| Photos (See all 12 | slideshow) | Videos (see all 8) |
| Juliette Binoche | ... | Adrienne | |
| Charles Berling | ... | Frédéric | |
| Jérémie Renier | ... | Jérémie | |
| Edith Scob | ... | Hélène | |
| Dominique Reymond | ... | Lisa | |
| Valérie Bonneton | ... | Angela | |
| Isabelle Sadoyan | ... | Éloïse | |
| Kyle Eastwood | ... | James | |
| Alice de Lencquesaing | ... | Sylvie | |
| Emile Berling | ... | Pierre | |
| Jean-Baptiste Malartre | ... | Michel Waldemar | |
| Gilles Arbona | ... | Maître Lambert | |
| Eric Elmosnino | ... | Le commissaire de police | |
| Marc Voinchet | ... | Présentateur radio | |
| Sara Martins | ... | Atachée de presse | |
| Christian Lucas | ... | Le neveu d'Éloïse | |
| Philippe Paimblanc | ... | Le maire de Valmondois | |
| Luc Bricault | ... | Touriste au Musée d'Orsay | |
| Arnaud Azoulay | ... | Petit ami de Sylvie | |
| Marine Decroix | ... | Amie de Sylvie | |
| Léna Burger | ... | Amie de Sylvie | |
| François-Marie Banier | ... | Président de la Commission des Dations | |
| Philippe Thiébaut | ... | Membre de la Commission | |
| Arnaud Brejon de la Lavergnee | ... | Membre de la Commission (as Arnaud Bréjon de Lavergnée) | |
| Marc Plocki | ... | Membre de la Commission | |
| Odile Michel | ... | Membre de la Commission | |
| Michel Maket | ... | Expert | |
| Gérard Landrot | ... | Expert | |
| Michel Broomhead | ... | Expert | |
| Marie Bélie Vaulet | ... | Guide au Musée d'Orsay | |
| Bruno Ecault | ... | Restaurateur sculpture | |
| Daisy Kechichiglonian | ... | Une enfant | |
| Pearl Kechichiglonian | ... | Une enfant | |
| Max Ricat | ... | Un enfant | |
| Kauda Pharaon | ... | Une enfant | |
| Alistair Forwood | ... | Un enfant | |
| Malo Gledhill | ... | Un enfant |
Directed by | |||
| Olivier Assayas | |||
Writing credits(in alphabetical order) | ||
| Olivier Assayas | writer | |
Produced by | |||
| Claire Dornoy | .... | executive producer | |
| Charles Gillibert | .... | producer | |
| Marin Karmitz | .... | producer | |
| Nathanaël Karmitz | .... | producer | |
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Luc Barnier | |||
Casting by | |||
| Antoinette Boulat | |||
Set Decoration by | |||
| Sandrine Mauvezin | |||
Makeup Department | |||
| Lydia Pujols | .... | makeup artist | |
Production Management | |||
| Sylvie Barthet | .... | production manager | |
| Thomas Colban | .... | assistant unit manager trainee (segment) | |
Second Unit Director or Assistant Director | |||
| Luc Bricault | .... | second assistant director | |
| Matthew Gledhill | .... | first assistant director | |
| Cotinier Helena | .... | additional third assistant director | |
| Delphine Heude | .... | assistant director | |
Art Department | |||
| Vincent Amiel | .... | construction coordinator | |
| Dominique Coste | .... | property buyer | |
| Tibor Dora | .... | carpenter | |
| Fabien Lang | .... | props | |
| Florent Maillot | .... | property master | |
| Diane Sorin | .... | assistant art director | |
| Fanny Stauff | .... | first assistant art director | |
Sound Department | |||
| Laurent Boudaud | .... | sound re-recording mixer | |
| Nicolas Cantin | .... | sound editor | |
| Nicolas Cantin | .... | sound recordist | |
| Jérôme Chenevoy | .... | boom operator | |
| Dominique Eyraud | .... | boom operator | |
| Olivier Goinard | .... | sound editor | |
| Olivier Goinard | .... | sound mixer | |
| Jérôme Petit | .... | assistant sound editor | |
| Jérôme Petit | .... | sound assistant | |
Casting Department | |||
| Elsa Pharaon | .... | casting: children | |
Editorial Department | |||
| Lise Courtès | .... | assistant editor | |
| Julie Delord | .... | assistant editor | |
| Isabelle Julien | .... | color grader | |
| Nelly Ollivault | .... | assistant editor | |
Other crew | |||
| Tatiana Bouchain | .... | production assistant | |
| Christophe Chauveau | .... | key location scout | |
| Clémentine Schaeffer | .... | script supervisor | |
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| Il y a longtemps que je t'aime | Rois et reine | La meglio gioventù | Ceux qui m'aiment prendront le train | Lawless Heart |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I knew nothing of this film when I walked into the theater. It was nothing like I anticipated. "Claire's Knee" perhaps? What unfolds through the wonder of Olivier Assayas construction, direction and camera work was an equivalent to Chekhov for me. As generations and values change, what gets lost and left behind isn't only the contents of a summer house (which is the focus of the film). Values of and connections to the past dwindle in the summer twilight, and there's panic, guilt, mourning, release and the dawn of another generation unwound on the screen.
My one complaint is the length of the beautiful end piece of the film. It introduces a new set of characters to a degree that I was left wanting more. I would have preferred the film ending with the housekeeper rattling the windows to regain entrance, but this is a small complaint to a masterful film, that's beautifully acted and hypnotic to watch.
I overheard someone sitting near me say to the person who had dragged him to the film, "I'll be sleeping through this one." Curious, I looked over two-thirds into the film, and he wasn't asleep; he was spellbound, along with the rest of us.