| Michael Moshonov | ... | Menachem | |
| Limor Goldstein | ... | Alma | |
| Shmuel Vilozni | ... | Eli | |
| Ilan Dar | ... | Shmuel | |
| Yoav Hait | ... | Aharon | |
| Reut Lev | ... | Deborah | |
| rest of cast listed alphabetically: | |||
| Yonathan Alster | ... | David | |
| Ilanit Ben-Yaakov | ... | Orna | |
| Dov Berkovitz | ... | Rabbi | |
| Avital Blum | ... | Dvora's friend | |
| Jonathan Carlsson | ... | Sasha | |
| Avi Elmalich | ... | Military police patrol | |
| Nir Farida | ... | Meneghem's friend | |
| Avia Gaon | ... | Dvora's friend | |
| Robert Hoening | ... | Sergeant Kaufman | |
| Daniel Krichmar | ... | Family Friend | |
| Lilach Man | ... | Police woman | |
| David Marziano | ... | Worker in print house | |
| Yossi Marziano | ... | Worker in print house | |
| Revital Regev | ... | Doctor | |
| Sandra Schonwald | ... | Police investigator | |
| Aner Sherman | ... | Yona | |
| Naomi Tzvick | ... | Grandmother | |
Directed by | |||
| Raphaël Nadjari | |||
Writing credits(in alphabetical order) | ||
| Raphaël Nadjari | ||
| Vincent Poymiro | ||
Produced by | |||
| Frédéric Bellaïche | .... | producer | |
| Geoffroy Grison | .... | producer | |
| Noah Harlan | .... | co-producer | |
| David Nadjari | .... | associate producer | |
| Marek Rozenbaum | .... | producer | |
| Itai Tamir | .... | producer | |
Original Music by | |||
| Nathaniel Méchaly | |||
Cinematography by | |||
| Laurent Brunet | |||
Film Editing by | |||
| Sean Foley | |||
Casting by | |||
| Amit Berlowitz | |||
Art Direction by | |||
| Benny Afar | |||
| Dror Sarogati | |||
Costume Design by | |||
| Ori Giladi | |||
Makeup Department | |||
| Lilach Man | .... | makeup artist | |
Production Management | |||
| Tom Ashouah | .... | unit production manager | |
| Anat Shafranek | .... | unit production manager | |
| Meir Tetzet | .... | production manager (as Meir Tezet) | |
Art Department | |||
| Eti Kalderon | .... | credits designer | |
| Dror Sarogati | .... | set designer | |
Sound Department | |||
| Nevo BenKnaan | .... | boom operator | |
| Tuli Chen | .... | sound mixer | |
| Tuli Chen | .... | sound | |
| Chen Harpaz | .... | sound design mixer | |
| Hae Kyong Harpaz | .... | foley artist | |
| Lee Zohar | .... | mix assistant | |
Visual Effects by | |||
| Godefroy Fouray | .... | digital colorist | |
| Steve Shaw | .... | post production consultant | |
Camera and Electrical Department | |||
| Amit Berlowitz | .... | still photographer | |
| Adi Borkin | .... | lighting technician | |
| Roi Faragh | .... | first assistant camera | |
| Uri Liphshin | .... | first lighting assistant | |
| Idan Or | .... | first assistant camera | |
| Moshe Shabbat | .... | grip (as Moshe Shabat) | |
| David Stragmeister | .... | focus puller | |
| Orion Szydel | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Liz Hagag | .... | wardrobe | |
Editorial Department | |||
| Godefroy Fouray | .... | colorist | |
Music Department | |||
| Shai Gabriel | .... | music recording engineer | |
Transportation Department | |||
| Eli Moalem | .... | transportation | |
| David Sofer | .... | transportation | |
Other crew | |||
| Aviad Aloni | .... | production assistant | |
| Xavier Barbereau | .... | post production accountant | |
| Amit Berlowitz | .... | making-of | |
| Daniel Coss | .... | water girl | |
| Monica Donati | .... | press representative | |
| Ishai Revkin | .... | production assistant | |
| Rony Sasson | .... | script supervisor | |
|
|
|
|
|
| Einayim Petukhoth | Monsieur Ibrahim et les fleurs du Coran | C.R.A.Z.Y. | Il y a longtemps que je t'aime | Parenthood |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This film has no direction, no script, no good acting performances, no humour, no feeling and no humanity. The plot and storyline is totally ludicrous and unbelievable. In addition to this the film is incredibly badly made with appalling camera work, terrible lighting and sound, and looks like it wasn't edited properly. It really is an amateur attempt to made a film. It's an embarrassment to the people who made it and should never be shown in public. It certainly has no place in Israeli cinema, or in any cinema. After it ended we felt like we had totally wasted our time sitting watching it. I cannot say one good thing about this film.