Directed by | |||
| Bertrand Tavernier | |||
Writing credits(WGA) | ||
| Jerzy Kromolowski | (screenplay) & | |
| Mary Olson-Kromolowski | (screenplay) | |
| James Lee Burke | (novel "In the Electric Mist with Confederate Dead") | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Bruno de Keyzer | |||
Film Editing by | |||
| Thierry Derocles | (french version) | ||
| Larry Madaras | |||
| Roberto Silvi | |||
Casting by | |||
| Lisa Mae Fincannon | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Merideth Boswell | |||
Art Direction by | |||
| Kelly Curley | |||
Set Decoration by | |||
| Elizabeth Keenan | |||
Costume Design by | |||
| Kathy Kiatta | |||
Makeup Department | |||
| Leo Corey Castellano | .... | prosthetic design and application | |
| Tarra D. Day | .... | makeup artist: Mr. Jones | |
| Tarra D. Day | .... | makeup department head | |
| Krystal Kershaw | .... | additional makeup artist | |
| Darryl Lucas | .... | additional makeup | |
| Yolanda Mercadel | .... | key hair stylist | |
| Kellie Robinson | .... | makeup artist | |
| Remi Savva | .... | makeup artist | |
| Donna Spahn | .... | department head: hair | |
Production Management | |||
| Olivier Gravenhorst | .... | post-production supervisor | |
| John Hardy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Phil Hardage | .... | first assistant director (as Philip Hardage) | |
| Katie Tull | .... | second assistant director (as Kathleen Tull) | |
Art Department | |||
| Michael Calabrese | .... | leadman | |
| John C. Cameron | .... | assistant property master | |
| Monique Champagne | .... | set decoration buyer | |
| Chris Clinton | .... | art department production assistant | |
| Ryan Martin Dwyer | .... | set dresser | |
| Jaime Fernandez | .... | on-set dresser | |
| Virginia Fuselier | .... | art department production assistant | |
| Sara L. Holman | .... | art department coordinator | |
| Michael A. Johnson | .... | leadman | |
| Alexander Lasseigne III | .... | set dresser | |
| Daniel A. Maes | .... | set dresser | |
| Keith Walters | .... | property master | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| David Bach | .... | sound re-recording mixer | |
| David Bach | .... | supervising sound editor | |
| Olivier Dô Hùu | .... | sound re-recording mixer | |
| Ryan Farris | .... | sound utility | |
| Alan Freedman | .... | adr mixer | |
| Heather Gross | .... | sound effects editor | |
| Catherine Harper | .... | foley artist | |
| Randall L. Johnson | .... | boom operator | |
| Tim LeBlanc | .... | sound re-recording mixer (as Timothy O. LeBlanc) | |
| Paul Ledford | .... | production sound mixer | |
| Darrin Mann | .... | foley mixer | |
| Christopher Moriana | .... | foley artist | |
| Bridget O'Driscoll | .... | supervising sound editor | |
| Kira Roessler | .... | additional dialogue editor (as Kira) | |
| Maxime Saleix | .... | sound mix technician | |
| Manuel Vidal | .... | dialogue editor | |
| Clayton Weber | .... | supervising foley editor | |
| Elmo Weber | .... | additional sound re-recording mixer | |
| Timothy D. McKeown | .... | sound editor (uncredited) | |
Special Effects by | |||
| Brian Bankston | .... | special effects technician (as Brian E. Bankston) | |
| Stephen Bourgeois | .... | special effects co-coordinator | |
| Bill Larson | .... | special effects foreman | |
| Michael Nami Sr. | .... | special effects foreman (as Michael Nami) | |
| David K. Nami | .... | special effects co-coordinator | |
| Ian M. Stockstill | .... | special effects technician (as Ian Moses Stockstill) | |
| Neil Stockstill | .... | special effects coordinator | |
| Rebecca Walker | .... | special effects assistant (as Rebecca L. Walker) | |
Visual Effects by | |||
| Greg Cheng | .... | digital effects artist | |
| Alan De Castro | .... | digital opticals (as Alan DeCastro) | |
| Michael Degtjarewsky | .... | digital compositor | |
| Emily Fenster | .... | visual effects associate producer | |
| Chris Flynn | .... | digital compositor | |
| David Geoghegan | .... | digital compositor | |
| Maureen Healy | .... | digital compositor (as Maureen Nixon) | |
| Alicia Johnson | .... | visual effects coordinator | |
| Patrick Keenan | .... | digital compositor | |
| Cristian A. Kong | .... | digital opticals (as Cristian Kong) | |
| Tom Lamb | .... | digital compositor | |
| Ladd Lanford | .... | visual effects producer | |
| Miles Lauridsen | .... | digital opticals | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Jenna Mateo | .... | digital opticals | |
| Matthew Melia | .... | digital opticals (as Matthew Melis) | |
| Jim O'Hagan | .... | digital compositor | |
| Dolores Pope | .... | digital compositor | |
| David Sosalla | .... | visual effects supervisor | |
| Sebastien Betsch | .... | digital painter (uncredited) | |
Stunts | |||
| Billy Burton | .... | stunt coordinator | |
| Louis Dupuy | .... | precision driver | |
Casting Department | |||
| Lisa Mae Fincannon | .... | location casting | |
| Brinkley A. Maginnis | .... | casting director: background | |
| Pepper Morgan | .... | extras casting | |
| Leslie Woo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Claire Bergkamp | .... | costumes coordinator | |
