7.9/10
99,689
338 user 236 critic

Once (2007)

A modern-day musical about a busker and an immigrant and their eventful week in Dublin, as they write, rehearse and record songs that tell their love story.

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Writer:

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3,480 ( 139)

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ON DISC
Won 1 Oscar. Another 22 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Guy
...
Girl (as Marketa Irglova)
Hugh Walsh ...
Timmy Drummer
Gerard Hendrick ...
Lead Guitarist (as Gerry Hendrick)
Alaistair Foley ...
Bassist
Geoff Minogue ...
Eamon
Bill Hodnett ...
Danuse Ktrestova ...
Girl's Mother
Darren Healy ...
Mal Whyte ...
Bill
...
Ex Girlfriend
Niall Cleary ...
Bob
Wiltold Owski ...
Man watching TV
Krzysztos Tlotka ...
Man watching TV
Tomek Glowacki ...
Man watching TV
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Storyline

An unnamed guy is a Dublin guitarist/singer/songwriter who makes a living by fixing vacuum cleaners in his Dad's Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. An unnamed girl is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her Mom and her daughter by night. Guy meets girl and they get to know each other as the girl helps the guy put together a demo disc that he can take to London in hope of landing a music contract. During the same several day period, the guy and the girl work through their past loves, and reveal their budding love for one another, through their songs. Written by Charles Delacroix

Plot Summary | Plot Synopsis

Taglines:

How often do you find the right person?

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

15 June 2007 (USA)  »

Also Known As:

Jednom  »

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Box Office

Budget:

€180,000 (estimated)

Opening Weekend USA:

$61,901, 20 May 2007, Limited Release

Gross USA:

$9,439,923
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Carney was previously a member of The Frames, the band led by Glen Hansard. See more »

Goofs

When Girl first takes Guy back to her flat, she introduces her daughter to him as 'Ivanka', and yet every time afterward that her name is mentioned, it's always 'Ivana' See more »

Quotes

[first lines]
Heroin Addict: Fuckin' deadly you are, man.
Guy: Don't fucking... don't fucking go near that case.
Heroin Addict: What? I'm just tying me laces, man.
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Connections

References Casablanca (1942) See more »

Soundtracks

All The Way Down
Written by Glen Hansard
Performed by Glen Hansard
Publishing courtesy of Toby Darling
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Frequently Asked Questions

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User Reviews

 
And so it happened once ...
3 June 2007 | by See all my reviews

From the moment ONCE begins, it is clear that the experience about to be had is unlike any you've had before. A busker sings for his dollar in the street. The quality of the image is grainy; the steadiness of the camera is shaky at best. The day turns into night and the song goes from bright to dark. The passion with which it is sung is almost overwhelming and suddenly borders on off putting. From the manner in which the busker is framed, it isn't clear whether anyone is there to hear his song but his fervor brushes skepticism aside and declares that the song itself and the satisfaction derived from singing it, outweigh the importance of having someone hear it. But someone is listening after all. A young woman from the Czech Republic stands transfixed before our busker on this Dublin street and a spark ignites the flame that gives ONCE its warmth. Writer/Director, John Carney, removes all convention from the movie musical and creates a film that reads like a well-written love song about two musicians falling in love with each other and the music they create together.

In the early 90's, Carney left his rock group, The Frames, to pursue a career in film-making. The Frames continued on without him and new lead singer, Glen Hansard, eventually took leave to search out new musical ventures, moving from Dublin to the Czech Republic. Here he met Marketa Irglova, a classically trained pianist, and they developed a project entitled The Swell Season. Though the two are not linked romantically, their meeting and the music that came out of that became Carney's inspiration for ONCE. During the week that follows their initial meeting on the street, the two artists who are never referred to by name in the film, learn to accept that they are inexplicably drawn to each other. Given the chance, a relationship between the two could become one that would help each other grow. He would make a great father figure to her young child and she would drive him to make something of himself. Though ONCE's tone is simple, these two characters' lives are not. He has a girlfriend in London he longs to be with but feels he cannot out of obligation to his father in Dublin, while she is still married to an estranged husband whom she is unsure she has a future with. The trick then becomes to remain in the moment with each other and never allow for their relationship to go where it naturally feels it should.

Albeit a modern approach to a movie musical, ONCE is not so modern that it leaves the music behind. Instead the music becomes the catalyst for love. She is first drawn to him by the sound of his song. He sings it with such passion that it gives her a direct view of his soul. It is not all who are able to show such vulnerability yet when the song ends, he trips over his spoken words and nothing comes out as it should. At first, she almost seems a nuisance to him. It isn't until he hears the beautiful music she can make with her hands that the glimpse of her soul captures all his attention. Theirs is a mating ritual carried out in song. When one sings or plays, the other listens. When one cannot express the proper sentiment in words, it is music that gets the point across. When the two find themselves alone in a local musical instrument shop, they learn what it means to sing together. In order to do so, they must truly listen to the sound of the other's voice and fall into the same pace and rhythm of their notes. Their voices, as it turns out, are the perfect compliment to each other. The harmony they create leads into a song that is itself a representation of the love between them, both fragile and pure.

The delicate chemistry between Hansard and Irglova is framed in such a stripped fashion that it only further serves to concretize the genuine sincerity between the two. Almost entirely hand held and lit only with natural light, ONCE seems less like intricate film-making and more like layered storytelling, or perhaps more appropriately, song writing. Put simply, ONCE is like a perfectly soft song played acoustically in a park; it seeps into your soul, soothing you as the sun beats down upon your smiling face, allowing for all cynicism to melt away while your reaffirmed belief in love is sung from your mouth.


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