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The Edge of Love (2008)

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Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Wilfred Hosgood
...
Sergeant
Geoffrey Beevers ...
Registrar
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Midwife
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Mr. Justice Singleton
Huw Ceredig ...
John Patrick
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Alistair Graham
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Joel Dommett ...
Train Soldier
Rachel Essex ...
Mel
...
Sailor Beating Dylan
Callum Godfrey ...
Boy on Train
...
Partisan
...
...
Anita Shenkin
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Storyline

Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she ... Written by paul@keiraweb.com

Plot Summary | Plot Synopsis

Taglines:

The only thing more dangerous than war... is love.


Motion Picture Rating (MPAA)

Rated R for some sexuality, language and disturbing war images | See all certifications »

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Details

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Release Date:

20 June 2008 (UK)  »

Also Known As:

A szerelem határai  »

Filming Locations:

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Box Office

Opening Weekend:

£180,837 (UK) (20 June 2008)

Gross:

$28,635 (USA) (5 April 2009)
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Company Credits

Production Co:

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Producer Rebekah Gilbertson is the granddaughter of the real people played by Keira Knightley and Cillian Murphy in the film. See more »

Goofs

When William Killick boards his transportation plane to Greece the C-47 Dakota shows "D-Day stripes" (aka "Invasion stripes") on fuselage and left wing. Historically and consistent with the period setting of the story - the "Blitz" - this must have been in spring 1941. However, these markings were not in use before June 1944. See more »

Quotes

Caitlin MacNamara: My first was Augustus John. He seduced me when I was 15 the old goat. It doesn't mean anything, fucking. It isn't love. I get an itch, it's gotta be scratched. I do it myself when I'm too lazy. Why bother when you can get someone else to do it for you?
Vera Phillips: Nothing to do with love, fucking?
Caitlin MacNamara: Uh-uh. Nothing. Who was your first?
Vera Phillips: [Innocently] What?
Caitlin MacNamara: You don't need to tell me, I know it was Dylan.
Vera Phillips: We were kids. Tent, fire, and a beach blanket.
Caitlin MacNamara: Nice and comfy then.
Vera Phillips: Children, still innocent.
Caitlin MacNamara: We are still ...
[...]
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Connections

Referenced in Uned 5: Episode dated 20 June 2008 (2008) See more »

Soundtracks

Hang Out the Stars in Indiana
Written by Billy Moll and Harry M. Woods (as Harry Woods)
Used by Permission of Shapiro, Bernstein & Co., Inc.
Performed by 'Graham 'Suggs' McPherson' (as Suggs)
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Frequently Asked Questions

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User Reviews

 
In a word "re-Atonement"
11 November 2008 | by (United Kingdom) – See all my reviews

With its ww2 timing, falling in and out of love, and easy on the eye Kira, this is re-Atonement.

This a relationship story with focused main characters working out the the balance between first and fast love in the home front of WW2. Poet Dylan Thomas philanders his way between wife and ex in dark and smoky Blitz London and later in windy wales.

Vera's ex and next spark off each other as the poet and soldier become a sideline while the girls bond and share. An easy watch that works well in the era bouncing along with just a few dips in pace. Would work well with French subtitles but then I may have been to too many art house movies lately.


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