6.5/10
1,230
14 user 46 critic

Les amours d'Astrée et de Céladon (2007)

A romantic drama centered around a young shepherd and shepherdess and the ramifications of their forbidden affair.

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(novel), (adaptation)
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1 win & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Céladon
Stéphanie Crayencour ...
Astrée
...
Léonide
Véronique Reymond ...
Galathée
...
Sylvie
...
Lycidas
...
Phillis
Rodolphe Pauly ...
Hylas
Serge Renko ...
Adamas
...
Semyre
Priscilla Galland ...
Amynthe
Olivier Blond ...
Un berger
Alexandre Everest ...
Un berger
Fanny Vambacas ...
Une bergère
Caroline Blotière ...
Une bergère
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Storyline

In an enchanted forest, back in the time of the Druids, the shepherd Céladon and the shepherdess Astrée share a pure and chaste love. Fooled by a suitor, Astrée dismisses Céladon, who throws himself into a river out of despair. She thinks he's dead, but he's been secretly rescued by some nymphs. Faithful to the promise he made to Astrée to never appear before her again, Céladon must overcome many obstacles to break the curse. Mad with love and despair, coveted by the nymphs, surrounded by rivals, and obliged to disguise himself as a woman to be near the one he loves, will he manage to make himself known without breaking his oath? A romance filled with doubt, hazards, and delicious temptations. Written by Anonymous

Plot Summary | Plot Synopsis

Plot Keywords:

love | nymph | shepherd | river | oath | See All (39) »

Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

15 August 2008 (USA)  »

Also Known As:

Romance of Astree and Celadon  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

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Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2007 (#07, tied with "Honor de cavalleria" and "Avant que j'oublie") See more »

Connections

Referenced in Maestro (2014) See more »

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User Reviews

 
Trust the teller...
12 September 2008 | by (United Kingdom) – See all my reviews

Rohmer has made great films so if he makes a strange or apparently bad film it's wiser to check if it's our expectations that are at fault, not the film. Celadon & Astrae is an odd film and I don't think it's a great film, but I don't think it's a bad one. It has conventions- as all films do- but they aren't conventional conventions so it takes time to adjust to them but it is worth adjusting and accepting the preposterous plot, the formal archaic language and the absurd psychology. There's actually a very Rohmeric film here with beautiful fluid filming and a Rohmeric concern with morality and the actors aren't trapped by the conventions they must act in: Astrea and Celadon's sorrows and joys may be conventional and absurd objectively but they are still moving and the debates are absurd in form but relevant in subject.


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