| Caryn Frankenfield | .... | costumer | |
| Misti Moreaux | .... | costume production assistant | |
| Leeann Radeka | .... | costume supervisor | |
| Stephanie A. Steel | .... | key costumer | |
Editorial Department | |||
| Cindy Bond | .... | digital intermediate producer | |
| Anders Bramsen | .... | teaser editor | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Maxine Gervais | .... | digital intermediate colorist | |
| Bob Hart | .... | negative cutter | |
| Alicia Johnson | .... | digital intermediate coordinator | |
| David Kennedy | .... | digital intermediate color assist | |
| Camille Langlais | .... | second assistant editor | |
| Sylvie Petat | .... | assistant editor | |
| Florent Retz | .... | first assistant editor | |
| Mark Sachen | .... | colorist: dailies | |
| Aidan Stanford | .... | color timer | |
Music Department | |||
| Michael K. Bauer | .... | music editor (as Mike Bauer) | |
| William Boston | .... | orchestrator (as Bill Boston) | |
| Johnny Caruso | .... | music editor | |
| Rossano Galante | .... | orchestrator | |
| David Greely | .... | music consultant: cajun music | |
| Janet Ketchum | .... | orchestra contractor | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score recordist | |
| Victor Pesavento | .... | music preparation | |
| Jason Ruder | .... | music editor | |
| Buck Sanders | .... | score co-producer | |
| Jacqueline Simms | .... | music supervisor | |
| Jamie Steele | .... | pro tools operator | |
| Kay Stern | .... | concert master | |
| Andre Zweers | .... | music digital recordist | |
Transportation Department | |||
| Dennis G. Carter | .... | driver | |
| Keith N. Collis | .... | driver co-captain | |
| Monica W. Fuller | .... | driver (as Monica Williamson) | |
| Danny Mortenson | .... | transportation coordinator | |
| Paul Salard III | .... | production van driver | |
| David Carlton White | .... | driver: honeywagon | |
| Jeff J. Williams | .... | driver: vip | |
Other crew | |||
| James Bearb | .... | production assistant | |
| Ken Beggs | .... | head animal trainer (as Ken Biggs) | |
| Michael Betz | .... | key assistant location manager | |
| Zach Broussard | .... | production assistant | |
| Robert Carvajal | .... | stand-in | |
| Bobbi Colorado | .... | animal coordinator | |
| Crystal Dallas | .... | key craft service | |
| Louis Dupuy | .... | stand-in | |
| Laura Fearon | .... | payroll accountant | |
| Jeff Galpin | .... | animal wrangler: crabs | |
| Michael Grigsby | .... | production accountant | |
| Miles Hardy | .... | location assistant | |
| Molly Harrison | .... | production assistant | |
| Rodney Hess | .... | production assistant | |
| Kendrick Hudson | .... | assistant production coordinator | |
| Jay Johnson | .... | lead title artist: Pacific Title | |
| Ashley Kravitz | .... | rights and clearances | |
| Jennifer Massetti | .... | title coordinator: Pacific Title | |
| Timothy D. McKeown | .... | post-production coordination | |
| Wayne Douglas Morgan | .... | staff assistant | |
| Stacy Parker | .... | production coordinator | |
| Brent Parris | .... | title coordinator: Pacific Title | |
| Jennalee Rhodes | .... | production assistant | |
| Rip Russell | .... | first assistant accountant | |
| Valerie Ryan | .... | location assistant manager | |
| Estelle Sanson | .... | administrator | |
| Risa Schultz | .... | animal trainer | |
| John Solis | .... | title graphics: Pacific Title | |
| Joanna Spears | .... | second assistant accountant | |
| Sam Sullivan III | .... | script supervisor | |
| Chris Welcker | .... | office production assistant | |
Thanks | |||
| Philippe Noiret | .... | dedicatee | |
|
|
|
|
|
| Mulholland Dr. | Rivelazioni di un maniaco sessuale al capo della squadra mobile | Mystic River | Slipstream | Just Cause |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I can count on my fingers with half my hand cut away the number of times I've ever been disappointed by Tommy Lee Jones's performance in a film. This film here is no exception. John Goodman is another who always delivers a solid performance and they both give us a great show. The writing of the script is solid and the setting of the film is provoking. The entire film works well with support from veteran character actors like Ned Beatty, craggy faced James Gammon and ex-drummer Levon Helm, as well as younger performers like Mary Steenburgen, Justina Machado,Kelly Macdonald and the up and coming Peter Sargaard.
One might argue that this kind of a role is almost type casting for Tommy Lee Jones but I would argue otherwise. An actor works with what he has and TLJ has always been able to use his face to great advantage from a stone-cold glare to a sheepish grin. The story is told from his character's point of view, in this case, a person with an uncompromising sense of justice-- not a paragon of virtue, by any means, but one who refuses to sacrifice his principles of right and wrong, i.e., the hero with a decidedly human face. The tension does not let up as the hunt draws closer and closer to the conclusion. While I think the little coda at the end was unneeded, it still works to make a good story.