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Jan Guillou (novel)
Hans Gunnarsson (screenplay)
25 December 2007 (Sweden) more
Arn, the son of a high-ranking Swedish nobleman is educated in a monastery and sent to the Holy Land as a knight templar to do penance for a forbidden love. | add synopsis
1 win & 1 nomination more
Poetically made more (30 total)
Directed by | |||
| Peter Flinth | |||
Writing credits(in alphabetical order) | ||
| Jan Guillou | novel | |
| Hans Gunnarsson | screenplay | |
Produced by | |||
| Waldemar Bergendahl | .... | producer | |
| Mark Foligno | .... | co-producer | |
| Jarkko Hentula | .... | producer: Finland | |
| Laura Julian | .... | line producer: Morocco | |
| Karoline Leth | .... | co-producer | |
| Hans Lönnerheden | .... | supervising producer: Morocco | |
| Nina Lyng | .... | co-producer | |
| Alistair MacLean-Clark | .... | producer | |
| Johan Mardell | .... | executive producer | |
| Jan Marnell | .... | producer: Morocco | |
| Leif Mohlin | .... | line producer | |
Original Music by | |||
| Tuomas Kantelinen | |||
Cinematography by | |||
| Eric Kress | |||
Film Editing by | |||
| Olivier Bugge Coutté | |||
| Anders Villadsen | |||
Casting by | |||
| Morag Arbutthnot | |||
| Catti Edfeldt | |||
Production Design by | |||
| Anna Asp | |||
Art Direction by | |||
| Frederic Evard | |||
| Linda Janson | |||
Costume Design by | |||
| Kicki Ilander | |||
Makeup Department | |||
| Zineb Bendoula | .... | assistant makeup artist: extras | |
| Ida Eriksson | .... | assistant makeup artist | |
| Wendy Kemp Forbes | .... | assistant makeup artist | |
| Jenny Fred | .... | key makeup artist | |
| Anna Gronerus | .... | assistant makeup artist | |
| Love Larson | .... | key makeup artist | |
| Anna-Lena Melin | .... | makeup artist | |
| Lisa Mustafa | .... | assistant hair stylist | |
| Lisa Mustafa | .... | assistant makeup artist | |
| Eva Von Bahr | .... | makeup designer | |
Production Management | |||
| Kamal Belghmi | .... | production manager | |
| Driss Benchhiba | .... | unit manager | |
| Peter Bengtsson | .... | post-production supervisor | |
| Anna Carlsten | .... | production manager | |
| Madeleine Ekman | .... | production manager | |
| Gisela Evert | .... | post-production supervisor | |
| Maritha Norstedt | .... | production supervisor | |
| Katie Shahrokh | .... | post-production manager | |
| Anita Tesler | .... | production supervisor | |
| Johan von der Lancken | .... | pre-production manager | |
Art Department | |||
| Mustapha Adidou | .... | art department | |
| Abdellah Baadil | .... | construction supervisor | |
| Gilles Balabaud | .... | stand-by props | |
| Simon Bang | .... | storyboard artist | |
| Giuseppe Cristiano | .... | conceptual art | |
| Sara Eriksson | .... | props | |
| Karin Gry | .... | props | |
| Paul Gustavsson | .... | property master | |
| Roger Holden | .... | property master | |
| Teddy Holm | .... | painter | |
| Janne Hverven | .... | carpenter | |
| Klas Jansson | .... | carpenter | |
| Brahma Lilja | .... | carpenter | |
| Thomas Nes | .... | props | |
| Thomas Nilsson | .... | art department coordinator | |
| Terry Royce | .... | props dressing superviser | |
| Tobias Rubom | .... | property constructor | |
| Tobias Rubom | .... | props | |
| Leo Sandberg | .... | concept artist | |
| Leo Sandberg | .... | visual development | |
| Love Sellberg | .... | carpenter | |
| Calle Sjölin | .... | carpenter | |
| Johan Sjölin | .... | construction coordinator | |
| Henrik Tamm | .... | concept designer | |
| Matti Rintala von Knorring | .... | carpenter | |
| Lars Rickard Wiren | .... | stand-by props | |
Sound Department | |||
| Anders Degerberg | .... | sound technical coordinator | |
