| Félix Lajkó | ... | Mihail | |
| Orsolya Tóth | ... | Fauna | |
| Lili Monori | ... | Mother | |
| Sándor Gáspár | ... | Mother's lover | |
| Gábor Fábián | |||
| Tamás Polgár | |||
| János Zancea | |||
| rest of cast listed alphabetically: | |||
| Lajos Bertók | ... | Mihail (uncredited) | |
| Mari Kiss | ... | (uncredited) | |
| Martin Wuttke | ... | (uncredited) | |
Directed by | |||
| Kornél Mundruczó | |||
Writing credits(in alphabetical order) | ||
| Yvette Biro | screenplay | |
| Kornél Mundruczó | screenplay | |
Produced by | |||
| Philippe Bober | .... | producer | |
| Gábor Kovács | .... | co-producer | |
| Susanne Marian | .... | co-producer | |
| Ági Pataki | .... | co-producer | |
| Viktória Petrányi | .... | producer | |
| András Poós | .... | co-producer: TV2 | |
Original Music by | |||
| Félix Lajkó | |||
Cinematography by | |||
| Mátyás Erdély | |||
Film Editing by | |||
| Dávid Jancsó | |||
Casting by | |||
| Laura Grosu | |||
| Liliana Toma | |||
Production Design by | |||
| Márton Ágh | |||
Art Direction by | |||
| Judit Varga | |||
Costume Design by | |||
| János Breckl | |||
Makeup Department | |||
| Rita Fekete | .... | key makeup artist/hair | |
Second Unit Director or Assistant Director | |||
| János György | .... | first assistant director | |
Sound Department | |||
| Gábor Balázs | .... | sound | |
| Tamás Zányi | .... | sound | |
Special Effects by | |||
| Sebastian Csaba Kiss | .... | special effects crew | |
Visual Effects by | |||
| Anna Hidvegi | .... | post production coordinator | |
| Csaba Juhász | .... | visual effects supervisor | |
Stunts | |||
| Attila Nemes | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Catalin Ciobanu | .... | electrician | |
| Péter Faludi | .... | video assist operator | |
| Leonardo Fanone | .... | gaffer | |
| Florica George | .... | gaffer | |
| Gusztáv Kirsch | .... | focus puller | |
| 'Kis Gromek' László Molnár | .... | grip | |
| Attila Pfeffer | .... | Steadicam operator | |
| Marian Pisau | .... | grip | |
| Szabolcs Sipos | .... | electrician | |
| Lenke Szilágyi | .... | still photographer | |
| Balázs Vákár | .... | gaffer | |
Editorial Department | |||
| Matyas Fekete | .... | assistant editor | |
| Ádám Halász | .... | colorist | |
| Benedek Kabán | .... | telecine colorist | |
| László Kovács | .... | telecine colorist | |
| Judit Szép | .... | film grader | |
Other crew | |||
| Paul Coseru | .... | location manager | |
| Krisztina Szigeti | .... | script supervisor | |
| Bernadett Tuza-Ritter | .... | continuity | |
Thanks | |||
| Ágnes Hranitzky | .... | special thanks | |
| Béla Tarr | .... | special thanks | |
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| Festen | Kika | Monster | Sunshine | Szép napok |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hungary section |
The scene consists of the wetlands around a large river. The people are a family and a number of people from the small village they live in. Life is on a pretty much normal path until one of the family members, a man in his thirties, returns after a period of being away. He wants to live in a cabin he wants to build himself, right in the middle of the wetlands. All starts off well. He's getting the materials he needs for the building, the provisions he needs for living. Then he gets company - his sister joins him in the building of the cabin. And as time passes by and the cabin starts to take shape, things start to turn a bit ugly - the two of them cross a border that brother and sister should not cross.
And there is the tale of the film. How does one deal with a taboo like this? Brother and sister as a pair. Can one accept it? Or is it something that should not be tolerated, no matter the costs of breaking them up? This film, worked out very soberly (which is an absolute plus), shows how people respond to something like this happening and draws a very fine line between trying to grow sympathy for the brother and sister - and a cooler distance towards the people of the town. The ending is easy to predict - it is inevitable given the situation. It's a bitter pill though. And so we have it: a harsh message packed in the most sober wrapping.
8 out of 10 pained relatives