IMDb > Disengagement (2007)

Disengagement (2007) More at IMDbPro »

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Release Date:
9 October 2009 (USA) See more »
Genre:
Plot:
A political drama centered around Israel's pullout from the occupied Gaza strip, in which a French woman of Israeli origin comes to the Gaza Strip to find her long ago abandoned daughter. Full summary » | Add synopsis »
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The best part is the ensemble of extras See more (7 total) »

Cast

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Directed by
Amos Gitai 
 
Writing credits
(in alphabetical order)
Amos Gitai 
Marie-Jose Sanselme 

Produced by
Tilde Corsi .... co-producer
Pierfrancesco Fiorenza .... co-producer
Christoph Friedel .... co-producer
Gadi Levy .... line producer
Richard Lormand .... associate producer
Patrick Sobelman .... co-producer
Claudia Steffen .... co-producer
Laurent Truchot .... producer
 
Original Music by
Simon Stockhausen 
 
Cinematography by
Christian Berger 
 
Film Editing by
Isabelle Ingold 
 
Casting by
Ilan Moscovitch 
 
Production Design by
Emmanuel de Chauvigny 
Tim Pannen 
Eli Zion 
 
Costume Design by
Moïra Douguet 
 
Makeup Department
Cédric Gérard .... makeup artist
 
Production Management
Fabrice Chevrollier .... production manager: France
Viola Fügen .... post-production supervisor
Christian Heinz .... unit manager: Germany
Elke Sasserath .... production manager germany
 
Second Unit Director or Assistant Director
Denis Gerault .... first assistant director: France, Germany
Corinne Le Hong .... second assistant director
Shir Shoshani .... second assistant director
 
Art Department
Tim Pannen .... production design: Germany
 
Sound Department
Roland Duboué .... dialogue editor
Séverin Favriau .... sound editor
John Iranzo .... boom operator
Nikolas Javelle .... sound editor
Micki Joanni .... synchron editor
Michel Kharat .... sound
Oded Ringel .... sound editor
Stéphane Thiébaut .... sound re-recording mixer
Pascal Villard .... sound designer
Pascal Villard .... sound editor
 
Visual Effects by
Thomas Menz .... title animator: CinePostproduction GmbH
Phillipp Sauermann .... digital artist
 
Camera and Electrical Department
Gerald Helf .... first assistant camera
Kimber Lee Jerrett .... gaffer
Christian Kitscha .... camera focus: "b" camera
Christian Kitscha .... second assistant camera
 
Costume and Wardrobe Department
Moïra Douguet .... wardrobe designer
 
Other crew
Julie Aguttes .... second assistant director: France
Rose Bouchetit .... location manager: France
Isabelle Gattiker .... production coordinator
Aurélia Morali .... production assistant: France
Sari Turgeman .... script
 
Thanks
Dominique Besnehard .... thanks
Maxime Delauney .... thanks
 

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Additional Details

Also Known As:
"Désengagement" - France
"Disimpegno" - Italy
"Hitnatkoot" - Israel (Hebrew title)
"Trennung" - Germany
"A Retirada" - Brazil (festival title), Portugal (imdb display title)
"Aproximação" - Brazil
"Kivonulás" - Hungary (imdb display title)
"Viaii aposyrsi" - Greece (DVD title)
"W zawieszeniu" - Poland (imdb display title)
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Runtime:
Canada:115 min (Toronto International Film Festival)
Country:
Color:
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Filming Locations:

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4 out of 12 people found the following review useful.
The best part is the ensemble of extras, 9 August 2010
Author: Nozz from Israel

The movie starts with a long conversation that seems written solely to enable a character to complain that the Arabs of Palestine are not recognized as a distinct nation although (contends this character, who is never seen again) they have been one for hundreds of years. It continues with a long interlude of existential/claustrophobic drama in a large house in Avignon occupied by the fresh corpse of an old professor, his frequently and unaccountably merry daughter, and his adopted son from Israel, with whom the daughter flirts. This interlude fails perhaps because the actors seldom have a line in their native language and therefore can't summon up the mojo to give the cryptic relationships interest. Then it appears that according to the old man's will, to which the daughter unsuccessfully tries to forge a change, the daughter must now go visit her own abandoned daughter who lives in Gaza in a Jewish settlement which the son already has military orders to coincidentally, at the very same time, go help dismantle. The dismantling of the settlement, re-enacted up the coast at Nitzanim, looks reasonably realistic, at least if you judge by the news footage of the time. A fairly large troupe of bit players does justice to the soldiers and the settlers, and the camera conveys the atmosphere well. As the old man's daughter meets her own daughter and they, at least briefly, lose one another again during the evacuation, is their relationship supposed to symbolize something about the political situation? Or vice versa? What do the scenes in Gaza have to do with the matters raised in the Avignon scenes? A viewer is tempted to think that perhaps Gaza was introduced for no reason but to link an otherwise boring and incomplete movie to a hot item from the recent news pages.

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