| Carl Edström | .... | sound designer | |
| Carl Edström | .... | supervising sound editor | |
| Peter Eklund | .... | dialogue editor | |
| Gordon Forbes | .... | sound assistant | |
| Erik Guldager | .... | dialogue editor | |
| Tomas Krantz | .... | sound effects editor | |
| Anders Larsson | .... | sound effects editor | |
| Stefan Ljungberg | .... | dialogue editor | |
| Stefan Ljungberg | .... | sound | |
| Kari Nytrø | .... | boom operator | |
| Kari Nytrø | .... | sound mixer: b unit | |
| Ulf Olausson | .... | foley artist | |
| Gábor Pasztor | .... | sound re-recording mixer | |
| Bo Persson | .... | sound mixer | |
| Jonas Rudels | .... | sound | |
Special Effects by | |||
| Gusten Blick | .... | special effects technician | |
| Robin Blick | .... | special effects technician | |
| Johan Harnesk | .... | special effects supervisor | |
| Laurence Harvey | .... | special effects assistant | |
| Laurence Harvey | .... | special effects senior technician | |
| Oskar Hejll | .... | special effects assistant | |
| Göran Lundström | .... | special effects makeup | |
| Christian Niklasson | .... | special effects senior technician | |
| Victor Nilsson | .... | special effects assistant | |
| Ken Petrie | .... | special effects technician | |
| Jason Troughton | .... | special effects supervisor: Morocco | |
| Mark Vanstone | .... | special effects technician | |
| Alan Whibley | .... | special effects technician | |
| Richard Darwin | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Paul Amiras | .... | production support: Cinesite | |
| Kate Attwooll | .... | matchmover: Cinesite | |
| Fredrik Averpil | .... | visual effects | |
| Paul Birkett | .... | lead rotoscope artist: Cinesite | |
| Mawusime Blewuada | .... | data operator | |
| Håkan Blomdahl | .... | visual effects: Filmgate | |
| Yanick Bourgie | .... | matte painter: Cinesite | |
| Ken Dailey | .... | visual effects producer: Cinesite | |
| Matthew D'Angibau | .... | matchmover: Cinesite | |
| Dave Early | .... | visual effects supervisor: Cinesite | |
| Oliver Faldo | .... | rotoscoper: Cinesite | |
| Matt Foster | .... | roto/prep artist: Cinesite | |
| Dianne Gordon | .... | production support: Cinesite | |
| Marcus Hindborg | .... | compositor: Cinesite | |
| Andreas Hylander | .... | compositor: Filmgate | |
| Steve Karski | .... | technical director: Cinesite | |
| Matt Kasmir | .... | digital compositor | |
| Mathias Larserud | .... | visual effects | |
| Linus Lindbalk | .... | matte painting/visual effects: Filmgate | |
| Amy Lloyd | .... | matchmover: Cinesite | |
| Claire McGrane | .... | production support: Cinesite | |
| Thomas Middleton | .... | rotoscope artist: Cinesite | |
| Guy Nesfield | .... | rotoscope artist | |
| Sarah Norton | .... | Compositor: Cinesite | |
| Tor-Bjorn Olsson | .... | visual effects supervisor (as Torbjörn Olsson) | |
| Daniel Pettipher | .... | production support: Cinesite | |
| Ingo Putze | .... | lead matte painter: Cinesite | |
| Michael Ridgwell | .... | digital artist | |
| Lewis Saunders | .... | compositor | |
| Shaun Scott | .... | CG animator: Cinesite | |
| Ben Shepherd | .... | CG animator: Cinesite | |
| Jacob Svensson | .... | digital artist: Filmgate | |
| Jonathan Sykes | .... | data operations: cinesite | |
| Henrik Tamm | .... | visual effects art director | |
| Shanaullah Umerji | .... | visual effects producer | |
| Karen Wand | .... | Compositor: Cinesite | |
| Ollie Weigall | .... | rotoscoper: Cinesite | |
| Sean Wheelan | .... | visual effects producer | |
| Keith Barton | .... | technical support: Cinesite (uncredited) | |
Stunts | |||
| Rachid Abbad | .... | stunt performer | |
| Thomas Ahlstrand | .... | horse stunts staging | |
