| Valeria Bruni Tedeschi | ... | Marcelline | |
| Noémie Lvovsky | ... | Nathalie | |
| Louis Garrel | ... | Éric | |
| Mathieu Amalric | ... | Denis | |
| Marisa Bruni Tedeschi | ... | La mère (as Marisa Borini) | |
| Valeria Golino | ... | Natalia Petrovna | |
| Maurice Garrel | ... | Le père | |
| Bernard Nissile | ... | Jean-Paul | |
| Olivier Rabourdin | ... | Marc | |
| Laetitia Spigarelli | ... | Juliette | |
| Gilles Cohen | ... | Jean-Luc, le régisseur | |
| Marie Rivière | ... | La costumière | |
| Franck Demules | ... | Le barman (as Frank Demules) | |
| Souzan Chirazi | ... | La gynécologue (as Souz Chirazi) | |
| Anne Barry | ... | La dame dans la rue | |
| Arthur Igual | ... | Le moniteur de natation | |
| Eric Elmosnino | ... | Raymond | |
| Robinson Stévenin | ... | Julien | |
| Laurent Grévill | ... | Arthur | |
| Pascal Bongard | ... | Le prêtre | |
| Brian Mac Cormack | ... | Le professeur d'anglais | |
| rest of cast listed alphabetically: | |||
| Romane Dervas | ... | Le bébé | |
| Antoine Holler | ... | L'homme à la guitare | |
| Simona Marchini | ... | Tante | |
| Charles Pasi | ... | L'homme à l'harmonica | |
| Eleonora Albrecht | ... | Girl (uncredited) | |
Directed by | |||
| Valeria Bruni Tedeschi | |||
Writing credits(in alphabetical order) | ||
| Valeria Bruni Tedeschi | ||
| Noémie Lvovsky | ||
| Agnès de Sacy | ||
Produced by | |||
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | producer | |
Cinematography by | |||
| Jeanne Lapoirie | |||
Film Editing by | |||
| Valeria Bruni Tedeschi | |||
| Gilles Granier | (dailies color grader) | ||
| Anne Weil | |||
Production Design by | |||
| Emmanuelle Duplay | |||
Art Direction by | |||
| Cécile Arlet Colin | |||
Makeup Department | |||
| Sophie Farsat | .... | makeup artist | |
Production Management | |||
| Marc Cohen | .... | assistant unit manager | |
| Olivier Gravenhorst | .... | post-production supervisor | |
| Benoit Hemard | .... | assistant production manager | |
| Yann Jouannic | .... | unit manager trainee | |
| Olivier Michel | .... | unit production manager | |
| Sylvain Monod | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sébastien Matuchet | .... | first assistant director | |
| Matthieu Maunier-Rossi | .... | assistant director | |
| Carole Reinhard | .... | assistant director: location | |
Art Department | |||
| Benoit Hemard | .... | ripper | |
| Yannick Heuveline | .... | ripper | |
| Annabelle Tissot | .... | assistant art director | |
Sound Department | |||
| Benjamin Bober | .... | boom operator | |
| Romain Cadilhac | .... | sound trainee | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Fred Mays | .... | post-synchronization | |
| Pierre Picq | .... | boom operator | |
| Anne-Cécile Vergnaud | .... | dialogue editor | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Visual Effects by | |||
| Alain Carsoux | .... | visual effects supervisor | |
Stunts | |||
| Gilles Conseil | .... | action coordinator | |
| Philippe Guégan | .... | action coordinator | |
| Audrey Ottaviano | .... | stunts | |
Camera and Electrical Department | |||
| Nicolas Dixmier | .... | gaffer | |
| Vincent Garat | .... | groupman | |
| Sophie Lelou Mollard | .... | electrician (as Sophie Mollard) | |
| Frédéric Serve | .... | first assistant camera | |
Casting Department | |||
| Christine Campion | .... | extras casting | |
Editorial Department | |||
| Jerome Brechet | .... | dailies color grader | |
| Pascal Massonneau | .... | color timer | |
Music Department | |||
| Julien Civange | .... | music supervisor | |
Other crew | |||
| Nicholas Frank | .... | legal affairs assistant | |
| Valérie Genty | .... | production administrator | |
| Julien Sabourdin | .... | key production accountant | |
| Daisy Sadler | .... | production assistant | |
| Pascal Vallart | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
It has been called a comedy in his spirit. It isn't. Surely the people here are neurotic, but much more than they are in an Allen movie. And they lack his humour.
Marcelline is the actress who goes Turgenyev. In her private life, she desperately wants a child. She's 40 now. This neurosis together with the part she's acting, almost destroys her. She doesn't know who she is anymore.
But instead of being a movie about common life, this is more a movie about theatre. And you don't feel much, watching it. Woody Allen is far away.