Peter Duncan (written by)
Kees van der Hulst (screenplay)
31 January 2008 (Netherlands) more
to love, sometimes we must risk everything.
An Outback farmer takes in an Afghani woman who has fled from a brothel. | full synopsis
15 wins & 13 nominations more
Sandler's 'Zohan' tops Aussie chart
(From digitalspy. 25 June 2008, 4:04 AM, PDT)
Well done more (8 total)
| William McInnes | ... | John Woldring | |
| Monic Hendrickx | ... | Tahmeena | |
| Milo | ... | Elvis | |
| Bille Brown | ... | Bob Potter | |
| Christopher Sommers | ... | Mike Potter | |
| David Field | ... | Sgt Carl Allen | |
| Sam Cotton | ... | Angus | |
| Christina Anderson | ... | Supermarket Shopper | |
| Renai Caruso | ... | Kate | |
| Scott McRae | ... | Policeman #1 | |
| Roy Billing | ... | Royce | |
| Mercia Deane-Johns | ... | Barbara | |
| Philippa Coulthard | ... | Rose | |
| rest of cast listed alphabetically: | |||
| Hannah Cocker | ... | Shahla (11yo) | |
| Zulaikha Deen | ... | Shahla (6yo) | |
Directed by | |||
| Peter Duncan | |||
Writing credits(in alphabetical order) | ||
| Peter Duncan | written by | |
| Kees van der Hulst | screenplay "De Poolse bruid" | |
Produced by | |||
| Tom Hoffie | .... | co-producer | |
| San Fu Maltha | .... | executive producer | |
| Hanneke Niens | .... | co-producer | |
| Cathy Overett | .... | producer | |
| Mark Overett | .... | executive producer | |
| Anton Smit | .... | producer | |
Original Music by | |||
| Antony Partos | |||
Cinematography by | |||
| Robert Humphreys | |||
Film Editing by | |||
| Suresh Ayyar | |||
Casting by | |||
| Anousha Zarkesh | |||
Production Design by | |||
| Laurie Faen | |||
Set Decoration by | |||
| Rebecca Cohen | |||
Makeup Department | |||
| Bliss Macgillicuddy | .... | makeup supervisor | |
Production Management | |||
| Colleen Clarke | .... | post-production supervisor | |
| Troy Clarke | .... | unit manager | |
| Tom Hoffie | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Clabburn | .... | first assistant director | |
| Joanne Pearce | .... | second assistant director | |
Art Department | |||
| Christian Petersen | .... | set dresser | |
| Nathalia Rayfield | .... | art department coordinator | |
| Jason Segal | .... | scenic artist | |
Sound Department | |||
| Anne Breslin | .... | sound | |
| Jason Hancock | .... | foley recordist | |
| Phil Heywood | .... | sound re-recording mixer | |
| Andrew Plain | .... | supervising sound editor | |
| John Simpson | .... | foley artist | |
| Ian Thomson | .... | boom operator | |
| William Ward | .... | sound designer | |
| William Ward | .... | sound editor | |
Visual Effects by | |||
| Matt Chance | .... | compositor: Cutting Edge | |
| Tim Walker | .... | compositor: Cutting Edge | |
Stunts | |||
| Danny Baldwin | .... | stunt coordinator | |
Editorial Department | |||
| Trish Cahill | .... | digital intermediate colorist | |
| Cheryl Potter | .... | first assistant editor | |
| Justin Ngy Tran | .... | digital intermediate on-line editor | |
Music Department | |||
| Laura Bishop | .... | orchestrator | |
| Kim Green | .... | music licensing | |
| James K. Lee | .... | orchestrator | |
| Jessica Wells | .... | orchestrator | |
| Matteo Zingales | .... | composer: additional music | |
Other crew | |||
| Sophie Dick | .... | production coordinator | |
| Andrew Hollamby | .... | production runner | |
| Rebecca Howcroft | .... | assistant accountant | |
| Nathan Smith | .... | lab liaison | |
| Scott Stewart | .... | location manager | |
Céu Inacabado (Brazil) (cable TV title) [pt]
more
94 min
1.85 : 1 more
Referenced in "De wereld draait door: (#4.67)" (2008) more
| Recent Posts (updated daily) | User |
|---|---|
| It's Good Movie | wolfy_61 |
| ending? | amurai_butterfly |
| ending? | amurai_butterfly |
| AFI awards | AussieGirl64 |
| Above average film w some issues. | tomas_ernst |
| QUT Intersection Shoot | plevstermp5k |
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| News articles | IMDb Drama section | IMDb Australia section |
| Add this title to MyMovies |
Interesting concept. It was quite well acted, it had captivating cinematography at times, and I found it entertaining, humorous, and humane. Overall a good, solid movie without the usual boring script. I was surprised, as I usually find independent movies a total hit or miss experience. This one, shockingly, had a clear ending with only a minimal cheesy factor :) I vacillated between feeling compassion for the characters and respect for the director/script writer. I would whole heartedly recommend the watching of this movie and look forward to see how other individuals react. I would be interested in knowing if there was an alternate ending to the movie.