| Faycal Attoughi | .... | stunt performer | |
| Faycal Attougui | .... | stunts | |
| Joseph Beddelem | .... | stunts | |
| Roman Grigaravicius | .... | on-set stunts | |
| Youssef Habbaoui | .... | stunt performer | |
| Tarmo Sakari Hietala | .... | assistant swordmaster | |
| Svante Hildesson | .... | stunts | |
| Othman Ilyassa | .... | stunts | |
| Philippe Losson | .... | stunt performer | |
| Ruta Nemaniene | .... | assistant horse master | |
| Arturas Nemanis | .... | horse master | |
| Arturas Nemanis | .... | stunt double | |
| Peppe Östensson | .... | swordmaster | |
| Mika Pietiläinen | .... | stunts (as Mika Huisman) | |
| Francois Poirier | .... | stunt double | |
| Cedric Proust | .... | stunt coordinator | |
| Joel Proust | .... | horse master | |
| Juha Pursiainen | .... | stunts | |
| Kimmo Rajala | .... | stunt coordinator | |
| Florian Robin | .... | stunts | |
| Christopher Schönning | .... | horse stunts | |
| Mustapha Touki | .... | stunt performer | |
Camera and Electrical Department | |||
| Erik Aavatsmark | .... | still photographer | |
| Fredric Alm | .... | still photographer | |
| Martin Bergenström | .... | grip | |
| Driss Bizzi | .... | grip assistant | |
| Ewan Epton | .... | electrician: Scotland | |
| Abbes Ghazouani | .... | video assist technician | |
| David Gylje | .... | clapper loader | |
| Johan Holmqvist | .... | clapper loader | |
| Karsten Jacobsen | .... | Steadicam operator | |
| Karsten Jacobsen | .... | camera operator | |
| Stefan Jonsson | .... | electrician | |
| Susanna Karacsony | .... | lighting technician | |
| Oskar Larsson | .... | electrician | |
| Magnus Laupa | .... | still photographer | |
| Grant McPhee | .... | video assist operator: Scotland | |
| Misio Mokrosinski | .... | assistant camera | |
| Harri Naavajärvi | .... | grip | |
| Martin Pålsheden | .... | electrician | |
| Kalle Penttilä | .... | electrician | |
| Ville Penttilä | .... | gaffer | |
| Katrín Björk Sævarsdóttir | .... | clapper loader | |
| John Sturt | .... | generator operator | |
| Dag Svensson | .... | still photographer | |
| Erik Svsdtmark | .... | still photographer | |
| Daniel Wannberg | .... | assistant camera | |
| Bengt Wanselius | .... | still photographer | |
Casting Department | |||
| Mohamed Essaghir Aabach | .... | casting assistant | |
| Rikard Andersson | .... | extras casting assistant | |
| Renate Fryklund | .... | casting: Sweden | |
| Joyce Gallie | .... | casting: UK | |
| Therese Hallman | .... | extras casting assistant | |
| Mikael Hansson | .... | casting coordinator | |
| Hervé Jakubowicz | .... | casting associate | |
| Emma Kihlberg | .... | casting supervisor: international casting | |
| Esther Klostermann | .... | casting: Germany | |
| Tusse Lande | .... | casting: Sweden | |
| Juliette Ménager | .... | casting: France | |
| Sally Osoba | .... | casting: UK | |
| Hampus Schildfat | .... | extras casting assistant | |
| Susanna Sjöblom | .... | extras casting | |
| Omar Tisli | .... | casting assistant: Morocco | |
| Merete Vold | .... | casting: Norway | |
Costume and Wardrobe Department | |||
| Johan Åberg | .... | costume assistant | |
| Emma Bellocq | .... | key costume coordinator: Morocco | |
| Mohamed Bougati | .... | wardrobe | |
| Martin Hallén | .... | costume assistant | |
| Anne Isene | .... | costume assistant | |
| Anna Jartin | .... | costume assistant | |
| Anna Karlsson | .... | costume assistant | |
| Otmane Khammari | .... | wardrobe assistant | |
| Dagny Petrussen | .... | costume assistant | |
| Nicolas Richard | .... | costume assistant | |
Editorial Department | |||
| Andrew Dearnley | .... | digital film supervisor | |
| Tina Dradrach | .... | Cinevatorfive® digital intermediate coordinator | |
