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Directed by | |||
| Claude Chabrol | |||
Writing credits | ||
| Cécile Maistre | (scenario, adaptation and dialogue) and | |
| Claude Chabrol | (scenario, adaptation and dialogue) | |
Produced by | |||
| Patrick Godeau | .... | producer | |
Original Music by | |||
| Matthieu Chabrol | |||
Cinematography by | |||
| Eduardo Serra | |||
Film Editing by | |||
| Monique Fardoulis | |||
Production Design by | |||
| Françoise Benoît-Fresco | |||
Costume Design by | |||
| Mic Cheminal | |||
Makeup Department | |||
| Maya Benamer | .... | key makeup artist | |
| Alexandre Laforest | .... | hair stylist | |
| Aurélie Rameau | .... | assistant makeup artist | |
Production Management | |||
| Grégory Back | .... | assistant unit manager | |
| Julien Brun | .... | assistant unit manager | |
| Michel Jullien | .... | production manager | |
| Cecile Regnauld | .... | assistant unit manager | |
| Sandrine Rouquié | .... | assistant production manager | |
Art Department | |||
| Catherine Pierrat | .... | set dresser | |
| Miss Tic | .... | poster designer | |
| Audrey Vincent | .... | painter | |
Sound Department | |||
| Sophie Chiabaut | .... | boom operator | |
| Vincent Cosson | .... | sound re-recording mixer | |
| Eric Devulder | .... | sound | |
| Michel Filippi | .... | adr supervisor | |
| Thierry Lebon | .... | sound re-recording mixer | |
| Julien Naudin | .... | foley artist | |
| Seppe van Groeningen | .... | boom operator | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Visual Effects by | |||
| Guillaume Bauer | .... | compositor | |
| Marc Bonneviot | .... | digital compositor | |
| Nicolas David | .... | visual effects | |
| David Rodrigues | .... | digital artist | |
Camera and Electrical Department | |||
| Florent Bazin | .... | first assistant camera | |
| Eric Bonnaire | .... | grip | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Delphine Desbruères | .... | second assistant camera | |
| Moune Jamet | .... | still photographer | |
| Damien Lecoq | .... | additional electrician | |
| Dominique Robert | .... | key grip | |
| Emmanuel Théry | .... | additional electrician | |
Casting Department | |||
| Maguy Aimé | .... | casting assistant | |
| Cécile Maistre | .... | casting assistant (as Mademoiselle Chouchou) | |
Costume and Wardrobe Department | |||
| Sandrine Bernard | .... | costumer | |
| Valérie Sanis | .... | additional dresser | |
Editorial Department | |||
| Christophe Bousquet | .... | color timer | |
| Stanislas Moreau | .... | assistant editor | |
Music Department | |||
| Laurent Petitgirard | .... | conductor | |
| Maurice Vallet | .... | composer: additional music | |
Other crew | |||
| Aurore Chabrol | .... | script supervisor | |
| Stéphanie Fouet | .... | administrator | |
| Catherine Franquin | .... | location scout (as Cathy Franquin) | |
| Nicolas Porte | .... | location scout | |
| Sandrine Rouquié | .... | production assistant | |
| Eva Simonet | .... | press attache | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
The first thing that pops in mind after watching 'La fille coupée en deux' (= French for 'the girl cut into two parts') is, that this film provides good entertainment.
Devoid of any intellectual or philosophical pretensions, director Claude Chabrol's product does not tell an original story either. It deals with a love affair of a married man over 50, with a girl that easily could have been his daughter. Having another male lover of her own age in the background, this triangle predictably results in disaster.
What makes 'La fille coupée en deux' special, however, is the refined, typical French way of telling its story. Although doubtless serious, the plot of this film never and nowhere puts a heavy weight on your mind. The advertising on my DVD's French sleeve hits it well: "a dramatic comedy, soft as well as bitter, orchestrated by a master's hand".
Good entertainment, I said. No more than that - and certainly no less than that.