| Jacques Nolot | ... | Pierre Pruez | |
| Jean-Pol Dubois | ... | L'homme | |
| Marc Rioufol | ... | Paul | |
| Bastien d'Asnières | ... | Marc | |
| Gaetano Weysen-Volli | ... | Le beau gosse du resto chinois | |
| Bruno Moneglia | ... | Bruno | |
| David Kessler | ... | Le psy Manosky | |
| Rémy Le Fur | ... | Le commissaire-priseur | |
| Jean Pommier | ... | Georges, le notaire | |
| Lyes Rabia | ... | Khalid, le livreur | |
| Lionel Goldstein | ... | David | |
| Bernard Herlem | ... | Richard | |
| Claudine Sainderichin | ... | Femme assurances | |
| Albert Mainella | ... | Toutoune | |
| Jean-Paul Chagniot | ... | Willem | |
| Isabelle Boudot de la Motte | ... | Marie-Odile | |
| Josianne Daussy | ... | Femme exposition | |
| Florence Bouteau | ... | Capitaine Laforge | |
| Raphaëline Goupilleau | ... | Voisine Toutoune | |
| Isabel Arias | ... | La femme de ménage | |
| Alimata Camara | ... | La concierge | |
| David Lefèvre | ... | Flic atelier | |
| Yann Gohiec | ... | Responsable Prisunic |
Directed by | |||
| Jacques Nolot | |||
Writing credits(in alphabetical order) | ||
| Jacques Nolot | ||
Produced by | |||
| Pauline Duhault | .... | producer | |
Cinematography by | |||
| Josée Deshaies | |||
Film Editing by | |||
| Sophie Reine | |||
Production Design by | |||
| Gaëlle Guitard | |||
Costume Design by | |||
| Sophie Lifshitz | |||
| Eléonore O'Byrne | |||
Makeup Department | |||
| Julie David | .... | key makeup artist | |
Production Management | |||
| Xavier Champagnac | .... | unit production manager | |
| Olivier Gravenhorst | .... | post-production supervisor | |
| David Léotard | .... | production manager | |
Sound Department | |||
| Jean-Pierre Laforce | .... | sound mixer | |
| Jean Mallet | .... | sound editor | |
| Fred Mays | .... | post-synchronization | |
| Jean-Louis Ughetto | .... | sound | |
| Benjamin Viau | .... | foley recordist | |
Camera and Electrical Department | |||
| Elodie Benguettat | .... | second assistant camera | |
| François Gallou | .... | electrician | |
| Catherine Georges | .... | first assistant camera | |
| Marianne Lamour | .... | gaffer | |
Editorial Department | |||
| Jimmy Christophe | .... | color timer | |
| Tuong Vi Nguyen-Long | .... | assistant editor | |
Music Department | |||
| Dom Kelly | .... | musician: oboe (uncredited) | |
Thanks | |||
| Benjamin Goumard | .... | thanks | |
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| My Own Private Idaho | Ceux qui m'aiment prendront le train | Los novios búlgaros | L'homme que j'aime | Le temps qui reste |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Like Pierre (Jacques Nolot), I know how difficult it is to get up in the morning and start your day. The hanging flesh a reminder of your advancing age and the splendid youth that is just a fading memory.
Pierre is not a happy, or likable man. He sleeps a lot during the day on a ratty couch, bemoans the lovers who have left him, and has no one to relate to as he awaits the cemetery plot he has already chosen. Life is just endless cigarettes and coffee. When visiting with friends they moan about money and constantly complain. He is reduced to paying for sex, which just serves as a reminder of his lost youth.
He refuses to increase his HIV treatments because he will lose his hair and "have the face of an Auschwitz victim." Depressing, but a fine performance by Nolot.