| Justin Eely | .... | on-line editor | |
| Dave Goodall | .... | digital intermediate technician | |
| Morten Højbjerg | .... | additional editor | |
| Matt James | .... | digital intermediate technician | |
| Linda Jildmalm | .... | visual effects editor | |
| Steve Knight | .... | digital intermediate technician | |
| Andy Richards | .... | DI conform editor | |
| Nynne Selin | .... | post-production coordinator | |
| Gemma Townsend | .... | digital intermediate technician | |
| Tim Waller | .... | senior colorist | |
Music Department | |||
| Matt Dunkley | .... | orchestrator | |
| Fredrik Sarhagen | .... | music supervisor | |
| Panu Aaltio | .... | additional orchestrator (uncredited) | |
| Erik Guldager | .... | music editor (uncredited) | |
Transportation Department | |||
| Mustapha Adidou | .... | driver | |
| Najma El Mahjoub | .... | transportation captain | |
Arn - Tempelridderen (Denmark) (Norway)
Arn - Der Kreuzritter (Germany) (DVD title)
Arn - Temppeliritari (Finland)
Arn 1 (Sweden) (working title)
Arn: The Knight Templar (International: English title)
Арн: Рыцарь-тамплиер (Russia) [ru]
Arn - O Cavaleiro Templário (Brazil) (DVD title) [pt]
Arn, o ippotis (Greece) (DVD title) [el]
Arne, chevalier du Temple (France) (TV title) [fr]
more
139 min
2.35 : 1 more
Sweden:11 | Finland:K-13 | Norway:10 (TV rating)
Scandinavia's most expensive film production ever. more
Continuity: Arn's horse changes appearance all the time though it is supposed to be the same horse. Most clearly is the white spot in the forehead which comes and goes between scenes. more
Followed by Arn - Riket vid vägens slut (2008) more
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| Mio min Mio | King Arthur | Arn - Riket vid vägens slut | Stardust | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb UK section | Add this title to MyMovies |
Once I heard about this movie I felt pride for my country for making such a big production, hoping for it to be able to challenge big productions such as Troy, King Arthur and maybe even 300. I hoped so, but I expected otherwise. I know my epic movies pretty well, and in the trailer some months before release I notices some bass tones of the music score were identical to a part of the Gladiator music. I feared a cheap American epic movie ripoff with flawed actors and fake-looking special effects. Luckily, I did not see what I expected.
Arn has one big difference from the epic movies we know - it is made in a country where an epic movie of this size has never been made before. Naturally, many will expect to see the same of what we've seen in epic movies so far. Many will expect to see a hero or a group of heroes slaughtering hordes of enemies for the pure obsession of it that they call glory, but they won't. What they will see is the tale of the medieval life told in the most simple way. A mother promising away her son to God to serve him. The obsession of power between kings. To get to know your worst enemy and respect him as a man, and to meet anguish of having to kill him on the battle field without really knowing why.
During the first half of the movie at some point the storytelling got a little over hand, which is understandable while the balancing between being informative and entertaining is a hard thing to perfect. Though, it would be a shame going to the theater to see this film waiting for the heads to start rolling to the right and to the left, missing out the whole experience of having an honest story about the medieval life being told right in front of your eyes by common people.
This is the first part of the story of Arn. Now I have my hopes up for the second movie to round up this tale as well as or better than this first part started it.