| Sylvie Testud | ... | Camille | |
| Pascal Greggory | ... | Le Lieutenant | |
| Guillaume Verdier | ... | Le cadet | |
| rest of cast listed alphabetically: | |||
| Pascale Bodet | ... | La fille de la colline | |
| Bob Boisadan | ... | Le guitariste | |
| Jean-Christophe Bouvet | ... | Elias | |
| Didier Brice | ... | Jean | |
| Philippe Chemin | ... | L'agent de liaison | |
| Guillaume Depardieu | ... | François | |
| Benjamin Esdraffo | ... | Pierre | |
| Michel Fossiez | ... | Le hautboïste | |
| Vincent Fraiscinet | ... | Le gendarme | |
| Laurent Lacotte | ... | Frédéric | |
| Emmanuel Levaufre | ... | Elias's son | |
| Pierre Léon | ... | Alfred | |
| François Négret | ... | Jacques | |
| Cécile Reigher | ... | Camille's sister | |
| Laurent Talon | ... | Antoine | |
| Lionel Turchi | ... | Le violoniste | |
| Laurent Valéro | ... | Le bandonéoniste | |
| Mehdi Zannad | ... | La sentinelle | |
Directed by | |||
| Serge Bozon | |||
Writing credits(in alphabetical order) | ||
| Serge Bozon | ||
| Axelle Ropert | ||
Produced by | |||
| Lola Gans | .... | associate producer | |
| Philippe Martin | .... | producer | |
| Géraldine Michelot | .... | associate producer | |
| David Thion | .... | producer | |
Original Music by | |||
| Benjamin Esdraffo | |||
| Laurent Talon | |||
| Mehdi Zannad | |||
Cinematography by | |||
| Céline Bozon | |||
Film Editing by | |||
| François Quiqueré | |||
Casting by | |||
| Stéphane Batut | |||
Costume Design by | |||
| Renaud Legrand | |||
| Elisabeth Mehu | |||
Makeup Department | |||
| Stéphane Malheu | .... | hair stylist: Sylvie Testud | |
| Francoise Sanner | .... | special makeup effects artist | |
| Milou Sanner | .... | hair stylist | |
| Michel Vautier | .... | makeup artist | |
Production Management | |||
| Hélène Bastide | .... | production manager | |
| Benjamin Cohenca | .... | unit manager trainee | |
| Marianne Gielara | .... | assistant unit manager | |
| David Hedrich | .... | production secretary | |
| Jérôme Petament | .... | unit manager | |
| Simon Vautier | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Nadège Catenacci | .... | trainee assistant director | |
| Julie Gouet | .... | second assistant director | |
| Thomas Longuet | .... | first assistant director | |
Art Department | |||
| Mathieu Barnet | .... | assistant decorator | |
| Brigitte Brassart | .... | set designer | |
| Grégoire Chombard | .... | constructor | |
| Roland Ciprut | .... | constructor | |
| Lionel Claude | .... | construction manager | |
| Ludovic Garçon | .... | constructor | |
| Gurgon Kyap | .... | constructor | |
Sound Department | |||
| André Cappello | .... | sound recordist (as André Capello) | |
| Mathieu Chatagnon | .... | additional boom operator | |
| Florian Fabre | .... | assistant foley artist | |
| Laurent Gabiot | .... | sound mixer | |
| Pauline Gaillard | .... | sound editor | |
| Eric Grattepain | .... | foley artist | |
| Adrien Guillemot | .... | sound recordist | |
| Gildas Mercier | .... | post-synchronisation | |
| Pierre-Yves Nussbaum | .... | sound recordist | |
| Loïc Pommiès | .... | boom operator | |
| Olivier Roche | .... | sound mix technician | |
| Carole Verner | .... | dialogue editor | |
Visual Effects by | |||
| Béatrice Bauwens | .... | visual effects coordinator | |
| Sophie Denize | .... | visual effects coordinator | |
| Cédric Fayolle | .... | visual effects supervisor | |
| Jean Baptiste Le Guen | .... | scan and shoot | |
| Mathieu Leclercq | .... | color timer | |
Stunts | |||
| Alain Barbier | .... | stunt coordinator | |
| Gilles Conseil | .... | stunt coordinator | |
| Frédéric Dessains | .... | stunt double | |
| Sylvain Gabet | .... | stunt double | |
| Emilie Jumeaux | .... | stunt double | |
Camera and Electrical Department | |||
| Marion Befve | .... | first assistant camera | |
| Carole Bethuel | .... | still photographer | |
| Pierre Bonnet | .... | gaffer | |
| Justine Bourgade | .... | assistant camera | |
| Odile Euriat | .... | second assistant camera | |
| Vincent Garat | .... | groupman | |
| Gaston Grandin | .... | grip | |
| Morvan Omnes | .... | key grip | |
| Hervé Renoud-Lyay | .... | grip (as Hervé Renoud-Lyat) | |
| Didier Rollot | .... | electrician (as Didier Rolot) | |
Casting Department | |||
| Stéphane Foenkinos | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Véronique Gely | .... | costumer | |
| Clémence Abigaïl Grivelet | .... | additional costumer (as Clémence Grivelet) | |
Editorial Department | |||
| David Hedrich | .... | post-production assistant | |
| Sophie Lustière | .... | color timer | |
| Magalie Léonard | .... | color timer | |
| Juliette Mallon | .... | post-production coordinator | |
| Vladimir Rodionov | .... | assistant editor (as Vladimir Rodionoff) | |
Other crew | |||
| Chrystèle Bru | .... | production assistant | |
| David Faivre | .... | animal coordinator | |
| Florence Lemoine | .... | production administrator | |
| Chloé Lorenzi | .... | press attache | |
| Rémi Orain | .... | assistant | |
| Benjamin Pasquier | .... | production administrator | |
| Johanna Zerbib | .... | production secretary | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I would not have watched this film had I known it was a musical. Not my genre. There are only four songs and they are mercifully not too long. They were recorded live while shooting and the compositions have an odd unpolished quality.
It's 1917 in northern France. A company of eleven French soldiers, including a lieutenant, are moving through the countryside. A woman impersonating a man succeeds in joining the company. While the mission of the company is not immediately revealed, the woman is on a quest to find her husband, also a soldier at the front, whose whereabouts are unknown. The film is taken up by the journey of those twelve characters.
The war is near but battles don't make it to the screen. You may see some smoke, hear the sound of cannons and explosions, and see a few dead bodies. The war is context but it's depiction is not central. The stress is on the men of the company and the interloper they have adopted.
The musical numbers are surreal interludes. Out of the blue makeshift instruments appear, mostly string, a piano once and a clarinet. Obviously the soldiers are not carrying them around. It's fanciful and it rubbed me in the wrong way.