasujiro Ozu's style, so I like this film even more.
Finally, I must say that this is a film which proves that an excellent film can be done with not big amounts of money: an example to be followed.