As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Most of the skydiving sequence was shot over Skydive Perris in California, except for the parts of the team exiting from the airplane (this was done in the Inyokern Desert, California). See more »
During the scene when LT Brody and Sgt Morales are on the bridge checking out if it is intact, they encounter the MUTO and duck down on the bridge. You get a glimpse of their M4A1 and you see that they both have Insight AN/PEQ2A laser box on top their M4's.
That unit has been discounted and would not have been issued to US armed forces since 2010. The new SOCOM block 2 has the PEQ15 laser box as a replacement.
The biggest difference in the two units is that PEQ16 has a Visible Laser with IR laser and IR laser designator. While the PEQ 2 only had an IR laser and IR laser designator.
This US Army has replaced all PEQ2 models with the Insight AN/PEQ15 and in case of the navy and marines it would be PEQ 16. (Dependent on units and missions) See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
See more »
The IMAX intro for the film features Godzilla's roar. See more »
The Weathered Man
Written by Coltan Fisher, Jason Rabinowitz, James Katalbas, and Jaron Lamot
Performed by The Holy Bridge Orchestra
Courtesy of The Math Club
Under license by Music Asset Management, Inc. See more »
For fans of monster movies, "Godzilla" was surely one of the most anticipated releases of the year. Therefore, the most surprising thing about Godzilla is not how empty the story is, but rather how little there is of the monster in the movie after which it is named.
The plot in "Godzilla" is disposable. It only exists as an excuse to unleash the film's titular character. However, is it too much to ask for an original plot with characters we could care about? Here, the back story is cliché-ridden and the characters simply serve the function of moving the story forwards. As such, one would expect that Godzilla is at least given ample screen time. Surprisingly, this is not the case, and the majority of the film's focus seems to be on the military attempting to find out how to kill Godzilla and the MUTOs, which look like giant, angry cockroaches. Ultimately, it is left up to the score and the Michael Bay-esque dub-step reminiscent sound design to create tension.
Its almost futile to talk about the performances in the film because despite the strong cast, the characters are so one-dimensional that nobody delivers a memorable performance. Bryan Cranston and Juliette Binoche do their best with the little screen time they are given, and the couple of Aaron-Taylor Johnson and Elizabeth Olsen are given the impossible task of creating interesting characters from the uninspired script. More worrying, however, is how unnecessary Sally Hawkins' character is and how the script manages to make Ken Watanabe look like a second-rate actor, as his character rarely changes expression from the looks of intense thought or surprise.
Overall, "Godzilla" did not work for me at all. Not only is it a film without heart, but it a film meant to thrill that ends up just being tedious. I could have left halfway through the movie. I just didn't care how things would turn out.
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