| Eric Caravaca | ... | Jean-Philippe | |
| Jean-Pierre Darroussin | ... | Louis Renard | |
| Emmanuelle Devos | ... | Agnès | |
| Florence Loiret Caille | ... | Sabine (as Florence Loiret) | |
| Sylvain Dieuaide | ... | Stéphane | |
| Yannick Choirat | ... | Tony | |
| Marc Citti | ... | Bouchardon | |
| Sabrina Ouazani | ... | Farida | |
| Nathalie Boutefeu | ... | La dame aux chiens blancs | |
| Mireille Franchino | ... | La mère | |
| Marie Caries | ... | La femme au tabac (as Marie Cariès) | |
| Delphine Simon | ... | Natacha | |
| Judith Siboni | ... | Cuisses de mouche | |
| Cédric Montreuil | ... | Barman café Louis | |
| Manon Beaudoin | ... | La propriétaire du chien (as Manon Beaudouin) | |
| Elie Collin | ... | Félix | |
| Sophie Buis | ... | La femme au chat | |
| Judith Rémy | ... | La réceptionniste | |
| Jocelyne Desverchère | ... | Rosalie | |
| Francis Leplay | ... | Rémi | |
| Adèle Lagriffoul | ... | La fille de Rémi | |
| Ulysse Lagriffoul | ... | Le fils de Rémi | |
| Philippe Roux | ... | Barman café hôtel | |
| Angelina Yaramis | ... | Margot |
Directed by | |||
| Jérôme Bonnell | |||
Writing credits(in alphabetical order) | ||
| Jérôme Bonnell | ||
Produced by | |||
| Raphael Berdugo | .... | co-producer | |
| Anne-Dominique Toussaint | .... | producer | |
Cinematography by | |||
| Pascal Lagriffoul | |||
Film Editing by | |||
| Camille Cotte | |||
Production Design by | |||
| Anne Bachala | |||
Set Decoration by | |||
| Fanny Stauff | |||
Costume Design by | |||
| Carole Gérard | |||
Production Management | |||
| Matthieu Bled | .... | post-production supervisor | |
| Philippe Roux | .... | production manager | |
| Geraldine Scaramela | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Denis Blanc | .... | second assistant director | |
| Sébastien Deux | .... | first assistant director | |
| Anne Legal | .... | third assistant director | |
Art Department | |||
| Vincent Amiel | .... | construction coordinator | |
| Jennifer Charbit | .... | set designer | |
| Tibor Dora | .... | carpenter | |
| Frédéric Jacq | .... | property master | |
| Marie-Claire Vidal | .... | drapes | |
Sound Department | |||
| Laurent Benaïm | .... | sound | |
| Mathilde Cousin | .... | dialogue editor | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Hervé Guyader | .... | chief sound editor | |
| Hubert Teissedre | .... | foley recording engineer | |
Visual Effects by | |||
| Nicolas Bonnell | .... | visual effects | |
| Stephane Ceretti | .... | visual effects | |
Stunts | |||
| Rémi Canaple | .... | stunt coordinator | |
| Yoni Roch | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Stéphane Bourgoin | .... | chief electrician | |
| Stephane Canda | .... | key grip | |
| Nicolas Caracache | .... | assistant camera | |
| Olivia Costes | .... | first assistant camera | |
| Mathieu Dequirot | .... | electrician | |
| Stella Libert | .... | second assistant camera | |
| Tom Mitaux | .... | electrician | |
| Pierre Arnaud Ouvrard | .... | electrician | |
| Jeff Rey | .... | electrician | |
| Carlos Ribeiro | .... | additional grip | |
Casting Department | |||
| Anne Barbier | .... | extras casting | |
Editorial Department | |||
| Mathilde Cousin | .... | assistant editor | |
Other crew | |||
| Laure Blaess | .... | production accountant | |
| Amélie de Renty | .... | dog wrangler | |
| Vincent Drouin | .... | production secretary | |
| Elodie Dussoulier | .... | production assistant | |
| Christine Raffa-Catonné | .... | script supervisor | |
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| 8½ | Before Sunset | Les témoins | Chéri | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| IMDb France section |
If you like French films with lingering shots of a tree, where you're not sure why you're being shown a particular scene, where you're not really all that drawn to any of the characters, and you spend the entire film trying to work out whether you will ever be shown any connection between two separate groups of characters, then this is the film for you.
I was looking at my watch after fifteen minutes, just to check how long it had run without really showing anything at all. I'm afraid I like a bit more of a storyline than this, and less open questions left to the imagination of the viewer. I was thinking simply "Why?" after five minutes, and frankly the question was never answered. What was the director trying to show? I have absolutely no idea. Very good performance by Florence Loiret, though - I hope we soon see her again in something more worth watching.