Rayne fights against the Nazis in Europe during World War II, encountering Ekart Brand, a Nazi leader whose target is to inject Adolf Hitler with Rayne's blood in an attempt to transform ... See full summary »
A modern day assassin, wanting out, is hired for one final job: to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ... See full summary »
Keegan Connor Tracy
It's a hundred years later, and the dhampir Rayne has arrived in the town of Deliverance, Montana where a group of vampire cowboys have emerged. Led by Billy the Kid, hell-bent on creating his own kingdom, he slaughters townspeople and rounds up children. He spares the life of Chicago Chronicle reporter Newton Pyles. Rayne aligns herself with Pat Garret, a member of the long-thought-dead Brimstone society, a dishonest preacher, and a lowlife named Franson, to stop Billy the Kid and show the world how the West was really won. Written by
Chris Walker (email@example.com)
In the scene where Billy the Kid bites the girl laying on his lap, the bite marks and blood (when viewed from girl's right profile) are located in the center of the throat. A few seconds later, when viewed from above, the bite marks and blood have moved 2 or 3 inches to the left. See more »
Miss, you don't know WHAT you're dealing with!
Well, then that's fair 'cause neither do they.
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Although I enjoy a good movie immensely, I don't follow the industry press too closely, so imagine my surprise when I fell upon a sequel to BloodRayne as I thumbed through the DVD's at my local. I had to read every word of the cover to convince me this wasn't some sick practical joke, and sure enough there was the name...Uwe Boll. With the kind of trepidation one would normally reserve for a trip to an Albanian dentist, I handed over the case for purchase and the knowledgeable shop girl sympathetically paused slightly giving me the opportunity to change my mind. No...I gotta do it...bring it on!!
This is not a good movie. But it it isn't the silo of crap that the first one was either. I may be wrong, but like a vulture circling around a carcass, is Uwe Boll homing in on a style? As I say, this is not a good movie, but it was entertaining with a very small "e". The acting (aided and abetted by a poor script) was awful, the camera-work was dire, the story was way beyond my powers of disbelief suspension...but...there were some redeeming qualities that give us a glimmer of hope that Uwe Boll MAY get it right one day.
I think that despite an ego the size of Brazil, Boll DID listen to his critics of BloodRayne. The schlock was tamer (and much, much better for it) the continuity was slicker (not good, but slicker) and the cinematography, in parts, was almost approaching average.
So....continuing the analogy, should Boll's beneficent backers suspend their own disbelief up to, say, BloodRayne 20, the vulture may indeed feast on its carcass and Boll may yet deliver a film that forces us to pen a comment free of the word "crap".
Is this movie Uwe Boll's own Deliverance?.....No, but like Billy the Kid, at least he has incredibly risen from the dead.
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